A friend of the British writer portrays Orwell's personality and examines the influence of personal experience on Orwell's novels

A hilarious, razor-sharp debut memoir about the moment when you realize that your friends have all grown up and left you behind, for readers of Caitlin Moran’s How To Be A Woman, Jenny Lawson’s Let’s Pretend This Never Happened, and Kelly Williams Brown’s Adulting. Isy Suttie wakes up one day in her late twenties to discover that the deal she’d struck with her friends, to put off growing up for as long as possible, had been entirely in her head. Everyone around her is suddenly into mortgages, farmers’ markets, and going off the Pill, rather than running naked into the sea or getting hammered in a country pub with eighty-year-old men. After a particularly crushing breakup precipitated by Isy’s gifting of a human-size papier-mâché penguin to her boyfriend, her dearest friend advises Isy not to worry: the next guy she meets will be The Actual One. Heartened by this promise, Isy decides to keep delaying the onset of adulthood, whether that means standing on the side of a highway in nothing but an old fur coat and sneakers, dating a man who speaks only in rhyme, or conquering her fears of Alpine skiing by wildly overestimating her athletic ability. Insightful and laugh-out-loud funny, The Actual One is an ode to the confusing wilderness of your late twenties, alongside a quest for a genuinely good relationship . . . or at the very least, a good story to tell.

Showing how history imprints itself on private lives, this memoir presents the author's sensuous, harrowing, and remarkable life. It moves from Berlin during the Great War to the artists' set on the Cote d'Azur, through lovers, mentors, seducers and friends, and from genteel yet shabby poverty to comfort in London's Chelsea.

Douglas Gresham claims that Jack Lewis was the finest man and the best Christian he has ever known. Of course, Jack to Douglas is C. S. Lewis to the rest of the world. The informal address Gresham uses to refer to the great writer is indicative of the intimacy he shared with Lewis for a dozen years, living in England as Lewis's stepson. Jack's Life is an affectionate account of days now long gone. It is a personal memoir of a man who touched many in the classroom, even more with his pen, and made a significant, lasting, and eternal impression on one young man. Douglas Gresham is uniquely qualified to offer such an extraordinary portrait.

Michael Meyer's translations of Strindberg and Ibsen have often been described as definitive, as have his biographies of both writers. His Strindberg translations made him the first Englishman to receive the Gold Medal of the Swedish Academy, and his life of Ibsen won the Whitbread Biography prize. He has now turned his attention to his own life and his friendships with some of this century's most famous literary and theatrical names.

"Howard Jacobson's funny, revealing and tender memoir of his path to becoming a writer. It's my theory that only the unhappy, the uncomfortable, the gauche, the badly put together, aspire to make art. Why would you seek to reshape the world unless you were ill-at-ease in it? And I came out of the womb in every sense the wrong way round. In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Jacobson was forty when his first novel was published. In Mother's Boy he traces the life that brought him there. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician. Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus." --

'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who - like him - would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

"Vitali Vitaliev is the Ukranian-born author, poet and journalist whose life has been spent exploring the curious, the unusual and the plain dotty manifestations of human life around the world." "In this honest memoir, Vitaliev describes how on many occasions in his life, words have provided him with the means of survival: the words of great writers from Mikhail Bulgakov to George Orwell; the words of writer friends such as Peter Ustinov and Joseph Heller; the words of his mother, of his children. He references his own writing too, with memories of creative assignments all over the globe, recalling the voices of people he as met and the impressions they made on him." --Book Jacket.