This is a compelling, often hilarious, and unfailingly compassionate portrait of life inside a women's prison. With a career, a boyfriend, and a loving family, the author barely resembles the reckless young woman who delivered a suitcase of drug money ten years before. But that past has caught up with her. Convicted and sentenced to fifteen months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187-424, one of the millions of people who disappear "down the rabbit hole" of the American penal system. From her first strip search to her final release, she learns to navigate this strange world with its strictly enforced codes of behavior and arbitrary rules. She meets women from all walks of life, who surprise her with small tokens of generosity, hard words of wisdom, and simple acts of acceptance.

NEW YORK TIMES BESTSELLER • A deeply candid and refreshingly spirited memoir of identity lost and found from the star of the iconic film Dirty Dancing “A funny, dishy, occasionally heartbreaking coming-of-age story.”— The New York Times “Savage and engaging . . . Grey’s memoir is interesting not only for her journey out of darkness but also for what her story reveals about what women encounter in the entertainment business, and the fortitude required to make it.”— The Washington Post In this beautiful, close-to-the bone account, Jennifer Grey takes readers on a vivid tour of the experiences that have shaped her, from her childhood as the daughter of Broadway and film legend Joel Grey, to the surprise hit with Patrick Swayze that made her America’s sweetheart, to her inspiring season eleven win on ABC’s Dancing with the Stars . Throughout this intimate narrative, Grey richly evokes places and times that were defining for a generation—from her preteen days in 1970s Malibu and wild child nights in New York’s club scene, to her roles in quintessential movies of the 1980s, including The Cotton Club, Red Dawn, and her breakout performance in Ferris Bueller’s Day Off . With self-deprecating humor and frankness, she looks back on her unbridled, romantic adventures in Hollywood. And with enormous bravery, she shares the devastating fallout from a plastic surgery procedure that caused the sudden and stunning loss of her professional identity and career. Grey inspires with her hard-won battle back, reclaiming her sense of self from a culture and business that can impose a narrow and unforgiving definition of female worth. She finds, at last, her own true north and starts a family of her own, just in the nick of time. Distinctive, moving, and powerful, told with generosity and pluck, Out of the Corner is a memoir about a never-ending personal evolution, a coming-of-age story for women of every age.

NEW YORK TIMES BESTSELLER • “This Year’s Must-Read Memoir” ( W magazine) about the choices a young woman makes in her search for adventure, meaning, and love NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Vogue • Time • Esquire • Entertainment Weekly • The Guardian • Harper’s Bazaar • Library Journal • NPR All her life, Ariel Levy was told that she was too fervent, too forceful, too much. As a young woman, she decided that becoming a writer would perfectly channel her strength and desire. She would be a professional explorer—“the kind of woman who is free to do whatever she chooses.” Levy moved to Manhattan to pursue her dream, and spent years of adventure, traveling all over the world writing stories about unconventional heroines, following their fearless examples in her own life. But when she experiences unthinkable heartbreak, Levy is forced to surrender her illusion of control. In telling her story, Levy has captured a portrait of our time, of the shifting forces in American culture, of what has changed and what has remained. And of how to begin again. Praise for The Rules Do Not Apply “Unflinching and intimate, wrenching and revelatory, Ariel Levy’s powerful memoir about love, loss, and finding one’s way shimmers with truth and heart on every page.” —Cheryl Strayed “Every deep feeling a human is capable of will be shaken loose by this profound book. Ariel Levy has taken grief and made art out of it.” —David Sedaris “Beautifully crafted . . . This book is haunting; it is smart and engaging. It was so engrossing that I read it in a day.” — The New York Times Book Review “Levy’s wise and poignant memoir is the voice of a new generation of women, full of grit, pathos, truth, and inspiration. Being in her presence is energizing and ennobling. Reading her deep little book is inspiring.” — San Francisco Book Review “Levy has the rare gift of seeing herself with fierce, unforgiving clarity. And she deploys prose to match, raw and agile. She plumbs the commotion deep within and takes the measure of her have-it-all generation.” — The Atlantic “Cheryl Strayed meets a Nora Ephron movie. You’ll laugh, ugly cry, and finish it before the weekend’s over.” — theSkimm

A dazzling and devastating memoir -- Girl Interrupted for the Juno generation. Talented, prolific and charming, Emma Forrest was settled in Manhattan at twenty-two and on contract to the Guardian when she realized that her quirks had gone beyond eccentricity, past the warm waters of weird and into those cold, deep patches of the sea where people lose their lives. Lonely, in a dangerous cycle of cutting and bulimia, and drawn inexplicably to damaging and cruel relationships, she found herself in the chair of a slim, balding and effortlessly optimistic psychiatrist -- a man whose wisdom and humanity would wrench her from the vibrant and dangerous tide of herself, and who would help her to recover when she tried to end her life. Emma's loving and supportive family and friends circled around her in panic. Like Ophelia, Emma was on the brink of drowning. But she was also still working, still exploring, still writing. And then she fell in love. One day, when Emma called to make an appointment with her psychiatrist, she found no one there. He had died, shockingly, at the age of fifty-three, leaving behind a young family for whom he had fought to survive. Processing the premature doorstep, a failed suicide, she was adrift. And when her significant and all-consuming relationship also fell apart, she was forced to cling to the page for survival. Your Voice in My Head is spiked with wit, humour and unique perception. It not only explores the crashing weight of depression, mania and suffering, but also the beauty of love and the heartbreak of loss. It is also, fundamentally, about our relationship with ourselves.

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence , Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

The best-selling author of BRINGING UP BÉBÉ investigates life in her forties, and wonders whether her mind will ever catch up with her face. When Pamela Druckerman turns 40, waiters start calling her "Madame," and she detects a disturbing new message in mens' gazes: I would sleep with her, but only if doing so required no effort whatsoever . Yet forty isn't even technically middle-aged anymore. And after a lifetime of being clueless, Druckerman can finally grasp the subtext of conversations, maintain (somewhat) healthy relationships and spot narcissists before they ruin her life. What are the modern forties, and what do we know once we reach them? What makes someone a "grown-up" anyway? And why didn't anyone warn us that we'd get cellulite on our arms? Part frank memoir, part hilarious investigation of daily life, There Are No Grown-Ups diagnoses the in-between decade when... • Everyone you meet looks a little bit familiar. • You're matter-of-fact about chin hair. • You can no longer wear anything ironically. • There's at least one sport your doctor forbids you to play. • You become impatient while scrolling down to your year of birth. • Your parents have stopped trying to change you. • You don't want to be with the cool people anymore; you want to be with your people. • You realize that everyone is winging it, some just do it more confidently. • You know that it's ok if you don't like jazz. Internationally best-selling author and New York Times contributor Pamela Druckerman leads us on a quest for wisdom, self-knowledge and the right pair of pants. A witty dispatch from the front lines of the forties, There Are No Grown-ups is a (midlife) coming-of-age story, and a book for anyone trying to find their place in the world.

"Mitch Albom has done it again with this moving memoir of love and loss. You can't help but fall for Chika. A page-turner that will no doubt become a classic." --Mary Karr, author of The Liars' Club and The Art of Memoir From the #1 New York Times bestselling author of Tuesdays With Morrie comes Mitch Albom's most personal story to date: an intimate and heartwarming memoir about what it means to be a family and the young Haitian orphan whose short life would forever change his heart. Chika Jeune was born three days before the devastating earthquake that decimated Haiti in 2010. She spent her infancy in a landscape of extreme poverty, and when her mother died giving birth to a baby brother, Chika was brought to The Have Faith Haiti Orphanage that Albom operates in Port Au Prince. With no children of their own, the forty-plus children who live, play, and go to school at the orphanage have become family to Mitch and his wife, Janine. Chika's arrival makes a quick impression. Brave and self-assured, even as a three-year-old, she delights the other kids and teachers. But at age five, Chika is suddenly diagnosed with something a doctor there says, "No one in Haiti can help you with." Mitch and Janine bring Chika to Detroit, hopeful that American medical care can soon return her to her homeland. Instead, Chika becomes a permanent part of their household, and their lives, as they embark on a two-year, around-the-world journey to find a cure. As Chika's boundless optimism and humor teach Mitch the joys of caring for a child, he learns that a relationship built on love, no matter what blows it takes, can never be lost. Told in hindsight, and through illuminating conversations with Chika herself, this is Albom at his most poignant and vulnerable. Finding Chika is a celebration of a girl, her adoptive guardians, and the incredible bond they formed--a devastatingly beautiful portrait of what it means to be a family, regardless of how it is made.

A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in priso[Bokinfo]

The electrifying, often harrowing memoir of a highly decorated DEA agent who targeted the world's most notorious narco-terrorists through the "dark art" of undercover operations. Edward Follis bought eightballs of coke in a red Corvette. He negotiated multimillion-dollar deals onboard private King Airs. He developed covert relationships with men who were not only international drug traffickers but--in some cases--operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican Federation of cartels. He was a master at the dark art of going undercover. And this is his story... Spanning five continents and filled with harrowing stories about the world's most ruthless drug lords and terrorist networks, The Dark Art is an incredible first hand account of Edward Follis's twenty-seven-year undercover career in the DEA--from doing street-level busts evocative of Miami Vice to using high-resolution-optics surveillance and classified cutting-edge technology to bring down narco-terror kingpins. It also closely examines how, from the early 1990s to today, the DEA underwent its own radical transformation, shifting its focus from local dealers of coke and weed to the billionaire financiers of worldwide terrorism. Every word is true, and every story is documented. A globe-hopping nonfiction thriller, The Dark Art is a page-turning memoir that will electrify you from page one.

A "stunning" (Hanif Abdurraqib), "unputdownable" (Mary Karr) meditation on queerness, family, and desire. How do you know if you are transgender? How do you know if what you want and feel is real? How do you know whether to believe yourself? Cyrus Dunham's life always felt like a series of imitations--lovable little girl, daughter, sister, young gay woman. But in a culture of relentless self-branding, and in a family subject to the intrusions and objectifications that attend fame, dissociation can come to feel normal. A Lambda Literary Award finalist, Dunham's fearless, searching debut brings us inside the chrysalis of a transition inflected as much by whiteness and proximity to wealth as by gender, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about identity. Written with disarming emotional intensity in a voice uniquely his , A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and selfhood. Named a Most Anticipated Book of the season by: Time NYLON Vogue ELLE Buzzfeed Bustle O Magazine Harper's Bazaar

Finalist for the 1997 National Book Award for Nonfiction Jamaica Kincaid’s brother Devon Drew died of AIDS on January 19, 1996, at the age of thirty-three. Kincaid’s incantatory, poetic, and often shockingly frank recounting of her brother’s life and death is also a story of her family on the island of Antigua, a constellation centered on the powerful, sometimes threatening figure of the writer’s mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

Soon to be an Apple feature movie directed by CODA’ s Sian Heder and starring BAFTA-nominated actress Ruth Madeley as Judy Heumann "This important book will help ensure that every person gets a chance to live up to their full potential and will always have a place at the table.”—Hillary Clinton "Her life story as an activist will enlighten readers everywhere.”—Gloria Steinem "Her fierce advocacy and work changing the laws around disability rights have undeniably paved the way for me to achieve what I have today. . . . A must-read.”—Ali Stroker, Tony Award–winning actress One of the most influential disability rights activists in US history tells her personal story of fighting for the right to receive an education, have a job, and just be human A story of fighting to belong in a world that wasn’t built for all of us and of one woman’s activism—from the streets of Brooklyn and San Francisco to inside the halls of Washington— Being Heumann recounts Judy Heumann’s lifelong battle to achieve respect, acceptance, and inclusion in society. Paralyzed from polio at eighteen months, Judy’s struggle for equality began early in life. From fighting to attend grade school after being described as a “fire hazard” to later winning a lawsuit against the New York City school system for denying her a teacher’s license because of her paralysis, Judy’s actions set a precedent that fundamentally improved rights for disabled people. As a young woman, Judy rolled her wheelchair through the doors of the US Department of Health, Education, and Welfare in San Francisco as a leader of the Section 504 Sit-In, the longest takeover of a governmental building in US history. Working with a community of over 150 disabled activists and allies, Judy successfully pressured the Carter administration to implement protections for disabled peoples’ rights, sparking a national movement and leading to the creation of the Americans with Disabilities Act. Candid, intimate, and irreverent, Judy Heumann’s memoir about resistance to exclusion invites readers to imagine and make real a world in which we all belong.

FROM THE BOOK :"The pit I was ordered to dig had the precise dimensions of a casket. The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside." In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma—the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system—the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world. The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality—from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence—is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.

Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

In this memoir, Ben Stern tells his own, unforgettable story as a Holocaust camp survivor who by the age of 24 impossibly survived two ghettos, nine concentration camps, and two death marches. In story after story of near impossible survival, he lives with singular courage and unshakable kindness and hope - his only weapons against the Nazis' determination to destroy everyone and everything Jewish in Europe. Born in Warsaw, Poland, in 1921, Ben is seventeen years old when the Nazis invade his town of Mogielnica. His parents and grandmother beg him to flee: Whatever you do, you save yourself! We hold our breaths and our hearts as we watch Ben's on-the-fly decisions that in a mix of resourcefulness, canniness, and plain luck manage to save him from the brink of annihilation via slavery, starvation, beatings, shootings, whippings, and a certain death sentence from Dr. Mengele himself. Liberated on May 8, 1945, Ben finds he can be free only when he chooses to let go of hatred. Thirty years later, he sparks and leads the resistance when Nazis in America plan to rally in his adopted hometown of Skokie, Illinois. Standing up against tremendous opposition, Ben builds national support, prompting the Nazis to cancel at the last minute. Then, again for a third time, Nazis arrive in Berkeley, California, after the notorious 2017 hate march in Charlottesville, Virginia. Ben refuses to follow city officials' orders to stay home and defies them with a rally of thousands against hatred, once more. As a fierce defender of human rights, Ben inspires students and adults everywhere. His story inspires us to stand up and speak out to change our world for the better.

Bestselling author Ruth Reichl embarks on a clear-eyed and openhearted investigation of her mother's life, piecing together the journey of a woman she comes to realize she never really knew. Looking to her mother's letters and diaries, Reichl confronts the painful transition her mother made from a hopeful young woman to an increasingly unhappy older one and realizes the tremendous sacrifices she made to make sure her daughter's life would not be as disappointing as her own. Book jacket.

A quick search on the net reveals some 2,400,000 sites about the 23-year-old socialite who is famous for doing little and baring little. But what is it about Paris Hilton that continues to fascinate everyone worldwide and why do or should we care? (oh, but we do). Paris has teamed up with entertainment/fashion/beauty/celebrity writer Merle Ginsberg and Jeff Vespa, Paris's fave photographer, to write her autobiography CONFESSIONS OF AN HEIRESS: A TONGUE-IN-CHIC PEEK AT LIFE BEHIND THE POSE. There are chapters on sister Nicky, the jet/set life, and Paris's cavalcade of paramours including Rick Salomon and the notorious sex tape that "has made me change my life. I used to have fun and dress up and that was my life. But now I'm moving on, I've grown up a lot." Wow. CONFESSIONS OF AN HEIRESS also include a section on how to tell if a guy is only interested in your money. "If they offer to pay for dinner, that's a good sign," Paris advises. "But if they talk about how 'you're so rich,' if they do stuff like that, I can tell they like money more than they like me. But I think girls are more gold-diggers than guys." Ouch. CONFESSIONS OF AN HEIRESS doesn't just include Paris's thoughts on men and money. She also weighs in on nutrition ("Never drink Diet Coke. Diet Coke is for fat people.") and the hardships of travel ("Having a stewardess spill something on you can totally ruin your flight. I hate rude stewardesses. It's like, 'Hello, I'm paying, be nice to me.'"). Like, hello, we think they're called flight attendants now.

A frank, witty, and dazzlingly written memoir of one woman trying to keep it together while her body falls apart—from the “brilliant mind” (Michaela Coel, creator of I May Destroy You ) behind Shutterbabe “The most laugh-out-loud story of resilience you’ll ever read and an essential road map for the importance of narrative as a tool of healing.”—Lori Gottlieb, bestselling author of Maybe You Should Talk to Someone NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE I’m crawling around on the bathroom floor, picking up pieces of myself. These pieces are not a metaphor. They are actual pieces. Twenty years after her iconic memoir Shutterbabe, Deborah Copaken is at her darkly comedic nadir: battered, broke, divorcing, dissected, and dying—literally—on sexism’s battlefield as she scoops up what she believes to be her internal organs into a glass container before heading off to the hospital . . . in an UberPool. Ladyparts is Copaken’s irreverent inventory of both the female body and the body politic of womanhood in America, the story of one woman brought to her knees by the one-two-twelve punch of divorce, solo motherhood, healthcare Frogger, unaffordable childcare, shady landlords, her father’s death, college tuitions, sexual harassment, corporate indifference, ageism, sexism, and plain old bad luck. Plus seven serious illnesses, one atop the other, which provide the book’s narrative skeleton: vagina, uterus, breast, heart, cervix, brain, and lungs. Copaken bounces back from each bum body part, finds workarounds for every setback—she transforms her home into a commune to pay rent, sells her soul for health insurance, turns FBI informant when her sexual harasser gets a presidential appointment—but in her slippery struggle to survive a steep plunge off the middle-class ladder, she is suddenly awoken to what it means to have no safety net. Side-splittingly funny one minute, a freak horror show the next, quintessentially American throughout, Ladyparts is an era-defining memoir.

Jamaica Kincaid invites us into her garden in this “irresistible stream of horticultural consciousness” (Michael Pollan). Jamaica Kincaid’s first garden in Vermont was a square plot in the middle of her front lawn. There, to the consternation of more experienced gardener friends, she planted only seeds of flowers she liked best. In My Garden (Book): , she gathers all that she loves about gardening and plants, and examines it in the same spirit: generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid’s affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododendron ‘Jane Grant,’ and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily and dreams of ways to trap small plant-eating animals. She also examines the idea of the garden on Antigua, where she grew up and where one of her favorite school subjects was botany, and she considers the implications of the English idea of the garden in colonized countries. On a trip to the Chelsea Flower Show, she visits historic English gardens on English soil. My Garden (Book): is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the gardeners who tend them.

Europe is ready to explode. Where will the explosion take place and what will the damage be? This major new book from the bestselling author and geopolitical forecaster George Friedman presents a bold and provocative thesis about the likeliest locations for the coming eruptions. George Friedman forecasted coming global trends in The Next 100 Years and The Next Decade . Now, in Flashpoints , he zooms in on Europe and examines the dry tinder of the region: culture. Walking the faultlines that have existed here for centuries, Friedman inspects all the dormant social and political fissures still smouldering just beneath the continent's surface, and identifies those likely to erupt first. The book begins with a fascinating history of the events leading up to the horrific wars that nearly tore apart Western civilisation, and shows how modern efforts to overcome Europe's geopolitical tensions – including the formation of the European Union – have largely failed. Homing in on half a dozen pivotal locations, George Friedman gauges what the future holds, both in terms of conflict and also opportunity. Flashpoints details how events in Europe will affect the rest of the world – from USA to Russia, from China to Latin America – and reveals a new yet familiar political landscape in what is at once a gripping history lesson and a terrifying forecast of the potential devastation ahead.