The book that inspired the award-winning documentary, Janis Ian: Breaking Silence. Grammy Award-winning songwriter, singer and author, Janis Ian took the stage at age fifteen with a revolutionary song about interracial relationships, "Society's Child." It was 1966 and the country responded with both hostility and accolades. The song went to #1, and Janis was caught in the maelstrom of a divided country. Terrified by the hatred directed at her, she left the music industry, only to return a few years later with the worldwide hit "At Seventeen." The story never ends-her songs are currently used by artists as diverse as Bette Midler, John Mellencamp, and Celine Dion; and she is considered one of the pre-eminent acoustic guitarists of our era by such notables as Chet Atkins. In "Society's Child," you'll journey with Janis as she spends time with luminaries of the century-Bob Dylan, Jimi Hendrix, Aretha Franklin-singers and songwriters who both influenced and befriended her. Her book takes an unblinking look at the music business, her own remarkable path through it, and what was really happening backstage-with honesty and integrity. Connect with Janis on her website, janisian.com, and read this inspiring autobiography of one woman's unbreakable spirit.

Nathan Rabin viewed pop culture as a life-affirming form of escape throughout his childhood and adolescence. As an adult, pop culture became his life. Head writer for A.V. Club for more than a decade, Rabin uses specific books, songs, albums, films, and television shows as springboards for dissecting his Dickensian life story in his acclaimed memoir The Big Rewind . Rabin writes movingly and hilariously about how pop culture helped save him from suicidal despair, institutionalization, and parental abandonment during a childhood that sent him ricocheting from a mental hospital to a foster home to a group home for emotionally disturbed adolescents. A fun book about depression, The Big Rewind is ultimately a touching narrative of a motherless child’s search for family and acceptance, and a darkly comic valentine to Rabin’s lovable, hard-luck dad. With comic dissertations on everything from The Simpsons to The Great Gatsby, and from Grey Gardens to Dr. Dre, The Big Rewind chronicles Rabin’s improbable yet all-too-true journey through life, and its fortuitous intersections with the dizzyingly wonderful world of entertainment.

“From her head down to her gnarly (no longer!) toes, Kathie Lee is pure dame. And she’s served up a cocktail of wit and wisdom with a decidedly salty rim!”—Meredith Vieira Just When I Thought I’d Dropped My Last Egg is Kathie Lee Gifford’s triumphant laugh-out-loud celebration of forging ahead with gusto, even long after we’re old enough to know better. Age, after all, isn’t a number, it’s a state of mind, and being fertile isn’t just about having babies, it’s about being passionate and creative. Writing with the candor of a friend who knows where the bodies are buried, Kathie Lee reveals the truth every woman of a certain age knows but won’t admit: that we love our kids every second of every day but are counting the minutes till they’re ready to go off to college, that even though gravity is a constant force, not all parts of our bodies droop at the same rate, and that life and show business share one simple rule: “Don’t sit by the phone and wait for a man or a job.” Full of warmth, humor, and down-to-earth wisdom, this wonderful book is a delectable read for grown-ups of all ages. Praise for J ust When I Thought I’d Dropped My Last Egg “I’ve been through a couple of calamities with Kathie Lee and nobody handles them better. You could blow her up, cook her and hang her out to dry and she will still survive and have some laughs doing it.” —Regis Philbin “Kathie Lee has always entertained me with her humor, wry wit, and penchant for pinpointing all of our very human foibles with great accuracy and hilarity. Now she does it again. This charming memoir filled with amusing anecdotes about herself and her family, friends, and colleagues brought a smile to my face but also touched me. Her insight is as remarkable as she is.” —Barbara Taylor Bradford “Gifford dishes about everything.” —The Tampa Tribune “Fans will be delighted . . . by the book’s mix of earnest life lessons and self-conscious kookiness.” —Publishers Weekly “Outrageously funny . . . [Gifford’s] quirky sense of humor shines through.” —Wichita Falls Times Record News

"An expedition into the troubled soul of one of the world's greatest songwriters."-- Haaretz "A fascinating and intense account of Leonard Cohen's time in Israel during the 19-day Yom Kippur War of 1973. A must for any Leonard Cohen completist."--Suzanne Vega A Vanity Fair Best Book of 2022 * Mosaic Magazine Best Book of 2022 The untold story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen--thirty-nine years old, famous, unhappy, and at a creative dead end--traveled to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a group of local musicians, Cohen sang for hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen, reigniting his creativity and inspiring him to compose some of his most memorable songs. Who by Fire provides a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, existential moment for both a young country at war and a singer at a crossroads.

Whether we're aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who-knows-what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed. Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English-speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free-ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism - occasionally prison - of culture. "About six years ago, President George W. Bush was delivering a speech at a G8 summit, when, made impatient by the process of translation, he interrupted his German interpreter: 'Everybody speaks English, right?' ..." Linda Jaivin, Found in Translation Linda Jaivin is the author of novels, stories, plays and essays. Her books include the China memoir The Monkey and the Dragon and the novels Eat Me and A Most Immoral Woman. In 1992 she co-edited the acclaimed anthology of translations New Ghosts, Old Dreams: Chinese Rebel Voices. She has also subtitled many films, including Chen Kaige's Farewell My Concubine, Zhang Yimou's Hero and Wong Kar Wai's The Grandmaster.

Adler was a young woman determined to be taken seriously and to be an agent of change - on her own terms, free from dogma and authoritarian constraints. From campus activism at the University of California at Berkeley to civil-rights work in Mississippi, from antiwar protests to observing the socialist revolution in Cuba, she found those chances in the 1960s. Heretic's Heart illuminates the events, ideas, passions, and ecstatic commitments of the decade like no other memoir.

It was 1994: post-Liz Phair, mid-Courtney Love, just shy of Alanis Morissette. After seven years of slogging it out in the Boston music scene, Jen Trynin took a hard look at herself and gave "making it" one last shot. It worked. Suddenly Trynin became the spark that set off one of the most heated bidding wars of the year. Major labels vied for her, to the tune of millions of dollars in deals. Lawyers, managers, and booking agents clamored for her attention. Billboard put her on the cover. Everyone knew she was the Next Big Thing. But then she wasn't. In a series of dizzying, hilarious, heartbreaking snapshots, Trynin captures what it's like to be catapulted to the edge of rock stardom, only to plummet back down to earth. Everything I'm Cracked Up to Be is the story of a girl who got what she wished for--and lived happily ever after anyway.

In this book Janet Wolff examines the ways in which travel is used as a metaphor in cultural theory, and the use of dance (another form of mobility) as an image of liberation, particularly in relation to women. The topic of marginality is addressed - Walter Benjamin's marginality to the academy, the marginality of Gwen John and Rainer Maria Rilke in Paris in the 1900s - and the more general question of whether exile or distance provides a better vantage-point for cultural criticism than centrality and stability. Wolff seeks to break down the boundaries between academic and personal writing. The question of memoir and cultural theory is addressed with regard to Walter Benjamin, and several of the essays explore the particular meeting point of memory, personal experience, and cultural/sociological analysis. With linked themes of exile, memoir and movement, the book had a wide range of focus: opera, rock'n'roll, a Schubert quartet, feminist literary criticism, Gwen John's interiors, and Victorian lady travellers.

"Ja, No, Man is an eerily familiar portrayal of the life of an ordinary white South African growing up during Apartheid-era South Africa. Told with extraordinary humour and self-awareness, Poplak's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read." From book cover