Soak up the wisdom of the inimitable Nora Ephron with this stunning 20th-anniversary special edition, featuring a foreword by Dolly Alderton. The perfect gift for yourself or a friend. 'Ephron has an uncanny ability to sound like your best friend, whoever you are' NEW YORK TIMES. ' The book that most influenced me' LILY ALLEN Acclaimed Hollywood filmwriter and director Nora Ephron examines the indignities of ageing in a collection of wickedly witty autobiographical pieces such as 'I Hate My Handbag', 'Blind as a Bat' and 'What I Wish I'd Known'. I Feel Bad About My Neck offers the consolation that no matter how much your neck sags, your boobs droop, your skin wrinkles and your children don't appreciate you, someone has been there before you. Nora Ephron captures the essence of what it means to be an older woman in an irresistible, laugh-out-loud funny, frank and unexpectedly moving book that every woman should have on their shelves.

In this "moving and powerful memoir" (Mayim Bialik), comedian Moshe Kasher details his outrageously dysfunctional early years in this darkly hilarious, absurd coming-of-age story. Rising young comedian Moshe Kasher is lucky to be alive. He started using drugs when he was just 12. At that point, he had already been in psychoanlysis for 8 years. By the time he was 15, he had been in and out of several mental institutions, drifting from therapy to rehab to arrest to...you get the picture. But Kasher in the Rye is not an "eye opener" to the horrors of addiction. It's a hilarious memoir about the absurdity of it all. When he was a young boy, Kasher's mother took him on a vacation to the West Coast. Well it was more like an abduction. Only not officially. She stole them away from their father and they moved to Oakland , California. That's where the real fun begins, in the war zone of Oakland Public Schools. He was more than just out of control-his mother walked him around on a leash, which he chewed through and ran away. Brutally honest and laugh-out-loud funny, Kasher's first literary endeavor finds humor in even the most horrifying situations.

#1 New York Times Bestseller "Amy Schumer's book will make you love her even more. For a comedian of unbridled (and generally hilarious) causticity, Schumer has written a probing, confessional, unguarded, and, yes, majorly humanizing non-memoir, a book that trades less on sarcasm, and more on emotional resonance." — Vogue " The Girl with the Lower Back Tattoo is an alternatingly meditative, sexually explicit, side-splittingly hilarious, heart-wrenching, disturbing, passionately political, and always staggeringly authentic ride through the highs and lows of the comedic powerhouse's life to date." — Harper's Bazaar "This is your happy hour with Amy Schumer...It's Bossypants meets Trainwreck meets your long weekend." —TheSkimm “Amy’s got your back. She’s in your corner. She’s an honesty bomb. And she’s coming for you. ” —Actress Tilda Swinton and Trainwreck co-star The Emmy Award-winning comedian, actress, writer, and star of Inside Amy Schumer, Hulu's Life & Beth, and the acclaimed film Trainwreck has taken the entertainment world by storm with her winning blend of smart, satirical humor. Now, Amy Schumer has written a refreshingly candid and uproariously funny collection of ( extremely ) personal and observational essays. In The Girl with the Lower Back Tattoo , Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is—a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Ranging from the raucous to the romantic, the heartfelt to the harrowing, this highly entertaining and universally appealing collection is the literary equivalent of a night out with your best friend—an unforgettable and fun adventure that you wish could last forever. Whether she’s experiencing lust-at-first-sight while in the airport security line, sharing her own views on love and marriage, admitting to being an introvert, or discovering her cross-fit instructor’s secret bad habit, Amy Schumer proves to be a bighearted, brave, and thoughtful storyteller that will leave you nodding your head in recognition, laughing out loud, and sobbing uncontrollably—but only because it’s over.

Step into Jenny Slate's wild imagination in this "magical" (Mindy Kaling), "delicious" (Amy Sedaris), and "poignant" (John Mulaney) New York Times bestseller about love, heartbreak, and being alive -- "this book is something new and wonderful" (George Saunders). You may "know" Jenny Slate from her Netflix special, Stage Fright , as the creator of Marcel the Shell, or as the star of "Obvious Child." But you don't really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility. As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don't be immature). Heartbreak, confusion, and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, where everything has changed. One of Vanity Fair' s Great Quarantine Reads.

Selected by The New York Times Book Review as a Notable Book of the Year Final reflections on a happy life-from acclaimed historian Tony Judt. Tony Judt's The Memory Chalet is a memoir unlike any other. Each essay brings the smallest details of personal experience into the larger frame of history. Judt's youthful love of a London bus route becomes a reflection on public civility. Food and trains and smells all come alive as Judt takes us from the postwar London of his childhood through Paris, Prague, and points east to New York, where he found his home. Judt brings his moral clarity and wit to bear on everything from fast cars to radical politics and, finally, the devastating illness that took his life. This book, composed when Judt was paralyzed and unable physically to write, found its shape in the ordered rooms of a Swiss Chalet of the mind: a warm refuge in the closing darkness of his final years. Judt's book, Ill Fares the Land , republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer , Ta-Nehisi Coates.

NATIONAL BESTSELLER “Magnificent.” — The New York Times * “Beguiling, observant, and howlingly funny.” — San Francisco Chronicle * “Spectacular.” — Star Tribune (Minneapolis) * “Full of astonishments.” — The Boston Globe Susan Orlean—the beloved New Yorker staff writer hailed as “a national treasure” by The Washington Post and the author of the New York Times bestseller The Library Book —gathers a lifetime of musings, meditations, and in-depth profiles about animals. “How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon , she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals , she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career. These stories consider a range of creatures—the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers—something none of her neighbors knew about until one of the tigers escapes. In Iceland, the world’s most famous whale resists the efforts to set him free; in Morocco, the world’s hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home. Equal parts delightful and profound, enriched by Orlean’s stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

Welcome to Chelsea Handler's world—a place where absurdity reigns supreme and a quick wit is the best line of defense. When Chelsea Handler needs to get a few things off her chest, she appeals to a higher power—vodka. Seems reasonable, when considering that she discovered her boyfriend was having an affair with a Peekapoo and she had to pretend to be honeymooning with her father in order to upgrade to first class. In this highly entertaining, deliciously skewed collection, Chelsea mines her past for stories about her family, relationships, and career that are at once singular and ridiculous. Whether she’s convincing her third-grade class that she has been chosen to play Goldie Hawn’s daughter in the sequel to Private Benjamin , deciding to be more egalitarian by dating a redhead, or looking out for a foulmouthed, rum-swilling little person who looks just like her...only smaller, Chelsea has a knack for getting herself into the most outrageous situations. Are You There, Vodka? It’s Me, Chelsea showcases the candor and irresistible turns of phrase that have made her one of the freshest voices in comedy today.

"The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work's transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement"

The best-selling author of BRINGING UP BÉBÉ investigates life in her forties, and wonders whether her mind will ever catch up with her face. When Pamela Druckerman turns 40, waiters start calling her "Madame," and she detects a disturbing new message in mens' gazes: I would sleep with her, but only if doing so required no effort whatsoever . Yet forty isn't even technically middle-aged anymore. And after a lifetime of being clueless, Druckerman can finally grasp the subtext of conversations, maintain (somewhat) healthy relationships and spot narcissists before they ruin her life. What are the modern forties, and what do we know once we reach them? What makes someone a "grown-up" anyway? And why didn't anyone warn us that we'd get cellulite on our arms? Part frank memoir, part hilarious investigation of daily life, There Are No Grown-Ups diagnoses the in-between decade when... • Everyone you meet looks a little bit familiar. • You're matter-of-fact about chin hair. • You can no longer wear anything ironically. • There's at least one sport your doctor forbids you to play. • You become impatient while scrolling down to your year of birth. • Your parents have stopped trying to change you. • You don't want to be with the cool people anymore; you want to be with your people. • You realize that everyone is winging it, some just do it more confidently. • You know that it's ok if you don't like jazz. Internationally best-selling author and New York Times contributor Pamela Druckerman leads us on a quest for wisdom, self-knowledge and the right pair of pants. A witty dispatch from the front lines of the forties, There Are No Grown-ups is a (midlife) coming-of-age story, and a book for anyone trying to find their place in the world.

"Mitch Albom has done it again with this moving memoir of love and loss. You can't help but fall for Chika. A page-turner that will no doubt become a classic." --Mary Karr, author of The Liars' Club and The Art of Memoir From the #1 New York Times bestselling author of Tuesdays With Morrie comes Mitch Albom's most personal story to date: an intimate and heartwarming memoir about what it means to be a family and the young Haitian orphan whose short life would forever change his heart. Chika Jeune was born three days before the devastating earthquake that decimated Haiti in 2010. She spent her infancy in a landscape of extreme poverty, and when her mother died giving birth to a baby brother, Chika was brought to The Have Faith Haiti Orphanage that Albom operates in Port Au Prince. With no children of their own, the forty-plus children who live, play, and go to school at the orphanage have become family to Mitch and his wife, Janine. Chika's arrival makes a quick impression. Brave and self-assured, even as a three-year-old, she delights the other kids and teachers. But at age five, Chika is suddenly diagnosed with something a doctor there says, "No one in Haiti can help you with." Mitch and Janine bring Chika to Detroit, hopeful that American medical care can soon return her to her homeland. Instead, Chika becomes a permanent part of their household, and their lives, as they embark on a two-year, around-the-world journey to find a cure. As Chika's boundless optimism and humor teach Mitch the joys of caring for a child, he learns that a relationship built on love, no matter what blows it takes, can never be lost. Told in hindsight, and through illuminating conversations with Chika herself, this is Albom at his most poignant and vulnerable. Finding Chika is a celebration of a girl, her adoptive guardians, and the incredible bond they formed--a devastatingly beautiful portrait of what it means to be a family, regardless of how it is made.

From actor, comedian, co-creator of Marcel the Shell, and New York Times bestselling author of Little Weirds, Jenny Slate, a wild, soulful, hilarious collection of genre-bending essays depicting the journey into motherhood as you’ve never seen it before. What happened was this: Jenny Slate was a human mammal who sniffed the air every morning hoping to find another person to love who would love her, and in that period there was a deep dark loneliness that she had to face and befriend, and then we are pleased to report that she did fall in love, and in that period she was like chimes, or a flock of clean breaths, and her spine lying flat was the many-colored planks on the xylophone, but also she was rabid with fear of losing this love, because of past injury. And then what happened was that she became a wild-pregnant-mammal-thing and then she exploded herself by having a whole baby blast through her vagina during a global plague and then she was expected to carry on like everything was normal—but was this normal, and had she or anything ever been normal? Herein lies an account of this journey, told in five phases—Single, True Love, Pregnancy, Baby, and Ongoing—through luminous, laugh-out-loud funny, unclassifiable essays that take the form of letters to a doctor, dreams of a stork, fantasy therapy sessions, gossip between racoons, excerpts from an imaginary olden timey play, obituaries, theories about post-partum hair loss, graduation speeches, and more. No one writes like Jenny Slate.

#1 NEW YORK TIMES BESTSELLER • In hilarious and tender essays, Chelsea Handler shares her unforgettable story of becoming the woman she always wanted to be. “A raw and raucous exploration of Handler’s ongoing search for self . . . [She’s] disarming us with humor to get at our softest selves and meeting us with her own.”— Oprah Daily There’s a woman I want to become, Chelsea Handler thought as a child. She’ll be strong and confident. She’ll light up a room and spread that light to make others feel better. She’ll make a living being herself. She’ll be a survivor. At ten years old, Chelsea opened a lemonade stand and realized she’d make more money if the drinks were spiked. So she added vodka to her recipe and used her earnings to upgrade herself to first-class on a family vacation—leaving her parents and siblings in coach. She moved to Los Angeles and got fired from her temp job when she admitted she didn’t know how to transfer calls. She’s played pickleball with the scions of an American dynasty. She’s sexted a governor. She shared psychedelics with strangers in Spain. When she accidentally ended up at dinner with Woody Allen, she was not going to leave the table without asking him a very personal pointed question. She went on national television and talked about having threesomes. She's never been one to hold back. But this life of adventure and absurdity is only part of her story. Chelsea knows what it is to truly show up for her family—canine and human, biological and chosen. She’s discovered how to spend time with herself, how to meditate, how to be open to love, and how to end a relationship with dignity. She is a sister to the many women who rely on her. Surprisingly vulnerable and always outrageous, Chelsea Handler captures the antic-filled, exhilarating, and joyful life she’s built—a life that makes the rest of us think, I’ll have what she’s having .

“Writing this funny requires immense talent.” — AV Club H. Jon Benjamin—the lead voice behind Archer and Bob's Burgers —helps us all feel a little better about our own failures by sharing his own in a hilarious memoir-ish chronicle of failure. Most people would consider H. Jon Benjamin a comedy show business success. But he'd like to remind everyone that as great as success can be, failure is also an option. And maybe the best option. In this book, he tells stories from his own life, from his early days ("wherein I'm unable to deliver a sizzling fajita") to his romantic life ("how I failed to quantify a threesome") to family ("wherein a trip to P.F. Chang's fractures a family") to career ("how I failed at launching a kid's show"). As Jon himself says, breaking down one's natural ability to succeed is not an easy task, but also not an insurmountable one. Society as we know it is, sadly, failure averse. But more acceptance of failure, as Jon sees it, will go a long way to making this world a different place . . . a kinder, gentler place, where gardens are overgrown and most people stay home with their pets. A vision of failure, but also a vision of freedom. With stories, examples of artistic and literary failure, and a powerful can't-do attitude, Failure Is an Option is the book the world doesn't need right now but will get regardless.

None of This Rocks is a memoir by Joe Trohman - lead guitarist and cofounder of Fall Out Boy - that reads like a double album full of revealing stories from his youth and his experiences of modern rock and roll stardom. With wit and wisdom, and maybe a little bit of whining, Trohman grapples with depression, his mother's brain cancer, antisemitism, pills, petty larceny, side hustles, and pop punk at the turn of the century. None of This Rocks chronicles a turbulent life that has informed Trohman's music and his worldview. His mother suffered from mental illness and multiple brain tumors that eventually killed her. His father struggled with that tragedy, but was ultimately a supportive force in Trohman's life who fostered his thirst for knowledge. Trohman faced antisemitism in small-town Ohio, and he witnessed all levels of misogyny, racism, and violence amid the straight edge hardcore punk scene in Chicago. Then came Fall Out Boy. From the guitarist's very first glimpses of their popular ascension, to working with his heroes like Anthrax's Scott Ian, to writing for television with comedian Brian Posehn, Trohman takes readers backstage, into the studio, and onto his couch. He shares his struggles with depression and substance abuse in a brutally honest and personal tone that readers will appreciate. Not much of this rocks, perhaps, but it all adds up to a fascinating music memoir unlike any you've ever read.

"I wonder if Judy Blume really knows how many girls' lives she affected. I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along..." —from Everything I Needed to Know About Being a Girl I Learned from Judy Blume Whether laughing to tears reading Otherwise Known as Sheila the Great or clamoring for more unmistakable "me too!" moments in Are You There God? It's Me, Margaret , girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women , these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

"One day there is life . . . and then, suddenly, it happens there is death". So begins THE INVENTION OF SOLITUDE, Paul Auster's moving and personal meditation on fatherhood. After the death of his own father, Auster discovers a 60-year-old family murder mystery that could account for the old man's elusive character. Later the book shifts from Auster's identity as son to his own role as father.

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project ) share the secrets of their lifelong partnership in this unique memoir. “A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”—Janet Maslin, The New York Times Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent ), and about the challenges they faced on the set of their HBO series Togetherness —namely, too much togetherness. But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other’s strengths. They’re not afraid to call each other out, because they’re also not afraid to compromise. Most relationships aren’t—and frankly shouldn’t be—as intense as Mark and Jay’s, but their brand of trust, validation, and healthy disagreement has taken them far. Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves. “Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. The Best American Science and Nature Writing 2004, edited by Steven Pinker, is another "provocative and thoroughly enjoyable [collection] from start to finish" (Publishers Weekly). Here is the best and newest on science and nature: the psychology of suicide terrorism, desperate measures in surgery, the weird world of octopuses, Sex Week at Yale, the linguistics of click languages, the worst news about cloning, and much more.