A brilliant look at colonialism and its effects in Antigua, by the author of Annie John. Lyrical, sardonic, and forthright, A Small Place magnifies our vision of one small place with Swiftian wit and precision. Jamaica Kincaid’s expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, Antigua, and makes palpable the impact of European colonialism and tourism. This book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, powerful and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

From the Publisher: Twenty years ago Natalie Goldberg's classic, Writing Down the Bones, broke new ground in its approach to writing as a practice. Now, Old Friend from Far Away-her first book since Writing Down the Bones to focus solely on writing-reaffirms Goldberg's status as a foremost teacher of writing, and completely transforms the practice of writing memoir. To write memoir, we must first know how to remember. Through timed, associative, and meditative exercises, Old Friend from Far Away guides you to the attentive state of thought in which you discover and open forgotten doors of memory. At once a beautifully written celebration of the memoir form, an innovative course full of practical teachings, and a deeply affecting meditation on consciousness, love, life, and death, Old Friend welcomes aspiring writers of all levels and encourages them to find their unique voice to tell their stories. Goldberg's enormously popular workshops have given countless students the ability to heed the call to write. Old Friend from Far Away recreates her trademark workshop style with its terse, demanding writing "sprints" that train the hand and mind to quicken their pace and give up conscious control. These exercises divert the eye from the obvious and redirect it to the tactile details we miss, the embarrassments we pass over, and the complications we overlook in the blur of everyday living. Goldberg writes, "No one says it, but writing induces the state of love." Old Friend from Far Away guides us into that state of love, where heightened attention and a rhythm of focus allow the patterns and details of the past to emerge on the page. Millions of Americans want to write about their lives. With Old Friend as the road map for getting started and following through, writers and readers will gain a deeper understanding of their own minds, learn to connect with their senses in order to find the detail and truth that give their written words power and authenticity, and unfold the natural structure of the stories they carry within. An absolute joy to read, it is a profound affirmation of the capacity of the written word to remember the past, free us from it, and forever transform the way we think about ourselves and our lives. Like Writing Down the Bones, it will become an old friend to which readers return again and again.

'One of the most captivating books on Captain Cook I have yet read Horwitz's eye for detail and ear for dialogue are Brysonesque indeed the master had better look to his own laurels.' Tim Bowden, Good Reading 'There is an irresistible momentum to Horwitz's epic journey You will seldom encounter travel writing better than this, and it is no surprise that Into the Blue has rocketed up the best-seller lists.' The Sydney Morning Herald'What a ripping yarn is Into the Blue, all rum, sodomy and the lash. It's also a complex and comprehensive salute to a man who rose from humble origins to become leader of men Compelling, and still a relevant tale, Horwitz has done the good (and bad) captain proud.' The New Zealand HeraldCaptain James Cook's three epic journeys in the eighteenth century were the last great voyages of discovery. Tony Horwitz vividly recounts Cook's voyages and the exotic scenes he encountered: tropical orgies, taboo rituals, human sacrifice, hip-throbbing Tahitian dancers, New Zealand cannibals, Hawaiian surfers, and Australian Aborigines sealed off from the rest of the world for thousands of years. He also explores Cook the man: an impoverished farmboy who broke through the barriers of his class and time to become the greatest navigator in history.Tony Horwitz follows in Cook's footsteps to uncover his legacy, and along the way has many revealing and often amusing adventures of his own. By turns harrowing and hilarious, insightful and entertaining, Into the Blue brings to life a man whose voyages have left an indelible mark on the world as we know it.

In this long-awaited sequel to her bestselling books Writing Down the Bones and Wild Mind , Natalie Goldberg, one of the most sought-after writing teachers of our time, takes us to the next step in the writing process. You’ve filled your notebooks, done your writing practice, discovered your original voice. Now what? How do you turn this raw material into finished stories, essays, poems, novels, memoirs? Drawing on her own experience as a writer and a student of Zen, Natalie shows you how to create a field big enough to allow your “wild mind” to wander — and then gently direct its tremendous energy into whatever you want to write. Here, too, is invaluable advice on how to overcome writer’s block, how to deal with the fear of criticism and rejection, how to get the most from working with an editor, and how to learn from reading accomplished authors. With humor and compassion, Goldberg recounts her own mistakes on the way to publication — and how you can avoid the most common pitfalls of the beginning writer. Through it all there is a deep celebration of writing itself — not just as the means to an end, but as a path to living a deeper, more fully alive life.

A NEW YORK TIMES BEST BOOK OF THE YEAR • An essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers. “An invaluable addition to Kafka’s oeuvre.”— The New York Times An essential new translation of Franz Kafka’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most important, influential, and visionary writers Dating from 1909 to 1923, Franz Kafka’s Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka’s handwritten diary entries and provides substantial new content, restoring all the material omitted from previous publications—notably, names of people and undisguised details about them, a number of literary writings, and passages of a sexual nature, some of them with homoerotic overtones. By faithfully reproducing the diaries’ distinctive— and often surprisingly unpolished—writing as it appeared in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.

"Joyride is a magic carpet ride through Orlean's life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile ("The American Man Age Ten") to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean's account of a writing life offer a trove of indispensable gleanings for writers, it's also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer's block and self-doubt, and crafting the perfect lede--a Susan specialty. While Orlean has always written her way into other people's lives in order to understand the human experience, Joyride is her most personal book ever--a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean's bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp--forces who shaped the media industry as we know it today"--

Michael Wolff knows Rupert Murdoch, Barry Diller, Jean-Marie Messier, Steve Ross and Ted Turner. He knows what they want, what fuels their appetites and what they can and can't see when they look in the mirror (or the financial pages). And he tells us all he knows in this report.

When Fred Friendly's powerful examination of broadcast news was published in 1967, it was judged by The New Yorker to be "an engrossing professional memoir." and it quickly leaped onto The New York Times bestseller list. Now reissued with a new Introduction by Dan Rather, anchor and managing editor of the CBS Evening News, and Tom Bettag, executive producer of Nightline, on the anniversary of Friendly's death, this discourse on the importance of television in society presents Friendly's uncannily prescient views on the corrosive effect of money on the news business, the sensationalization of news reporting, and the viewing public's appetite for quality broadcasting. With Edward R. Murrow, Fred Friendly practically invented television journalism. Through telling anecdotes and penetrating analysis, he recalls his collaborations with Murrow, from their stinging documentary on Senator Joseph McCarthy to CBS's pioneering coverage of the burgeoning civil rights and anti-Vietnam War movements. Friendly also recounts his resignation as president of CBS News in 1966, when the network ran reruns of I Love Lucy instead of Senate hearings on the war in Vietnam. Following that controversial decision, he began writing this memorable book.

A complete guide to the art and craft of creative nonfiction--from one of its pioneer practitioners The challenge of creative nonfiction is to write the truth in a style that is as accurate and informative as reportage, yet as personal, provocative, and dramatic as fiction. In this one-of-a-kind guide, award-winning author, essayist, teacher, and editor Lee Gutkind gives you concise, pointed advice on every aspect of writing and selling your work, including: * Guidelines for choosing provocative--and salable--topics * Smart research techniques--including advice on conducting penetrating interviews and using electronic research tools * Tips for focusing and structuring a piece for maximum effectiveness * Advice on working successfully with editors and literary agents

The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

Chronicles the American journalist's role in the development of national radicalism, and examines the methods of investigative reporting which brought him into conflict with government leaders. Bibliogs Chronicles the American journalist's role in the development of national radicalism, and examines the methods of investigative reporting which brought him into conflict with government leaders. Bibliogs

Young Fred Waitzkin is a Jewish boy stretched between the divergent values of parents who cannot tolerate one another. Fred's father, Abe, is a brilliantly talented salesman whose relentless will drives him to succeed-he literally brightens American cities with fluorescent lighting fixtures. Abe marries Stella, an abstract artist and daughter of a wealthy industrialist with whom Abe forges an alliance. When his parents' marriage disintegrates, Fred retreats into fishing, learning the trade from the master captains of Bimini. In scenes ranging from Long Island synagogues to evenings with famous painters to the boats of drug smugglers and the once marlin-rich waters of the Gulf Stream, Fred sinks boats and battles thousand-pounders believing that fishing is the only hope. Woven through this compelling narrative are moving insights about childhood, families, and a love of the sea.

We've all made a mess. And that means we all have a message. This is the book that shows you how to take the former and make it into the latter. FROM THE NY TIMES BESTSELLING AUTHOR When Anna David got sober and sold a book about her recovery to the biggest publisher in the world, she thought she'd made it. She was wrong. Still, after years of struggle and self-discovery, she ended up thriving personally and professionally. Now she's sharing what she's learned-and showing others how to do the same. In this page-turning and useful memoir-meets-manual, David reveals her personal lows (doing cocaine by herself while contemplating suicide), her career lows (a past-his-prime celebrity hurling a phone at her as she wrote his biography) and how her life today wouldn't be possible without those experiences. The last quarter of the book is a practical guide so that readers can make their own mess into a message-and memoir. In this completely comprehensive "biz-oir" packed with proven and authentic tools and techniques, memoirists-in-the-making will travel with David on her journey from struggling addict to New York Times bestselling writer/entrepreneur and also learn: -How to determine a memoir message and "why" -How to select scenes -The advantages and disadvantages of traditional and self-publishing -How to come up with a title, rewrite a book and hire editors -Potential legal concerns and how to avoid them -How to gather blurbs, write acknowledgments and arrange for a foreword -How to be set up for success on Amazon -The importance of an Advanced Reader Team And much more. The best time to write a book was 10 years ago. The second best time is now. To start creating the business tool that will change your career-and life-click ADD TO CART before the price changes.

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

For several of his books, Theo Aronson has been granted rare interviews with the Queen Mother, Prince Charles, Princess Margaret, Princess Alice, Countess of Athlone and Princess Alice, Duchess of Gloucester. In this sparkling and often irreverent memoir, based on notebooks kept during the last twenty years, Theo Aronson describes these royal interviews as well as the trials and excitements of writing a royal biography. Ranging from the disastrous to the successful and the amusing to the touching, the encounters in Royal Subjects include hilarious descriptions of lunching on a Scotch egg (and Scotch!) with Princess Margaret, revealing conversations with the Queen Mother and bizarrely gracious meals with ageing princesses in Kensington Palace. Frank and affectionate, these portraits are assembled with a deft touch. Praise for Royal Subjects: ‘Wise and witty … Aronson writes with engaging frankness’ - Mail on Sunday ‘Compelling and funny … I was riveted’ - Sunday Telegraph Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

"In her trusted loaded-up minivan 'Minnie,' E.A. Hanks follows the same route as a long-ago road trip with her mother in an attempt to better understand the complicated woman who gave her life. Along the way, as she follows her mother's diaries and her own recollections of the route, she begins to uncover secrets--some unexpectedly wonderful, and others darker and more violent than she ever imagined--that bring more questions than answers. From the quiet expanses of White Sands National Park to the bustling streets of New Orleans, and the Texas-Mexico border to the swamps of the Florida panhandle, she interacts with the amazing breadth and diversity of the people that call these places home. Reckoning with the past, the present, her memories, and herself, Hanks brings us along a ... voyage towards understanding how the stories we tell about the places we're from ultimately become the stories we tell about the people we are"--

The Jewish, Odesa-born poet, Semyon Izrailevich Lipkin (1911-2003), was a central figure in modern Russian literature, although until recently, he was best known in the West for his role in preserving the manuscript of Vasily Grossman's Life and Fate from the KGB. As a Soviet journalist in WW2, he witnessed and wrote about the horrors of Stalingrad, which led the Nobel Laureate Josef Brodsky to refer to him as 'Russia's war poet'. Later, during the years of Stalin's deportation of ethnic groups, Lipkin translated and preserved the language and writings of Tajiks, Uzbeks, and Tatars and, in doing so, became a living repository of their culture for which he risked censure and arrest from the Soviet authorities. In this memoir, Lipkin's humanity, civic courage, and friendship with many important Russian writers - Anna Akhmatova, Marina Tsvetaeva, Andrei Platonov, and of course, Grossman himself - shine through the reports of terror and oppression that characterized this most turbulent period of Russian history.