Born in the town of Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 to Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's testimony to what happened in the camps and of his unforgettable message that this horror must simply never be allowed to happen again.

In the "Greed Is Good" 1980s, a group of MIT geniuses decided to break the bank at Las Vegas. Utilizing their own mathematical wizardry and large doses of moxie, these six co-conspirators legally beat Vegas' largest casinos out of more than $3 million in less than two years. Harvard University graduate/thriller author Ben Mezrich has recomposed their story, an arresting hybrid of Liar's Poker, The Cuckoo's Egg, and Ocean's Eleven . Taut action and close calls.

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

The book that inspired the award-winning documentary, Janis Ian: Breaking Silence. Grammy Award-winning songwriter, singer and author, Janis Ian took the stage at age fifteen with a revolutionary song about interracial relationships, "Society's Child." It was 1966 and the country responded with both hostility and accolades. The song went to #1, and Janis was caught in the maelstrom of a divided country. Terrified by the hatred directed at her, she left the music industry, only to return a few years later with the worldwide hit "At Seventeen." The story never ends-her songs are currently used by artists as diverse as Bette Midler, John Mellencamp, and Celine Dion; and she is considered one of the pre-eminent acoustic guitarists of our era by such notables as Chet Atkins. In "Society's Child," you'll journey with Janis as she spends time with luminaries of the century-Bob Dylan, Jimi Hendrix, Aretha Franklin-singers and songwriters who both influenced and befriended her. Her book takes an unblinking look at the music business, her own remarkable path through it, and what was really happening backstage-with honesty and integrity. Connect with Janis on her website, janisian.com, and read this inspiring autobiography of one woman's unbreakable spirit.

I Thought My Father was God [paperback] Paul Auster [Jan 01, 2001]

In 1968, at the age of eleven, Mary Bell was tried, and convicted, of manslaughter after the death of two small boys in Newcastle upon Tyne, England. Her friend, and neighbour, thirteen-year-old, Norma Bell, no relation, was acquitted. Gitta Sereny attended the trial, and spent the next two years researching, and writing, what has become a classic study, The Case of Mary Bell . Over the years, however, she came to realize that if we are ever to understand the pressures which bring a child to commit serious crimes, only they, when adult, can tell us.Twenty-seven years after her conviction, and her sentence of detention for life, after her mother's death, Mary Bell agreed to talk about her harrowing childhood, her two terrible acts nine weeks apart, her public trial, and her twelve years of detention - seven of them, beginning when she was sixteen, in a maximum security women's prison.Nothing she said in the five months of intensive talks with Gitta Sereny was intended, or can be taken, as an excuse for her she herself rejects all mitigation. But the story of her life forces the reader to ponder society's responsibility for children at breaking point. It challenges our willingness to commit ourselves to the prevention of violent acts such as Mary committed. It is a clarion call to review our system of justice, and punishment, as it applies to the most needy amongst us - our children at risk.Cries Unheard is a brilliant tour de force, meticulously piecing together the terribly damaged life of Mary Bell, who only as an adult, and loving parent herself, grew to realize the moral enormity of her crimes. But it is not an isolated tragedy. There are thousands of children in prison across Europe, and in America. And in Britain, where punitive justice for children is most formalized, recent cases such as the murder of James Bulger show the urgency for our attention, our compassion, and our action.

It's 2008, and it's been a while since Jake Adelstein was the only gaijin crime reporter for the Yomiuri Shimbun . The global economy is in shambles, Jake is off the police beat but still chain-smoking clove cigarettes, and Tadamasa Goto, the most powerful boss in the Japanese organised-crime world, has been banished from the yakuza, giving Adelstein one less enemy to worry about - for the time being. But as he puts his life back together, he discovers that he may be no match for his greatest enemy - himself. And Adelstein has a different gig these days- due-diligence work, or using his investigative skills to dig up information on entities whose bosses would prefer that some things stay hidden. The underworld isn't what it used to be. Underneath layers of paperwork, corporations are thinly veiled fronts for the yakuza. Pachinko parlours are a hidden battleground between disenfranchised Japanese Koreans and North Korean extortion plots. TEPCO, the electric power corporation keeping the lights on for all of Tokyo, scrambles to hide its willful oversights that ultimately led to the 2011 Fukushima meltdown. And the Japanese government shows levels of corruption that make the yakuza look like philanthropists in comparison. All this is punctuated by personal tragedies no one could have seen coming. In this ambitious and riveting work, Jake Adelstein explores what it's like when you're in too deep to distinguish the story you chase from the life you live. 'Journalist Adelstein follows up The Last Yakuza with another illuminating blend of memoir and reportage ... As always, the author's ability to boil down Japan's complex sociopolitical dynamics in sharp, often-humorous prose impresses ... For true crime fans, this is a treat.' - Publishers Weekly Praise for The Last Yakuza - 'Journalist Adelstein parlays decades of reporting on Japanese organised crime into a propulsive history of the yakuza. Drawing on interviews with both his yakuza and Japanese law enforcement contacts, he examines how yakuza groups obtained power ... He's especially good at tracing the yakuza's political influence in Japan, explaining how they bribed and blackmailed legislators into opposing bills that would have curbed their influence. Painstakingly reported and paced like a thriller, this is a must read for anyone interested in organised crime.' - Publishers Weekly Praise for Tokyo Vice - ' Tokyo Vice is about Japanese subculture. Adelstein instructs us in the vagaries of Japanese journalism and provides a gamy, colourful tour of the morally flexible areas of Japan, particularly in Tokyo. He also shows how Japanese police work and interact with journalists. Adelstein shares juicy, salty, and occasionally funny anecdotes, but many are frightening ... Adelstein doesn't lack for self-confidence ... but beneath the bravado are a big heart and a relentless drive for justice.' -Carlo Wolff, The Boston Globe

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

"An expansive exploration of the exciting lives of 30 trans people from 1850-1950 that radically changes everything you've been told about transgender history"--

Journalist Jesse Green's delightful memoir makes it quite clear that the pleasures and perils of parenting are always the same--even for a gay 37-year-old man who stumbles into it by falling in love with a person who has an adopted son. As Green puts it in a typically well-turned phrase, "fatherhood trumps gayness," which is to say that heterosexual parents at the playground sometimes find it easier to relate to Green, his boyfriend, Andy, and son, Erez (soon joined by baby brother Lucas), than do the well-buffed, perennially youthful male guests at a Fire Island party--they flinch at the sight of diapers and baby bags. As the author searchingly and intelligently considers what it means to gay people to become parents, and the ways in which it does and does not pull them closer into the mainstream, his narrative is often extremely funny. (Joking about Erez's apparently heterosexual inclinations, Green deadpans, "We tried our We played him Judy Garland records and showed him tapes of West Side Story .") A very moving examination of identity and the making of a meaningful adult life that resonates profoundly for people of every sexual orientation. --Wendy Smith

Renowned investigative journalist Richard Behar delivers the definitive account of history’s largest—and longest-running—financial fraud, “the scale of the deception…beggars belief” ( New York Post ). Some $68 billion evaporated during Bernie Madoff’s epic confidence game. Two people were driven to suicide in the wake of the Ponzi Scheme’s exposure. Others went to prison. But there has never been a satisfying accounting for how Bernie got away with so much, for so long. Until now. Richard Behar’s relationship with Madoff began in 2011 with a simple email request from the conman. By the time Madoff died in 2021, he had sent Behar more than 300 emails and dozens of handwritten letters, participated in some fifty phone conversations, and sat for three in-person jailhouse interviews—a level of access provided to no other reporter. Behar also established relationships with hundreds of regulators, prosecutors, FBI agents, investors, Wall Street experts, ex-employees of Madoff’s, family members, school classmates, and others. The result is the final word on the criminal behind history’s most enduring fraud—and on those who believed him, covered for him, or locked him up. Behar illuminates not only the fraud’s origins—decades earlier than Madoff claimed in his confession—but also the complicity of investors, Wall Street insiders, family members, and some of the largest banks in the US and Europe. Shocking, infuriating, riveting (and at times absurdly funny), Madoff shows us how Bernie ensnared thousands of investors. As Behar’s dogged reporting over the last fifteen years makes clear, however, there aren’t many innocents left standing by the end of this tale. Just about everyone involved is guilty, at a minimum, of humanity’s most consistent weakness: greed.

“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History , an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

The life and politics of an American Jewish activist who preached radical and violent means to Jewish survival Meir Kahane came of age amid the radical politics of the counterculture, becoming a militant voice of protest against Jewish liberalism. Kahane founded the Jewish Defense League in 1968, declaring that Jews must protect themselves by any means necessary. He immigrated to Israel in 1971, where he founded KACH, an ultranationalist and racist political party. He would die by assassination in 1990. Shaul Magid provides an in-depth look at this controversial figure, showing how the postwar American experience shaped his life and political thought. Magid sheds new light on Kahane’s radical political views, his critique of liberalism, and his use of the “grammar of race” as a tool to promote Jewish pride. He discusses Kahane’s theory of violence as a mechanism to assure Jewish safety, and traces how his Zionism evolved from a fervent support of Israel to a belief that the Zionist project had failed. Magid examines how tradition and classical Jewish texts profoundly influenced Kahane’s thought later in life, and argues that Kahane’s enduring legacy lies not in his Israeli career but in the challenge he posed to the liberalism and assimilatory project of the postwar American Jewish establishment. This incisive book shows how Kahane was a quintessentially American figure, one who adopted the radicalism of the militant Left as a tenet of Jewish survival.

A "skillful and literate" ( New York Times Book Review ) biography of the persecuted genius who helped create the modern computer. To solve one of the great mathematical problems of his day, Alan Turing proposed an imaginary computer. Then, attempting to break a Nazi code during World War II, he successfully designed and built one, thus ensuring the Allied victory. Turing became a champion of artificial intelligence, but his work was cut short. As an openly gay man at a time when homosexuality was illegal in England, he was convicted and forced to undergo a humiliating "treatment" that may have led to his suicide. With a novelist's sensitivity, David Leavitt portrays Turing in all his humanity?his eccentricities, his brilliance, his fatal candor?and elegantly explains his work and its implications.

Michael Wolff knows Rupert Murdoch, Barry Diller, Jean-Marie Messier, Steve Ross and Ted Turner. He knows what they want, what fuels their appetites and what they can and can't see when they look in the mirror (or the financial pages). And he tells us all he knows in this report.

"An expedition into the troubled soul of one of the world's greatest songwriters."-- Haaretz "A fascinating and intense account of Leonard Cohen's time in Israel during the 19-day Yom Kippur War of 1973. A must for any Leonard Cohen completist."--Suzanne Vega A Vanity Fair Best Book of 2022 * Mosaic Magazine Best Book of 2022 The untold story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen--thirty-nine years old, famous, unhappy, and at a creative dead end--traveled to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a group of local musicians, Cohen sang for hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen, reigniting his creativity and inspiring him to compose some of his most memorable songs. Who by Fire provides a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, existential moment for both a young country at war and a singer at a crossroads.

Throughout her career, Judith Viorst has written numerous books reflecting on life as she ages. Now in her nineties, she shares her experiences in life's "final fifth" in this collection of poetry and essays. On her retirement community, she notes that it is "wonderful, marvelous, swell--good as gold. Except for this one little problem: everyone's old." On her late husband (who died of COVID-19 in 2022), she pleads: "I need you fixing our damn circuit breakers. I need you! Could you please stop being dead?" With humor and vulnerability, Viorst invites readers to dance with her between grief and levity and to enjoy the time we have left to share.

An account of the death of Lisa Steinberg at the hands of her adoptive father examines the relationship between Joel Steinberg and Hedda Nussbaum and analyzes the shocking issue of family violence in America

When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld—along with almost 200 other pages—on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of Gimme Some Truth , 100 key pages of the Lennon FBI file are available—complete and unexpurgated, fully annotated and presented in a "before and after" format. Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and—in some cases—the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges. Fascinating, engrossing, at points hilarious and absurd, Gimme Some Truth documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.