#1 NEW YORK TIMES BESTSELLER • In her long-awaited memoir, Ina Garten—aka the Barefoot Contessa, author of thirteen bestselling cookbooks, beloved Food Network personality, Instagram sensation, and cultural icon—shares her personal story with readers hungry for a seat at her table. A BEST BOOK OF THE YEAR: The New York Times Book Review , Time, The New Yorker, Vanity Fair, Town & Country Here, for the first time, Ina Garten presents an intimate, entertaining, and inspiring account of her remarkable journey. Ina’s gift is to make everything look easy, yet all her accomplishments have been the result of hard work, audacious choices, and exquisite attention to detail. In her unmistakable voice (no one tells a story like Ina), she brings her past and her process to life in a high-spirited and no-holds-barred memoir that chronicles decades of personal challenges, adventures (and misadventures) and unexpected career twists, all delivered with her signature combination of playfulness and purpose. From a difficult childhood to meeting the love of her life, Jeffrey, and marrying him while still in college, from a boring bureaucratic job in Washington, D.C., to answering an ad for a specialty food store in the Hamptons, from the owner of one Barefoot Contessa shop to author of bestselling cookbooks and celebrated television host, Ina has blazed her own trail and, in the meantime, taught millions of people how to cook and entertain. Now, she invites them to come closer to experience her story in vivid detail and to share the important life lessons she learned along the way: do what you love because if you love it you’ll be really good at it, swing for the fences, and always Be Ready When the Luck Happens .

"A memoir from singer-songwriter Madison Beer, chronicling the past decade of her life spent in the spotlight"--

"For nearly five decades, Geddy Lee's playing and work as cowriter, vocalist, and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. This uniquely poignant memoir is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, named after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush, which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart -- deeply mourning Peart's passing -- and reveals his obsessions in music and beyond." --

Written at the height of her fame but not published until over a decade after her death, this autobiography of actress and sex symbol Marilyn Monroe (1926-1962) poignantly recounts her childhood as an unwanted orphan, her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio. In this intimate account of a very public life, she tells of her first (non-consensual) sexual experience, her romance with the Yankee Clipper, and her prescient vision of herself as "the kind of girl they found dead in the hall bedroom with an empty bottle of sleeping pills in her hand." The Marilyn in these pages is a revelation: a gifted, intelligent, vulnerable woman who was far more complex than the unwitting sex siren she portrayed on screen. Lavishly illustrated with photos of Marilyn, this special book celebrates the life and career of an American icon—-from the unique perspective of the icon herself.

Here is Jim Morrison in all his complexity-singer, philosopher, poet, delinquent-the brilliant, charismatic, and obsessed seeker who rejected authority in any form, the explorer who probed "the bounds of reality to see what would happen..." Seven years in the writing, this definitive biography is the work of two men whose empathy and experience with Jim Morrison uniquely prepared them to recount this modern tragedy: Jerry Hopkins, whose famous Presley biography, Elvis, was inspired by Morrison's suggestion, and Danny Sugerman, confidant of and aide to the Doors. With an afterword by Michael McClure.

Collecting material from half a century in comedy, a chronologically arranged selection of favorite skits and memories by the iconic funnyman includes selections from his original "Catch a Rising Star" performance.

A memoir in bite-size chunks from the author of the viral Modern Love column “You May Want to Marry My Husband.” “[Rosenthal] shines her generous light of humanity on the seemingly humdrum moments of life and shows how delightfully precious they actually are.” — The Chicago Sun-Times How do you conjure a life? Give the truest account of what you saw, felt, learned, loved, strived for? For Amy Krouse Rosenthal, the surprising answer came in the form of an encyclopedia. In Encyclopedia of an Ordinary Life she has ingeniously adapted this centuries-old format for conveying knowledge into a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere—preferably at the beginning—and see how one young woman’s alphabetized existence can open up and define the world in new and unexpected ways. An ordinary life, perhaps, but an extraordinary book.

One of the most influential, admired, and innovative women of our time: fashion designer, philanthropist, wife, mother, and grandmother, Diane von Furstenberg offers a book about becoming the woman she wanted to be. Diane von Furstenberg started out with a suitcase full of jersey dresses and an idea of who she wanted to be—in her words, “the kind of woman who is independent and who doesn’t rely on a man to pay her bills.” She has since become that woman, establishing herself as a global brand and a major force in the fashion industry, all the while raising a family and maintaining “my children are my greatest creation.” In The Woman I Wanted to Be , von Furstenberg reflects on her extraordinary life—from childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for an entire generation of women. With remarkable honesty and wisdom, von Furstenberg mines the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women, writing, “I want every woman to know that she can be the woman she wants to be.”

"Award-winning actor, rapper, and producer Ice-T unveils a compelling and astonishing memoir of his early life robbing jewelry stores until he found fame and fortune-while a handful of bad choices sent his former crime partner down an incredibly different path"--

Marilyn Monroe’s final formal photo session and last interview have never been released in their entirety—until now. Completed in July 1962, just a month before her passing, the interview conducted by Richard Meryman was Marilyn at her most open and honest, and the photos by Allan Grant were the only ones ever taken in her home. Now, for the first time, you can read Marilyn in her own words and see her as the world has never seen her before. "A beautifully understated look at an American icon, as she probably wished she could have been seen.” --Library Journal In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day. Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered. Marilyn: The Lost Photographs • The Last Interview is Marilyn Monroe in her own words—words that haven’t been published, until now. In this recently restored and complete transcript, Marilyn candidly talks about her childhood and life, fame, the studio system, her approach to work, celebrity, being a sex symbol, and more. At times joyous, silly, serious, philosophical and pensive, it is a Marilyn that the world has never experienced. Accompanying the interview are more than 400 of Grant’s extraordinary images, most never published until now. This beautifully produced book offers readers a glimpse into Marilyn’s mindset during her final month as she began to assert control of her career and address her relationship with celebrity. Deepening the understanding of Marilyn’s talents, humanity, and true legacy, and the appreciation of her true beauty, this is a fitting tribute to one of the most iconic figures in history.

"A heartfelt and hilarious collection of essays from the comedian and entertainer known for voicing Olaf in the ... Disney franchise of Frozen, and for his award-winning turn as Elder Cunningham in [Broadway's] The Book of Mormon"--

* NEW YORK TIMES BESTSELLER* “This book is so many things I didn’t know I needed: a testament to the work of healing, a raw howl of anger, and an indictment of misogyny’s insipid, predictable, infuriating reign.” —Carmen Maria Machado, author of the National Book Award finalist Her Body and Other Parties and the Lambda Literary Award winner In the Dream House A powerful memoir that reckons with mental health as well as the insidious ways men impact the lives of women. In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression, and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.” In Men Have Called Her Crazy , Tendler recounts her hospital experience as well as pivotal moments in her life that preceded and followed. As the title suggests, many of these moments are impacted by men: unrequited love in high school; the twenty-eight-year-old she lost her virginity to when she was sixteen; the frustrations and absurdities of dating in her mid-thirties; and her decision to freeze her eggs as all her friends were starting families. This stunning literary self-portrait examines the unreasonable expectations and pressures women face in the 21st century. Yet overwhelming and despairing as that can feel, Tendler ultimately offers a message of hope. Early in her stay in the hospital, she says, “My wish for myself is that one day I’ll reach a place where I can face hardship without trying to destroy myself.” By the end of the book, she fulfills that wish.

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The most haunting memoir of the twentieth century—written in exile, published after death, essential for our time. Stefan Zweig was born into the golden age of European civilization, a world that believed in progress, treasured culture above nationalism, and thought peace permanent. From his privileged position in Vienna—cultural capital of the Hapsburg Empire—he witnessed the last great flowering of cosmopolitan humanism. He knew Rilke and Freud, Hofmannsthal and Richard Strauss. He moved effortlessly between Paris, London, Berlin, and Rome. By the 1920s, he was one of the most translated authors in the world. Then, across three decades, he watched that entire civilization destroy itself. The World of Yesterday is Zweig's attempt to capture what was lost—the intellectual brilliance of pre-war Vienna, the madness of 1914's patriotic fever, the hyperinflation that destroyed Austria's middle class, the rise of Mussolini and Hitler, the nightmare of exile. Writing without access to his notes or library, relying purely on memory, Zweig creates something more valuable than conventional autobiography: a sustained meditation on civilization's fragility, written by a witness who understood exactly what was being destroyed and why it mattered. This is not simply historical testimony. It is warning and prophecy. Zweig describes how quickly democratic norms collapsed, how virulent antisemitism erupted in countries where Jews felt integrated, how cultural achievement proved defenseless against totalitarian barbarism. He chronicles the failure of intellectuals to resist, the transformation of neighbors into enemies, the speed with which cosmopolitan ideals gave way to tribal hatred. The memoir was completed in Brazil in February 1942, mailed to the publisher on February 21st. The next day, Zweig and his wife ended their lives. He could not survive the destruction of everything he valued. But he left us this book—eloquent, heartbroken, clear-eyed about both his generation's achievements and its catastrophic failures. For readers in our own uncertain era, The World of Yesterday speaks with uncomfortable urgency. The questions Zweig asks have become our questions. The dangers he witnessed have not disappeared. His testimony reminds us that civilization is never guaranteed—it must be defended, or it will be lost. A masterwork of witness and warning. The essential memoir of European catastrophe. Required reading for our age.

Autobiography of Lenny Bruce.

From a Pulitzer Prize-winning biographer, the most revealing, fascinating, and important biography of one of our greatest literary figures. "An authoritative biography that both clarifies many problems in Poe's life that have baffled readers for a century and a half and enriches interpretation of many of Poe's writings"--New York Times Book Review

"Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy--especially not at the height of the HIV/AIDS crisis--and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre. From his early days as an office assistant, to meeting Jonathan Larson and experiencing the triumph and tragedy of Rent, to working with Lin-Manuel Miranda on In the Heights and Hamilton, Jeffrey completely pulls back the curtain on the joyous and gut-wrenching process of makingnew musicals, finding new audiences, and winning a Tony Award--all the while finding himself"--

"For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you--as a twenty-five-year-old--are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest Internet disaster. But Dunham does it--even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her--because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again--if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame--from selling the pilot of Girls to the present--in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain--and begins to control your every move--being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves."--