The Ojibwa Woman is a book written by Ruth Landes that explores the life and culture of the Ojibwa people, specifically focusing on the experiences of Ojibwa women. The book is based on Landes' fieldwork among the Ojibwa people in the early 1930s, during which she lived among the tribe and conducted extensive interviews with women to gain a better understanding of their lives, beliefs, and customs.The book covers a wide range of topics related to Ojibwa women, including their roles in the community, their relationships with men and other women, their experiences of motherhood and childbirth, and their spiritual beliefs and practices. Landes also explores the impact of colonialism and Christianity on the Ojibwa people, and the ways in which these forces have affected the lives of Ojibwa women.Throughout the book, Landes presents a nuanced and empathetic portrait of the Ojibwa people and their culture, drawing on her own observations and the insights of the women she interviewed. The book is a valuable resource for anyone interested in the history and culture of indigenous peoples, as well as for those interested in the experiences of women in different cultures and societies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.