"The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. In the fiftieth anniversary edition of this now-classic book, Carlo Ginzburg uses the trial records to illustrate the religious and social conflicts of the society Menocchio lived in. For a common miller, Menocchio was surprisingly literate. In his trial testimony, he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed-just as cheese is made out of milk-and worms appeared in it, and these were the angels." Ginzburg's massively influential book has been widely regarded as an early example of the analytic, case-oriented approach known as microhistory. In the preface, Ginzburg offers his own corollary to Menocchio's story as he considers the discrepancy between the intentions of the writer and what gets written. The Italian miller's story and Ginzburg's work continue to resonate with modern readers because they focus on how oral and written culture are inextricably linked. Menocchio's 500-year-old challenge to authority remains evocative and vital today"-- Provided by publisher.

For the last decade scholars have been questioning the idea that the Holocaust was not talked about in any way until well into the 1970s. After the Holocaust: Challenging the Myth of Silence is the first collection of authoritative, original scholarship to expose a serious misreading of the past on which, controversially, the claims for a âe~Holocaust industryâe(tm) rest. Taking an international approach this bold new book exposes the myth and opens the way for a sweeping reassessment of Jewish life in the postwar era, a life lived in the pervasive, shared awareness that Jews had narrowly survived a catastrophe that had engulfed humanity as a whole but claimed two-thirds of their number. The chapters include: an overview of the efforts by survivor historians and memoir writers to inform the world of the catastrophe that had befallen the Jews of Europe an evaluation of the work of survivor-historians and memoir writers new light on the Jewish historical commissions and the Jewish documentation centres studies of David Boder, a Russian born psychologist who recorded searing interviews with survivors, and the work of philosophers, social thinkers and theologians theatrical productions by survivors and the first films on the theme made in Hollywood how the Holocaust had an impact on the everyday life of Jews in the USA and a discussion of the different types, and meanings, of âe~silenceâe(tm). ãee A breakthrough volume in the debate about the âe~Myth of Silenceâe(tm), this is a must for all students of Holocaust and genocide.

"Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age." -- Provided by Publisher.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

A distinguished historian, Harvard professor, and White House adviser looks back on his own life and on the tumultuous twentieth century. Sixteen-year-old Richard Pipes escaped from Nazi-occupied Warsaw with his family in October 1939. Their flight took them to the United States by way of Italy, and Pipes went on to earn a college degree, join the U.S. Air Corps, serve as professor of Russian history at Harvard for nearly forty years, and become adviser to President Reagan on Soviet and Eastern European affairs. In this engrossing book, the eminent historian remembers the events of his own remarkable life as well as the unfolding of some of the twentieth century’s most extraordinary political events.From his youthful memories of bombs falling on Warsaw to his recollections of the conflicts inside the Reagan administration over American policies toward the USSR, Pipes offers penetrating observations as well as fascinating portraits of such cultural and political figures as Isaiah Berlin, Ronald Reagan, and Alexander Haig. Perhaps most interesting of all, Pipes depicts his evolution as a historian and his understanding of how history is witnessed and how it is recorded.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

Argentina is the only country in the Americas that has successfully erased the presence of Indians, Africans, and mestizos from its national story. Official documents, reports, and censuses have largely omitted any references to the country's non-European inhabitants, mirroring official policies that once included the extermination of indigenous peoples and continued to encourage Europeanization well into the twentieth century. In Captive Women, Susana Rotker exposes this concerted act of forgetting by looking at a historical phenomenon that has been expunged from the national record: the widespread kidnapping of white women by Argentine Indians in the nineteenth century.Captivity narratives form a major part of the early colonial literature of the United States, but Argentina has no such tradition. These narratives contradict Argentina's carefully shaped self-image, one historically based on the absence of aboriginal peoples and the impossibility of miscegenation. Captive Women uses close and imaginative readings of military documents, government treaties, travel journals, essays, and memoirs to explore the foundations of Argentina's strategies of silence and its negation of uncomfortable historical realities.

This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease.

A collection of essays and articles translated from the revised edition of "Les Juifs, la mémoire et le présent" (Paris: La Découverte, 1991), with some changes. The following deal with antisemitism or the Holocaust:

"Griselda Pollock reintroduces an important feminist forerunner in this new, full-colour setting of Helen Rosenau's 1944 book Woman in Art. Helen Rosenau (1900-1984) was part of the influential migration of European Jewish intellectuals who fled to Britain and the United States during the 1930s, bringing with them exciting innovations in art history's methods. Only Rosenau, however, centred gender in her analysis. The result--her book Woman in Art: From Type to Personality--is a feminist art-historical project, as relevant today as when it was first published in 1944, in which Rosenau drew on contemporary discussions of gender in anthropology, philosophy, sociology, law, theology, history, and literature. In this new volume, ahead of the eightieth anniversary of its original publication, Rosenau's erudite and accessible text is prefaced with a personal memoir by Adrian Rifkin, who was once her student, new research into the refugee experience by Rachel Dickson, and a portrait of Rosenau as feminist intellectual by Griselda Pollock. In conversation with this new setting of the original text, richly illustrated with colour images, Pollock offers eye-opening new readings of key aspects of Rosenau's methods, concepts, arguments, and interpretations of famous artworks, establishing the place of Rosenau's "little book of 1944" in the historiographies of both feminist thought and cutting-edge art history across two centuries."-- Source other than Library of Congress.