"What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times"--

Feldman, who at the age of twenty-three packed up her young son and their few possessions and walked away from her insular Hasidic roots in Brooklyn, explores the United States and Europe and, as a result of her travels, redefines her sense of identity as a non-Orthodox Jew committed to self-acceptance and healing.

Feldman, who at the age of twenty-three packed up her young son and their few possessions and walked away from her insular Hasidic roots in Brooklyn, explores the United States and Europe and, as a result of her travels, redefines her sense of identity as a non-Orthodox Jew committed to self-acceptance and healing.

In this sparkling debut, a young critic offers an original, passionate, and erudite account of what it means to feel Jewish--even when you're not. Self-hatred. Guilt. Resentment. Paranoia. Hysteria. Overbearing Mother-Love. In this witty, insightful, and poignant book, Devorah Baum delves into fiction, film, memoir, and psychoanalysis to present a dazzlingly original exploration of a series of feelings famously associated with modern Jews. Reflecting on why Jews have so often been depicted, both by others and by themselves, as prone to "negative" feelings, she queries how negative these feelings really are. And as the pace of globalization leaves countless people feeling more marginalized, uprooted, and existentially threatened, she argues that such "Jewish" feelings are becoming increasingly common to us all. Ranging from Franz Kafka to Philip Roth, Sarah Bernhardt to Woody Allen, Anne Frank to Nathan Englander, Feeling Jewish bridges the usual fault lines between left and right, insider and outsider, Jew and Gentile, and even Semite and anti-Semite, to offer an indispensable guide for our divisive times.

"First came parents with the good sense to flee Europe in 1940 and the good fortune to reach the land of freedom. Their daughter, Ruth, grew up in the shadow of genocide--but in tandem with the birth of Israel, which remained her lodestar. She learned that although Jewishness is biologically transmitted, democracy is not, and both require intensive, intelligent transmission through education in each and every generation. They need adults with the confidence to teach their importance. Ruth tried to take on that challenge as dangers to freedom mounted and shifted sides on the political spectrum. At the high point of her teaching at Harvard University, she witnessed the unraveling of standards of honesty and truth until the academy she left was no longer the one she had entered."--Book flap.

"When her marriage suddenly ends, and a diary documenting her beloved grandfather's escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi K. Lewis decides to retrace his journey to learn about her family history. Despite suffering from extreme disorientation and a lifetime of anxiety, she travels alone for the first time. Moving from Amsterdam to Lyon--relying on the marvels of GPS--she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis's memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations. How do immigrants weave their sense of identity into their chosen countries? Must we be able to locate ourselves within family and cultural geography to belong?"--

A unique memoir that interweaves poetry, narrative, meditation, and social history, A Spiritual Life explores the complex facets of a Jewish woman's spiritual coming-of-age, capturing the emotional and spiritual reality of contemporary Jews as well as religious seekers of all types. From the experiences of early childhood, to the spiritual awakening of a secular adolescent encountering Jewish tradition, to the alternately funny and searing tales of new-found independence, early married life, young motherhood, and midlife, Feld comments with remarkable honesty and clarity on the many stages of spiritual and artistic exploration and growth. Overarching all these accounts is the picture of how the cycle of the Jewish calendar year comes to provide an ever-renewing source of sustenance for the author's deepening spiritual expression.

But who could describe my fright when, on the next morning, I awoke and found myself feeling as if completely changed into a woman. — Case 129, Autobiography, from Psychopathia Sexualis, a Medico-Forensic Study by Richard Von Krafft-Ebing At the time the passage above was written, people who felt trapped in the wrong gender automatically became case-studies. Today they become the men and women they always felt they were. Transsexuals test our notions of what it is to be male or female and, more provocatively, what it means to be one self as opposed to another. “Their stories,” says Jonathan Ames, “hold the appeal of an adventurer’s tale.” In Sexual Metamorphosis , Ames presents the personal narratives of seventeen gender pioneers. Here is Christine Jorgensen, the first celebrity transsexual, greeting thousands of well-wishers from the stage of Madison Square Garden. Here is Caroline Cossey, former model and Bond (as in James) girl, being outed in the tabloid press. Here is novelist and English professor Jennifer Finney Boylan discussing her impending transformation with her heartbroken spouse and supportive yet confused colleagues. The result is a fascinating and compulsively readable book, filled with anguish, introspection and courage.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

In this collection of literary portraits, Jules Chametzky shares his recollections of more than forty notable Jewish writers, from Alfred Kazin to Isaac Bashevis Singer, Grace Paley, Saul Bellow, Irving Howe, Cynthia Ozick, Leslie Fiedler, Tillie Olsen, Adrienne Rich, Allen Ginsberg, Joseph Brodsky, and Amos Oz-to name a few. Also included are cameo appearances by non-Jewish authors, such as James Baldwin, Amiri Baraka, and Jose Yglesias. Not only do these various writers emerge as interesting and often complicated human beings, but Chametzky reveals himself to be a warm and gracious storyteller. Book jacket.

"In August 1970, David Biale, a 21-year-old American Jewish student, arrived at Kibbutz Kfar Ruppin in Israel's Bet She'an Valley as a volunteer. There, he met Rachel Korati, nine days shy of her eighteenth birthday. They began an intense dialogue about how a secular Jew might be Jewish and what the role of Israel and kibbutz ought to be in modern Jewish life. They also found a common language in the counter-culture of the 1960s to which both were drawn. Upon David's return to university studies in Berkeley and Rachel's first steps into independent adulthood - living in a town near Tel Aviv and working as a youth movement counselor -- the two commenced a correspondence in which they continued their intellectual and ideological discussions from the summer, engaging Jewish sources on the one hand, and contemporary events on the other. Gradually, the letters became more intimate and so began an epistolary romance, which one might associate more with the nineteenth century and which would be inconceivable in today's world of texting and email. Over the next two years, the correspondence continued, often on a daily basis. Twice, David's plans to come to Israel were dashed. The two struggled to hold onto a relationship composed primarily of written words. In the fall of 1971, Rachel was drafted into the Israeli Army and David had his own brush with the American draft in the last phase of the Vietnam War. Aerograms Across the Ocean: A Love Story in Letters opens a rare window into the lives and thoughts of two passionate young people, trying to find their identities and life trajectories in the tumultuous early 1970s. By turns philosophical and playful, poetic and prosaic, idealistic and uncertain, pensive and erotic, this jointly-written memoir is a coming-of-age story in Israel after the Six Day War and in America in the shadow of the Vietnam War. The book is organized around the 258 letters the authors exchanged, a correspondence that takes readers back into a different age, half a century ago." --

This is an eloquent and deeply felt memoir exploring the author's complex relationship with his Jewish identity. "If I Am Not Myself" is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author's upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British Left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather's life in Jewish New York of the 1930s and '40s, his struggles with anti-Semitism and the twists and turns that led him from anti-Fascism to Militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish Diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as self-haters by the Jewish establishment.

Against the Grain is a collection of challenging and insightful essays from a reflective historian. Jerold Auerbach, Professor Emeritus at Wellesley College (where he taught for 40 years), writes in the Foreword how his academic career and his time in Israel "each in its own distinctive way converged to liberate me from my past as a non-Jewish Jew." He adds: "Regardless of the subject-law, modern American history, Pueblo Indians, American Judaism, Israel-deference to the conventional wisdom never had been my style. I always enjoyed the stimulation of writing against the grain: discovering hidden meanings, challenging historical and political pieties, and exposing the self-serving ideology that often lurked beneath self-evident truths. Providing intellectual catnip, it also enabled me to reach readers far beyond the narrow confines of academic journals. "My creative work always was done in the solitude of my study, my sanctum within my home. Enclosed within the treasured artifacts, maps, photographs, prints, and books accumulated during decades of research and travel, I explored the historical past that both inspired and reflected my own intellectual trajectory. Virtually every book I have written, to my genuine surprise, contained within it the seed of its successor. That, of course, is discernible only with hindsight-which, after all, is the distinctive attribute of a historian. I invite my family, friends, and interested readers to accompany me to some favorite destinations during my journey." A new book in Quid Pro's Journeys & Memoirs Series, Against the Grain presents this distinctive hindsight in essays and excerpts targeted to a general audience interested in such issues, in addition to historians and college students. Many of the essays were first published in non-academic periodicals and are accessible to this broader audience, though they are nonetheless supported with the prodigious research, evocative prose, and candor of a widely published writer.

R.B. Lemberg's poems are a manifesto of memories, unearthing worlds that are gone and poignantly present: their childhood in the Soviet Union, suspended between Ukraine and the permafrost of Siberia, among the traumatized, silent, persecuted members of their Jewish family; Lemberg's coming of age in Israel, being the other wherever they go, both internally and externally, in multiple identities, languages, genders; and the arrival in "the lost land" of their America, where they have put down "tentative roots." Every line in this stunning, lyrical memoir is chiseled with the poignant precision of ice into a coruscating cascade that engulfs us with the author's sensations of solitude, anger, grief; sometimes hurling like an avalanche, sometimes tenderly unfolding like constellations in a circumpolar sky - leaving open the possibility that with the disturbing truths covered for decades, the thawing permafrost from Lemberg's past might also lay bare layers of love.

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.