"What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times"--

In this captivating memoir, Robbie Robertson shares the journey that led him to some of the most pivotal events in music history. Robertson and his partners in The Band fashioned a music that has endured for decades, influencing countless musicians. One of the most beloved songwriters and guitarists of his time, now he employs his storyteller's voice to weave together the journey that led him to some of the most pivotal events in music history. It's the story of a time when rock 'n' roll became life, when music legends moved through the same streets and hotel rooms, and above all, the profound friendship among five young men who together created a new kind of popular music.

Star Trek legend and veteran author William Shatner discusses the meaning of life, finding value in work, and living well whatever your age. "I have always felt," William Shatner says early in his newest memoir, that "like the great comedian George Burns, who lived to 100, I couldn’t die as long as I was booked." And Shatner is always booked. Still, a brief health scare in 2016 forced him to take stock. After mulling over the lessons he's learned, the places he's been, and all the miracles and strange occurrences he's witnessed over the course of an enduring career in Hollywood and on the stage, he arrived at one simple rule for living a long and good life: don't die. It's the only one-size-fits-all advice, Shatner argues in Live Long and..:What I Learned Along the Way, because everyone has a unique life―but, to help us all out, he's more than willing to share stories from his unique life. With a combination of pithy humor and thoughtful vulnerability, Shatner lays out his journey from childhood to peak stardom and all the bumps in the road. (Sometimes the literal road, as in the case of his 2,400-mile motorcycle trip across the country with a bike that didn't function.) William Shatner is one of our most beloved entertainers, and he intends never to stop entertaining. His funny, provocative, and poignant reflections offer an unforgettable read about a remarkable man.

Winner of the Los Angeles Times Book Prize for Science and Technology in 2020 'A stunningly original memoir ... her most human tale of love, loss and redemption is illuminated and given meaning by this backdrop. A beautiful and compelling read' Abraham Verghese, author of Cutting for Stone In The Smallest Lights in the Universe, MIT astrophysicist Sara Seager interweaves the story of her search for meaning and solace after losing her first husband to cancer, her unflagging search for an Earth-like exoplanet and her unexpected discovery of new love. Sara Seager has made it her life's work to peer into the spaces around stars - looking for exoplanets outside our solar system, hoping to find the one-in-a-billion world enough like ours to sustain life. But with the unexpected death of her husband, her life became an empty, lightless space. Suddenly, she was the single mother of two young boys, a widow at forty, clinging to three crumpled pages of instructions her husband had written for things like grocery shopping - things he had done while she did pioneering work as a planetary scientist at MIT. She became painfully conscious of her Asperger's, which before losing her husband had felt more like background noise. She felt, for the first time, alone in the universe. In this probing, invigoratingly honest memoir, Seager tells the story of how, as she stumblingly navigated the world of grief, she also kept looking for other worlds. She continues to develop ground-breaking projects, such as the Starshade, a sunflower-shaped instrument that, when launched into space, unfurls itself so as to block planet-obscuring starlight, and she takes solace in the alien beauty of exoplanets. At the same time, she discovers what feels every bit as wondrous: other people, reaching out across the space of her grief. Among them are the Widows of Concord, a group of women offering consolation and advice, and her beloved sons, Max and Alex. Most unexpected of all, there is another kind of one-in-a-billion match with an amateur astronomer. Equally attuned to the wonders of deep space and human connection, The Smallest Lights in the Universe is its own light in the dark.

Winner of the Writer's Trust of Canada / Samara's - Best Canadian Political Book of the Last 25 Years Part memoir, part investigative journalism, this is a shocking and controversial look at the corruption of Canada’s human rights commissions. “On January 11, 2008, I was summoned to a 90-minute government interrogation. My crime? As the publisher of Western Standard magazine, I had reprinted the Danish cartoons of Mohammed to illustrate a news story. I was charged with the offence of “discrimination,” and made to appear before Alberta’s “human rights commission” for questioning. As crazy as it sounds, I became the only person in the world to face legal sanction for printing those cartoons.” As a result of this highly publicized event, Ezra Levant began investigating other instances in which innocent people have had their freedoms compromised by bureaucrats presuming to protect Canadians’ human rights. He discovered some disturbing and even bizarre cases, such as the tribunal ruling that an employee at a McDonald’ s restaurant in Vancouver did not have to wash her hands at work. And the human rights complaint filed by a Calgary hair stylist against the women at a salon school who called him a “loser.” In another case that seemed stranger than fiction, an emotionally unstable transvestite fought for — and won — the right to counsel female rape victims, despite the anguished pleas of those same traumatized victims. Human rights commissions now monitor political opinions, fine people for expressing politically incorrect viewpoints, censor websites, and even ban people, permanently, from saying certain things. The book is a result of Levant’s ordeal and the research it inspired. It shows how our concept of human rights has morphed into something dangerous and drastically different from its original meaning. Shakedown is a convincing plea to Canadians to reclaim their basic liberties.

"Shut Up, I'm Talking" is a smart, hilarious insider take on Israeli politics that reads like the bastard child of Thomas Friedman and David Sedaris. Now a political writer for Salon, Gregory Levey stumbled into a job as speechwriter for the Israeli delegation to the United Nations at age twenty-five and suddenly found himself, like a latter-day Zelig, in the company of foreign ministers, U.S. senators, and heads of state. Much to his surprise, he was soon attending U.N. sessions and drafting official government statements. The situation got stranger still when he was transferred to Jerusalem to write speeches for Prime Minister Ariel Sharon. "Shut Up, I'm Talking" is a startling account of Levey's journey into the nerve center of Middle Eastern politics at one of the most turbulent times in Israeli history. During his three years in the Israeli government, the Second Intifada continued on in fits and starts, Yasser Arafat died, Hamas came to power, and Ariel Sharon fell into a coma. Levey was repeatedly thrust into highly improbable situations -- from being the sole "Israeli" delegate (even though he's Canadian) at the U.N. General Assembly, with no idea how "his" country wanted to vote; to nearly inciting an international incident with his high school French translation of an Arab diplomat's anti-Israel remarks; to communicating with Israeli intelligence about the suspected perpetrators of suicide bombings; to being offered leftover salami from Ariel Sharon's lunch. As Levey got better acquainted with the personalities in the government's inner sanctum, he witnessed firsthand the improvisational and ridiculously casual nature of the country's behind-the-scenes leadership -- and realized that he wasn't the only one faking his way through politics. With sharp insight and great appreciation for the absurd, Levey offers the first-ever look inside Israel's politics from the perspective of a complete outsider, ultimately concluding that the Israeli government is no place for a nice Jewish boy.

"A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs--written in the years before his death in 1997--are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, Newman's artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman's memoir is an in-depth biographical essay by Graeme Burk, which positions Newman's legacy in the history of television, and an afterword by one of Sydney's daughters, Deirdre Newman."--

A personal and insightful call to action and a much-needed book about one of the most important bilateral relationships in the world—the relationship between Canada and the US—and why diplomacy matters now more than ever before. All over the world, diplomacy is under threat. Diplomats used to handle sensitive international negotiations, but increasingly, incendiary Tweets and bombastic public statements are posing a threat to foreign relations. In The Art of Diplomacy , the former US ambassador to Canada, Bruce Heyman, and his partner, Vicki Heyman, spell out why diplomacy and diplomats matter, especially in today’s turbulent times. This dynamic power couple arrived in Canada intent on representing American interests, but they quickly learned that to do so meant representing the shared interests of all citizens—no matter what side of the 49th parallel they happened to live on. Bruce and Vicki narrate their three years in Canada spent journeying across the country and meeting Canadians from all walks of life—including Supreme Court justices, prime ministers, fishermen, farmers, artists, and entrepreneurs. They tell the behind-the-scenes stories of how their team helped bring Obama to Canada and Trudeau to the US. They also reveal the importance of creating cultural and artistic exchange between Canada and the US, of promoting economic and trade interests, and overall, of making a lasting positive impact on one of the most important relationships in the free world today. This politically poignant and heartfelt memoir is a call to action, a reminder that only by working together to protect our shared values—the environment, social justice and human rights—can nations build a better world for all. As their long-time friend and colleague President Obama once said, “The world needs more Canada.” At this key moment in history, when opposing nationalist and populist agendas threaten to divide us, The Art of Diplomacy reminds us to keep calm, to work together and to carry on.

"When her marriage suddenly ends, and a diary documenting her beloved grandfather's escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi K. Lewis decides to retrace his journey to learn about her family history. Despite suffering from extreme disorientation and a lifetime of anxiety, she travels alone for the first time. Moving from Amsterdam to Lyon--relying on the marvels of GPS--she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis's memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations. How do immigrants weave their sense of identity into their chosen countries? Must we be able to locate ourselves within family and cultural geography to belong?"--

A sharp and witty expose of show business and notorious characters Barry Avrich is a Montreal - born, self - made film producer/director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades he has relentlessly produced films on some of the most notorious show - business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway. In his memoir, Moguls, Monsters and Madmen, Barry takes readers from his early days, shaping his brand as a creative adman with the infamous Garth Drabinsky and witnessing the genius of legendary Rolling Stones promoter Michael Cohl, to his acclaimed documentaries on Harvey Weinstein, Lew Wasserman, Bob Guccione, and many others. Go behind the scenes on his most provocative films - like The Last Mogul, Unauthorized, and Filthy Gorgeous - and follow Barry as he moves from the power rooms of Hollywood to the launches of incredible brands while hanging around with royalty, rogues, clients, and confidants. An extraordinary raconteur, Barry spares no one, least of all himself, as he details his extraordinary relationships and encounters with everyone from Frank Sinatra, Quincy Jones, and Vanity Fair columnist Dominick Dunne to Mick Jagger and Keith Richards."

A memoir by Judy Rebick, one of Canada's best-known feminists, including her time as a high-profile spokesperson for the pro-choice movement and as president of the National Action Committee on the Status of Women, as well as her struggle with depression and multiple personality disorder.

"When Ralph Benmergui discovered he was literally hours away from a deadly heart attack he realized his life had changed. He was entering the autumn of his life, as he saw it, and he was being dragged into it by his heels. What follows this awakening is a funny, profound and generous look at where he has come from - from his childhood as the youngest son of Moroccan immigrants, to his experiences during the early years of YukYuks, to his long and storied career at CBC, along with much more - to where he is now, with stents in his arteries, having survived two bouts of cancer, hosting a much-loved podcast and a with practice in Hashpa'ah, Jewish Spiritual Direction. Along the way Benmergui looks critically at what it means to grow old in our society and challenges the reader to push against the stereotypes, to find a new purpose, and to claim the title and role of elder in a society that demands we strive to stay 'forever young.'"--

Best known as General Counsel of the Canadian Civil Liberties Association, a position he held for over 40 years, A. Alan Borovoy was at the centre of many of the most profound and difficult public debates of last half century. In At the Barricades, Borovoy reflects on the events that have shaped the Canadian political legal landscape from the Cold War of the 1950s and 60s to the “war on terrorism” in the 21st century. Along the way he provides a first-hand account of Québec’s FLQ crisis of 1970, the protests regarding the abortion controversy, the battles over free speech, hate speech, and pornography, and the struggles to protect the rights of Aboriginal peoples, the economically disadvantaged, and victims of police misconduct. This book recounts the life of an activist; always principled and compassionate, usually controversial, often very funny, and never dull. It should be read by anyone who is interested in how we got to where we are today and concerned about where we are going.

A father and son travel across North America in a pick-up truck--talking, laughing, fighting, and bonding. After years of thinking he'd never have kids, Lee Gutkind became a father at forty-seven and, following his divorce, soon found himself taking over more and more of the primary care responsibilities for his son, Sam. As one of a growing number of "old new dads" (recent studies have shown that one in ten children are born to fathers over forty), Gutkind realized that he faced challenges-both mental and physical-not faced by younger dads, not the least of which was how to bond with a son who was so much younger than himself. For the past five years, Gutkind's approach to this challenge has been to spend several weeks of every summer "truckin'" with Sam, a term they define as a metaphor for spontaneity, a lack of restriction: "Truckin' means that you can what you want to do sometimes; you don't always need to do what's expected." What began as long, cross-country journeys in a pick-up truck, including one memorable trip up the Alaska-Canadian Highway en route to a writer's conference in Homer, Alaska, have in more recent years ranged farther afield, to Europe, Australia, and Tibet. Whether listening to rock and roll music, entertaining themselves with their secret jokes and code words, fishing for halibut, or fighting over tuna fish sandwiches and how best to butter one's toast, Lee and Sam have learned to respect one another. In the process of their travels and their adventures, Lee has also come to grips with the downside of middle age and the embarassment of "senior moments," while Sam has inevitably begun to assert himself and shape his own life. Interspersed with Sam's own observations and journal entries, Truckin' with Sam is an honest, moving, and often hilarious account of one father's determination to bond with his son, a spontaneous travelogue that will appeal to old dads, new dads, and women who want to know more about how dads (and sons) think and behave.

Milton Shulman has been a much-loved and outspoken arts critic for the Express and then the Evening Standard for forty years. These are his witty, anecdotal memoirs on the careers, interviews and encounters over the years. His broadcasts on Stop the Week as well as frequent radio and TV appearances have made him a nationwide figure.

Norman Levine's Canada Made Me , first published in England in 1958, is a bitter, critical reassessment of the moral and cultural values of Canada. His account of his three-month journey from Halifax to Ucluelet, a fishing village on the west coast, is an unconventional portrait of Canada's underbelly. The book ends with the words: `I wondered why I felt so bitter about Canada. After all, it was all part of a dream, an experiment that could not come off. It was foolish to believe that you can take the throwouts, the rejects, the human kickabouts from Europe and tell them: Here you have a second chance. Here you can start a new life. But no one ever mentioned the price one had to pay; how much of oneself you had to betray.' Canada Made Me was regarded as so controversial that it did not appear in a Canadian edition until 1979. Critical opinion, however, has slowly swung around to the point the book was recently described in the Globe and Mail as a `laconic classic'. For this new edition Norman Levine has written an introduction which traces the book's publishing history and reputation.

"For more than four decades, Hugh Segal has been one of the leading voices of progressive conservatism in Canada. A self-described Red Tory warrior who disdained "boot strap" approaches to poverty, he has always promoted policies, especially a basic annual income, to help the most economically vulnerable. Why would a life-long Tory support something so radical? In this revealing memoir, Segal shares how his life and experiences brought him to this most unlikely of places, beginning with his childhood in a poor immigrant family in Montreal to his time as a chief of staff for Prime Minister Mulroney and to his more recent work as an advisor on basic income for the Ontario Liberal government. This book is a passionate argument for why a basic annual income makes economic sense - and for why it is the right thing to do."

In Beyond Imagination, 21 of Canada's most eminent writers of Jewish decent try in their various ways to make sense - if sense can be made - of the Holocaust. Together they bear witness to the most catastrophic and profoundly troubling event of our century, in essays, memoirs, short stories, and poems. With the assistance of the publisher, the contributors to this volume are donating their royalties to help establish a Chair in Jewish Studies at the University of Toronto.

Literary Nonfiction. FURTHER CONFESSIONS OF A SMALL PRESS RACKETEER is a continuation of the columns and essays that comprised Stuart's 2005 release, Confessions of a Small Press Racketeer. Again, equal parts literary memoir, reckless tirade, and unsolicited advice for the aspiring writer, FURTHER CONFESSIONS is drawn largely from Stuart Ross's notorious Hunkamooga column, his blog entries, essays for subTerrain magazine and other online venues. We bring them together here in their collected brilliance: alternately snarky, sincere, touching, honest, and always opinionated, Stuart's confessions are essential reading for any literary confessional. This volume offers its readers a roller-coaster journey into the mind of one of Canada's most committed small press activists. Praise for Stuart Ross: One of North America's most active and fiercely independent literary populists.--Another Chicago Magazine If Stuart Ross was living and working in the United States, and writing the exact same poetry he does now he would be rich and famous. Well, famous, at least.--The Globe and Mail Praise for CONFESSIONS OF A SMALL PRESS RACKETEER: For a quick and dirty breath of fresh air, it's difficult to beat renegade urban poet Stuart Ross's latest effort... Ross has the battle scars and knows poetry isn't about flowers and meadows, it's about blood and guts.--Steven Knight, Quill & Quire ...a wonderful book--funny, outrageous, and acute. I'll even say it's the best short-essay collection about the writing life that I've read in ages... Every aspiring writer should read CONFESSIONS OF A SMALL PRESS RACKETEER, just to find inspiration. And so should every established writer--just to keep humble.--Lynne Van Luven, Malahat Review