Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it. For Mitch Albom, that person was his college professor Morrie Schwartz. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class": lessons in how to live. "The truth is, Mitch," he said, "once you learn how to die, you learn how to live." Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift with the world.

A memoir in bite-size chunks from the author of the viral Modern Love column “You May Want to Marry My Husband.” “[Rosenthal] shines her generous light of humanity on the seemingly humdrum moments of life and shows how delightfully precious they actually are.” — The Chicago Sun-Times How do you conjure a life? Give the truest account of what you saw, felt, learned, loved, strived for? For Amy Krouse Rosenthal, the surprising answer came in the form of an encyclopedia. In Encyclopedia of an Ordinary Life she has ingeniously adapted this centuries-old format for conveying knowledge into a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere—preferably at the beginning—and see how one young woman’s alphabetized existence can open up and define the world in new and unexpected ways. An ordinary life, perhaps, but an extraordinary book.

A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in priso[Bokinfo]

#1 NEW YORK TIMES BESTSELLER • In hilarious and tender essays, Chelsea Handler shares her unforgettable story of becoming the woman she always wanted to be. “A raw and raucous exploration of Handler’s ongoing search for self . . . [She’s] disarming us with humor to get at our softest selves and meeting us with her own.”— Oprah Daily There’s a woman I want to become, Chelsea Handler thought as a child. She’ll be strong and confident. She’ll light up a room and spread that light to make others feel better. She’ll make a living being herself. She’ll be a survivor. At ten years old, Chelsea opened a lemonade stand and realized she’d make more money if the drinks were spiked. So she added vodka to her recipe and used her earnings to upgrade herself to first-class on a family vacation—leaving her parents and siblings in coach. She moved to Los Angeles and got fired from her temp job when she admitted she didn’t know how to transfer calls. She’s played pickleball with the scions of an American dynasty. She’s sexted a governor. She shared psychedelics with strangers in Spain. When she accidentally ended up at dinner with Woody Allen, she was not going to leave the table without asking him a very personal pointed question. She went on national television and talked about having threesomes. She's never been one to hold back. But this life of adventure and absurdity is only part of her story. Chelsea knows what it is to truly show up for her family—canine and human, biological and chosen. She’s discovered how to spend time with herself, how to meditate, how to be open to love, and how to end a relationship with dignity. She is a sister to the many women who rely on her. Surprisingly vulnerable and always outrageous, Chelsea Handler captures the antic-filled, exhilarating, and joyful life she’s built—a life that makes the rest of us think, I’ll have what she’s having .

"When the whole world is lying, someone must tell the truth. Berlin, 1943: A group of high society anti-Nazi dissenters meet for a tea party one late summer's afternoon. They do not know that, sitting around the table, is someone poised to betray them all to the Gestapo. They form a circle of unlikely rebels, drawn from the German elite: two countesses, a diplomat, an intelligence officer, an ambassador's widow and a pioneering headmistress. What unites every one of them is a shared loathing of the Nazis, a refusal to bow to Hitler, and the courage to perform perilous acts of resistance: meeting in the shadows, rescuing Jews or plotting for a future Germany freed from the Führer's rule. Or so they believe. How did a group of brave, principled rebels, who had successfully defied Adolf Hitler for more than a decade, come to fall into such a lethal trap? Undone from within and pursued to near-destruction by one of the Reich's cruelest men, they showed a heroism in the face of the most vengeful regime in history that raises the question: what kind of person does it take to risk everything and stand up to tyranny?"-- Provided by publisher.

Finalist for the 1997 National Book Award for Nonfiction Jamaica Kincaid’s brother Devon Drew died of AIDS on January 19, 1996, at the age of thirty-three. Kincaid’s incantatory, poetic, and often shockingly frank recounting of her brother’s life and death is also a story of her family on the island of Antigua, a constellation centered on the powerful, sometimes threatening figure of the writer’s mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

A quick search on the net reveals some 2,400,000 sites about the 23-year-old socialite who is famous for doing little and baring little. But what is it about Paris Hilton that continues to fascinate everyone worldwide and why do or should we care? (oh, but we do). Paris has teamed up with entertainment/fashion/beauty/celebrity writer Merle Ginsberg and Jeff Vespa, Paris's fave photographer, to write her autobiography CONFESSIONS OF AN HEIRESS: A TONGUE-IN-CHIC PEEK AT LIFE BEHIND THE POSE. There are chapters on sister Nicky, the jet/set life, and Paris's cavalcade of paramours including Rick Salomon and the notorious sex tape that "has made me change my life. I used to have fun and dress up and that was my life. But now I'm moving on, I've grown up a lot." Wow. CONFESSIONS OF AN HEIRESS also include a section on how to tell if a guy is only interested in your money. "If they offer to pay for dinner, that's a good sign," Paris advises. "But if they talk about how 'you're so rich,' if they do stuff like that, I can tell they like money more than they like me. But I think girls are more gold-diggers than guys." Ouch. CONFESSIONS OF AN HEIRESS doesn't just include Paris's thoughts on men and money. She also weighs in on nutrition ("Never drink Diet Coke. Diet Coke is for fat people.") and the hardships of travel ("Having a stewardess spill something on you can totally ruin your flight. I hate rude stewardesses. It's like, 'Hello, I'm paying, be nice to me.'"). Like, hello, we think they're called flight attendants now.

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

In an era when too many heroes have been toppled from too many pedestals, Sandy Koufax stands apart and alone, a legend who declined his own celebrity. As a pitcher, he was sublime, the ace of baseball lore. As a human being, he aspired to be the one thing his talent and his fame wouldn't allow: a regular guy. A Brooklyn kid, he was the product of the sedate and modest fifties who came to define and dominate baseball in the sixties. In Sandy Koufax: A Lefty's Legacy, former award-winning Washington Post sportswriter Jane Leavy delivers an uncommon baseball book, vividly re-creating the Koufax era, when presidents were believed and pitchers aspired to go the distance. He was only a teenager when Dodgers owner Walter O'Malley proclaimed him "the Great Jewish Hope" of the franchise. But it wasn't until long after the team had abandoned Brooklyn that the man became the myth. Old-fashioned in his willingness to play when he was injured and in his acute sense of responsibility to his team, Koutax answered to an authority higher than manager Walter Alston. When he refused to pitch the opening game of the 1965 World Series because it fell on Yom Kippur, the holiest day of the Jewish calendar, he inadvertently made himself a religious icon and an irrevocably public figure. A year later, he was gone -- done with baseball at age thirty. No other sports hero had retired so young, so well, or so completely. Despite Sandy Koufax's best efforts to protect his privacy, his legend has grown larger ever since. Part biography, part cultural history, Sandy Koufax: A Lefty's Legacy gets as close to that legend as he will allow. Through meticulous reporting and interviews with five hundred of his friends, teammates, and opponents, Leavy penetrates the mythology to discover a man more than worthy of myth.

"Courageous, insightful and candid thoughts on malady and mortality from one of our most celebrated writers"--Provided by the publisher

"Award-winning journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy. In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow-only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up-doctors, engineers, scientists-had seemingly been replaced with women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to the last bastion of conservative Christian values? In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin's lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, wife of opposition leader Alexei Navalny, she chronicles one of the most audacious social experiments in history and how it failed the very women it was meant to liberate-and documents how that failure paved the way to the revanche of Vladimir Putin. Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe shows what it means to live through the cataclysms of revolution, war, idealism, and heartbreak-and reveals how the story of Russia today is inextricably tied to the history of its women"-- Provided by publisher.

Alfred Kazin burst onto the American literary scene in 1942, when his first book, "On Native Grounds," announced the arrival of an important new literary critic. "A Walker in the City," his second, signaled the other direction his career would follow: author of several intense, intimate, and lyrical memoirs. Years later he would admit how he struggled writing it. He thought he wanted to concentrate on New York itself, describing a series of walks around the city. But what emerged was the story of his own boyhood encounters with it, starting from Brownsville, the Brooklyn Jewish neighborhood of his birth, then stretching out to alluring, mysterious Manhattan and from there to the world. Each walk is simultaneously a journey out and a journey in: outward, from the neighborhood to the land beyond, the great, electric, canyoned streets of the city; inward, into his own soul, as it grows and falls in love with books and language and literature, with music and metaphysics and politics, with the city and the country and the world and rapturously tries to take them all in.

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

"An expansive exploration of the exciting lives of 30 trans people from 1850-1950 that radically changes everything you've been told about transgender history"--

“The intricacies of family and the complexities of the games they play mingle wonderfully here in a memoir quite unlike any other.”—George Plimpton, author of Truman Capote Katy Lederer grew up on the bucolic campus of an exclusive East Coast boarding school where her father taught English, her mother retreated into crosswords and scotch, and her much older siblings played “grown-up” games like gin rummy and chess. But Katy faced much more than the typical trials of childhood. Within the confines of the Lederer household an unlikely transformation was brewing, one that would turn this darkly intellectual and game-happy group into a family of professional gamblers. Poker Face is Katy Lederer’s perceptive account of her family’s lively history. From the long kitchen table where her mother played what seemed an endless game of solitaire, to the seedy New York bars where her brother first learned to play poker, to the glamorous Bellagio casino in Las Vegas, where her sister and brother wager hundreds of thousands of dollars a night at the tables, Lederer takes us on a tragicomic journey through a world where intelligence and deceit are used equally as currency. Not since Mary McCarthy’s Memories of a Catholic Girlhood has a writer cast such a witty and astringently analytic eye on the demands of growing up. An unflinching exploration of trust and betrayal, competition, suspicion, and unconventional familial love, Poker Face is a testament to the human spirit’s inventiveness when faced with unusually difficult odds.

Text: English, French (translation)

Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind amostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen-with the help of her brothers and mother-took up the task of editing and completing the book. A Boy from Georgia -the result of this posthumous father-daughter collaboration-chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the story of a remarkable life in a voice that is witty, vivid, and honest.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

"An intimate, inspiring memoir by educator and labor union leader Karen Lewis, a formidable fighter, a staunch defender of teachers and students, and a beloved Chicagoan. In 2012, Karen Lewis led the Chicago Teachers Union to a historic strike, challenging the city's powerful mayor and paving the way for an unprecedented wave of teacher strikes in the decade that followed. But Lewis's life took her in rich and surprising directions long before she landed in the CTU President's office. I Didn't Come Here to Lie, written in collaboration with historian and education expert Elizabeth Todd-Breland, tells Lewis's story in full for the first time, capturing her lively wit, her charisma, and her commitment to building the schools and communities teachers, students, and families deserve. From her childhood on Chicago's South Side to her teen years organizing Black Power walkouts, from her education at Mount Holyoke and Dartmouth to her years in Oklahoma and Barbados and her stints in medical school and film school, readers follow Lewis through a life full of exploration. Wherever she was, she maintained a strong commitment to building fairness. She found her calling in the classroom, teaching science for more than twenty years before becoming a union leader in Chicago. Up until her untimely death from brain cancer in 2021, Karen Lewis was spirited, unshakeable, and fierce. She remains a model for current organizers and teachers doing the day-to-day work of building a better world. I Didn't Come Here to Lie is a testament to one of the true revolutionaries of her generation"--