The bestselling, beloved writer of romantic comedies like You've Got Mail tells her own late-in-life love story in her "resplendent memoir," complete with a tragic second act and joyous resolution. Delia Ephron had struggled through several years of heartbreak. She'd lost her sister, Nora, and then her husband, Jerry, both to cancer. Several months after Jerry's death, she decided to make one small change in her life -- she shut down his landline, which crashed her internet. She ended up in Verizon hell. She channeled her grief the best way she knew: by writing a New York Times op-ed. The piece caught the attention of Peter, a Bay Area psychiatrist, who emailed her to commiserate. Recently widowed himself, he reminded her that they had shared a few dates fifty-four years before, set up by Nora. Delia did not remember him, but after several weeks of exchanging emails and sixties folk songs, he flew east to see her. They were crazy, utterly, in love. But this was not a rom-com: four months later she was diagnosed with AML, a fierce leukemia. In Left on Tenth, Delia Ephron enchants as she seesaws us between tears and laughter, navigating the suicidal lows of enduring cutting-edge treatment and the giddy highs of a second chance at love. With Peter and her close girlfriends by her side, with startling clarity, warmth, and honesty about facing death, Ephron invites us to join her team of warriors and become believers ourselves.

The award-winning author of Super Sad True Story traces his uproarious experiences as a young bullied Jewish-Russian immigrant in Queens, his haphazard college pursuits and his initial forays into a literary career -- Publisher's description.

A memoir of the author's attempt to escape the biblical story he'd been raised on and his struggle to construct a new story for himself and his family

Over the course of his 60 years, Christopher Hitchens has been a citizen of both the United States and the United Kingdom. He has been both a socialist opposed to the war in Vietnam and a supporter of the U.S. war against Islamic extremism in Iraq. He has been both a foreign correspondent in some of the world's most dangerous places and a legendary bon vivant with an unquenchable thirst for alcohol and literature. He is a fervent atheist, raised as a Christian, by a mother whose Jewish heritage was not revealed to him until her suicide. In other words, Christopher Hitchens contains multitudes. He sees all sides of an argument. And he believes the personal is political. This is the story of his life, lived large.

At nearly 95, Studs Terkel has written about everyone's life, it seems, but his own. Here he offers a memoir which--embodying the spirit of the man himself--is youthful and vivacious. Terkel begins by taking us back to his childhood, describing the hectic life of a family trying to earn a living in Chicago. He then goes on to his experiences--as a poll watcher charged with stealing votes for the Democratic machine, as a young theatergoer, and eventually as an actor himself in both radio and on the stage--giving us a portrait of the Chicago of the 1920s and 1930s. He tells of his beginnings as a disc jockey after World War II and as an interviewer and oral historian--a craft he would come to perfect. Finally, he discusses his involvement with progressive politics, leading to his travails during the McCarthy period when he was blacklisted.--From publisher description.

Hand to Mouth is Paul Auster's startling memoir of his career as a young writer - and his accompanying struggle with poverty.

In 2011, when she was in her late fifties, beloved author and journalist Joyce Maynard met the first true partner she had ever known. Then, just after their one-year wedding anniversary, her new husband was diagnosed with pancreatic cancer. During the nineteen months that followed, as they battled his illness together, she discovered for the first time what it really meant to be a couple - to be a true partner and to have one. This is their story. Charting the course through their whirlwind romance, a marriage cut short by tragedy, and Joyce's return to singleness on new terms, 'The Best of Us' is a heart-wrenching, ultimately life-affirming reflection on coming to understand true love

A tribute to writer Susan Sontag and her final battle with cancer, written by her son, relates the human experience of being close to someone who is gravely ill and evaluates the current state of cancer research and treatment.

Minor Characters: A Memoir Of A Young Women In The 1950s In The B by Johnson, Joyce

In this brilliant book of recollection, one of America's finest writers re-creates people, places, and events spanning some fifty years, bringing to life an entire era through one man's sensibility. Scenes of love and desire, friendship, ambition, life in foreign cities and New York, are unforgettably rendered here in the unique style for which James Salter is widely admired. Burning the Days captures a singular life, beginning with a Manhattan boyhood and then, satisfying his father's wishes, graduation from West Point, followed by service in the Air Force as a pilot. In some of the most evocative pages ever written about flying, Salter describes the exhilaration and terror of combat as a fighter pilot in the Korean War, scenes that are balanced by haunting pages of love and a young man's passion for women. After resigning from the Air Force, Salter begins a second life, becoming a writer in the New York of the 1960s. Soon films beckon. There are vivid portraits of actors, directors, and producers--Polanski, Robert Redford, and others. Here also, more important, are writers who were influential, some by their character, like Irwin Shaw, others because of their taste and knowledge. Ultimately Burning the Days is an illumination of what it is to be a man, and what it means to become a writer. Only once in a long while--Vladimir Nabokov's Speak, Memory or Isak Dinesen's Out of Africa--does a memoir of such extraordinary clarity and power appear. Unconventional in form, Burning the Days is a stunning achievement by the writer The Washington Post Book World said "inhabits the same rarefied heights as Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever" --a rare and unforgettable book.

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

"Paul Auster has spent his fifty-year writing career examining what it means to be truly alive. And now, for the first time ever, in this newly self-curated collection, Auster stitches together various autobiographical writings to lay bare the trajectory of both his personal life and sense of self. From his breakout memoir, The Invention of Solitude, which solidified Auster's reputation as a canonical voice in American letters, to excerpts from his later memoirs, Winter Journal and Report from the Interior, readers are ushered into the inner workings of Auster's self-development. His sweeping recollection winds through the halls of Columbia University during the turbulent 1960s and into life as a young poet-turned-novelist, then dives headfirst into the realities that accompany aging today. Along the way, Auster continually challenges the notion of what autobiography can be, inverting the form through fragmentation and, ultimately, illustrating firsthand the brilliance behind "one of the great writers of our time" (San Francisco Chronicle)"--

"When Ernest Hemingway died on July 2, 1961, Mary Hemingway asked the Hemingway's good friend, journalist Leonard Lyons, to announce the death of the Nobel Prize-winner to stunned readers and admirer everywhere. Both Hemingways admired Lyons for his fidelity to the truth, that "he would get the story right." (As it turns out the "truth" was not quite what it seemed, since Mary initially denied that her husband's death was suicide.) This memoir recounts the quarter-century long friendship between Hemingway and Leonard Lyons, which eventually came to include Lyons's wife and three sons. In this short book Jeffrey Lyons recounts visits to Hemingway in Cuba (where "Papa" first taught him how to shoot a gun) as well as nights out with the great writer at such popular New York watering holes as the Stork Club and Toots Shor's. Throughout the book Hemingway comes across as a hard-working, generous, and thoughtful man of letters, and not the gruff, hard drinking beast perpetually looking for a fight that he was often perceived as. This is a book about friendship, loyalty, and trust between a famed novelist and a working journalist and his family"--

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

From the creator and director of Transparent and Emmy-nominated writer for Six Feet Under comes a hilarious and unforgettable memoir. When Jill Soloway was just thirteen, she and her best friend donned the tightest satin pants they could find, poufed up their hair and squeezed into Candies heels, then headed to downtown Chicago in search of their one-and-only true loves forever: the members of whichever rock band was touring through town. Never mind that both girls still had braces, coke-bottle-thick glasses and had only just bought their first bras—they were fabulous, they felt beautiful, they were tiny ladies in shiny pants . Now that Jill is all grown up and a successful writer and producer, she can look back on her tiny self and share her shiny tales with fondness, absurdity, and obsessive-compulsive attention to even the most embarrassing details. From the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them), Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and—best of all—Jill.

This ebullient memoir chronicles the author's lifelong love of books, which began with Sir Arthur Quiller-Couch's "The Art of Writing" and developed with works by Izaak Walton, Cardinal Newman, and Milton

Is a book the same book-or a reader the same reader-the second time around? The seventeen authors in this witty and poignant collection of essays all agree on the answer: Never. The editor of "Rereadings" is Anne Fadiman, and readers of her bestselling book "Ex Libris" (FSG, 1998) will find this volume especially satisfying. Her chosen authors include Sven Birkerts, Allegra Goodman, Vivian Gornick, Patricia Hampl, Phillip Lopate, and Luc Sante; the objects of their literary affections range from "Pride and Prejudice" to "Sue Barton, Student Nurse." Each has selected a book or a story or a poem--or even, in one case, the lyrics on the back of the Sgt. Pepper album--that made a deep impression in his or her youth, and reread it to see how it has changed in the interim. (Of course, what has really changed is the reader.) These essays are not conventional literary criticism; they are about relationships. The relationship between reader and book is a powerful one, and as these writers attest, it evolves over time. Rereadings reveals at least as much about the reader as about the book: each is a miniature memoir that focuses on that most interesting of topics, the protean nature of love. And as every bibliophile knows, no love is more life-changing than the love of a book.

"In the ten years since her beloved, groundbreaking Encyclopedia of an Ordinary Life, New York Times bestselling author Amy Krouse Rosenthal has been quietly at work on this modest but mighty magnum opus, creating a spectacular literary experience that is unprecedented, unforgettable, and explosively human. Amy Krouse Rosenthal has cultivated a distinct blend of nonlinear memoir, observational humor, wistful reflections, and interactive connections with readers. A decade after Encyclopedia of an Ordinary Life, she's back with a sublime new work, a timeless collection of insights, memories, and moments that are at once intimate and universal. Why the title Textbook Amy Krouse Rosenthal? Because each piece of prose is organized into classic subjects such as Social Studies, Music, and Language Arts. Because textbook would accurately describe a book with a first-of-its-kind interactive text messaging component. Because textbook is an expression meaning "quintessential"--Oh, that wordplay and unconventional format is so typical of her, so textbook AKR. Because if an author's previous book has the word encyclopedia in the title, following it up with a textbook would be rather nice. Textbook Amy Krouse Rosenthal speaks to the awe, bewilderment, and poignancy of being alive"--

During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamship tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. For a time, they get a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible.

An Academy Award-nominated screenwriter and a mystery novelist, Roger L. Simon is the only American writer to pull off the amazing trick of being profiled positively in both Mother Jones and National Review in one lifetime. The stunning story of his political odyssey is told in this memoir, where Simon recounts his migration from financier of the Black Panther Breakfast Program to pioneer blogosphere mogul beloved by the right as a 9/11 Democrat. But Simon is beholden to neither right nor left in this tale of Hollywood chic run amuck, as he talks out of school about his adventures with, among many others, Richard Pryor, Warren Beatty, Timothy Leary, Richard Dreyfuss, Woody Allen, and Julian Semyonov, the Soviet Union's version of Robert Ludlum and also a KGB colonel who tempted Simon to join the KGB himself. Among the topics covered along the way: Is there a new blacklist in Hollywood, this one targeting conservatives? Simon's red-carpet tours of the People's Republic of China, Cuba, and the Soviet Union with Hollywood screenwriters and famous mystery novelists. Why Al Gore's documentary on global warming didn't deserve the Oscar on artistic grounds alone; and why the Academy's voting system is so corrupt. And, as they say, there is much, much more besides.