#1 New York Times Bestseller * #1 Wall Street Journal Bestseller From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a riveting new thriller featuring art restorer and legendary spy Gabriel Allon. It was nearly one a.m. by the time he crawled into bed. Chiara was reading a novel, oblivious to the television, which was muted. On the screen was a live shot of St. Peter's Basilica. Gabriel raised the volume and learned that an old friend had died ... Gabriel Allon has slipped quietly into Venice for a much-needed holiday with his wife and two young children. But when Pope Paul VII dies suddenly, Gabriel is summoned to Rome by the Holy Father's loyal private secretary, Archbishop Luigi Donati. A billion Catholic faithful have been told that the pope died of a heart attack. Donati, however, has two good reasons to suspect his master was murdered. The Swiss Guard who was standing watch outside the papal apartments the night of the pope's death is missing. So, too, is the letter the Holy Father was writing during the final hours of his life. A letter that was addressed to Gabriel. While researching in the Vatican Secret Archives, I came upon a most remarkable book ... The book is a long-suppressed gospel that calls into question the accuracy of the New Testament's depiction of one of the most portentous events in human history. For that reason alone, the Order of St. Helena will stop at nothing to keep it out of Gabriel's hands. A shadowy Catholic society with ties to the European far right, the Order is plotting to seize control of the papacy. And it is only the beginning. As the cardinals gather in Rome for the start of the conclave, Gabriel sets out on a desperate search for proof of the Order's conspiracy, and for a long-lost gospel with the power to put an end to two thousand years of murderous hatred. His quest will take him from the Ponte Vecchio in Florence, to a monastery in Assisi, to the hidden depths of the Secret Archives, and finally to the Sistine Chapel, where he will witness an event no outsider has ever before seen--the sacred passing of the Keys of St. Peter to a newly elected pope. Swiftly paced and elegantly rendered, The Order will hold readers spellbound, from its opening passages to its breathtaking final twist of plot. It is a novel of friendship and faith in a perilous and uncertain world. And it is still more proof that Daniel Silva is his generation's finest writer of suspense and international intrigue.

#1 New York Times Bestseller - #1 USA Today Bestseller - #1 Wall Street Journal Bestseller Now you see her. Now you don't. THE NEW GIRL. A thriller of deception, betrayal, and vengeance. She was covered from head to toe in expensive wool and plaid, the sort of stuff one saw at the Burberry boutique in Harrods. She carried a leather bookbag rather than a nylon backpack. Her patent leather ballet slippers were glossy and bright. She was proper, the new girl, modest. But there was something else about her ... At an exclusive private school in Switzerland, mystery surrounds the identity of the beautiful raven-haired girl who arrives each morning in a motorcade fit for a head of state. She is said to be the daughter of a wealthy international businessman. In truth, her father is Khalid bin Mohammed, the much-maligned crown prince of Saudi Arabia. Once celebrated for his daring social and religious reforms, he is now reviled for his role in the murder of a dissident journalist. And when his only child is brutally kidnapped, he turns to the one man he can trust to find her before it is too late. What's done cannot be undone ... Gabriel Allon, the legendary chief of Israeli intelligence, has spent most of his life fighting terrorists, including the murderous jihadists financed by Saudi Arabia. Prince Khalid--or KBM, as he is known--has pledged to finally break the bond between the Kingdom and radical Islam. For that reason alone, Gabriel regards him as a valuable if flawed partner. Together they will become unlikely allies in a deadly secret war for control of the Middle East. The life of a child, and the throne of Saudi Arabia, hang in the balance. Both men have made their share of enemies. And both have everything to lose. Filled with dark humor, breathtaking twists of plot, and an unforgettable cast of characters, The New Girl is both a thrilling, page-turning tale of entertainment and a sophisticated study of political alliances and great-power rivalries in a dangerous world. And it is once again proof that Gabriel Allon is "one of fiction's greatest spies" (Kirkus) and Daniel Silva is "quite simply the best" (Kansas City Star) writer of foreign intrigue and suspense at work today.

#1 New York Times Bestseller "The pace of "The Cel-list" never slack-ens as its ac-tion vol-leys from Zurich to Tel Aviv to Paris and be-yond. Mr. Silva tells his story with zest, wit and su-perb tim-ing, and he en-gi-neers enough sur-prises to star-tle even the most at-ten-tive reader."--Wall Street Journal From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a timely and explosive new thriller featuring art restorer and legendary spy Gabriel Allon. Viktor Orlov had a longstanding appointment with death. Once Russia's richest man, he now resides in splendid exile in London, where he has waged a tireless crusade against the authoritarian kleptocrats who have seized control of the Kremlin. His mansion in Chelsea's exclusive Cheyne Walk is one of the most heavily protected private dwellings in London. Yet somehow, on a rainy summer evening, in the midst of a global pandemic, Russia's vengeful president finally manages to cross Orlov's name off his kill list. Before him was the receiver from his landline telephone, a half-drunk glass of red wine, and a stack of documents.... The documents are contaminated with a deadly nerve agent. The Metropolitan Police determine that they were delivered to Orlov's home by one of his employees, a prominent investigative reporter from the anti-Kremlin Moskovskaya Gazeta. And when the reporter slips from London hours after the killing, MI6 concludes she is a Moscow Center assassin who has cunningly penetrated Orlov's formidable defenses. But Gabriel Allon, who owes his very life to Viktor Orlov, believes his friends in British intelligence are dangerously mistaken. His desperate search for the truth will take him from London to Amsterdam and eventually to Geneva, where a private intelligence service controlled by a childhood friend of the Russian president is using KGB-style "active measures" to undermine the West from within. Known as the Haydn Group, the unit is plotting an unspeakable act of violence that will plunge an already divided America into chaos and leave Russia unchallenged. Only Gabriel Allon, with the help of a brilliant young woman employed by the world's dirtiest bank, can stop it. Elegant and sophisticated, provocative and daring, The Cellist explores one of the preeminent threats facing the West today--the corrupting influence of dirty money wielded by a revanchist and reckless Russia. It is at once a novel of hope and a stark warning about the fragile state of democracy. And it proves once again why Daniel Silva is regarded as his generation's finest writer of suspense and international intrigue.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

Poetry. LGBT Studies. From his first appearance on the page, "we knew he was bound for something unsolvable." But a little thing like futility can't stop our hero from holding up a magnifying glass to a world "so bright it's impossible to understand." In this searching, provocative collection of coming-of-age sonnets, the sad boy detective listens close, collects the evidence, and reimagines the strange landscapes of a life, a body, a boy, a self. Through a questioning, fervent lens, sam sax's SAD BOY / DETECTIVE reminds us how deeply bizarre and at times undecipherable all this existence stuff truly is. "Sam Sax's SAD BOY / DETECTIVE uses the unholy sonnet in ways that would make Jarman marvel and sigh. The entirety of this volume destabilizes our ideas of what it means to write the coming of age novel, what it means to be undetectable. And Sax is forever fighting the fight of a poet who is made aware of his separation from the world by the fact that he is-in sorrow, sex, danger, or celebration--moored to all he sees because his seeing is a searchlight."--Jericho Brown "The SAD BOY / DETECTIVE of this book is on the case of his biggest mystery yet: the strangeness of existence itself. Reading these cleverly serialized sonnets is like pressing your ear to a door full of wonders you're unsure you're prepared to inherit. The book enacts a powerful awakening. Sam Sax is a terrific emerging poet. Like a sleuth with a magnifying glass, you're going to want to follow him everywhere."--Dobby Gibson

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

There are two time levels in the play. The "present" action frames the story, and is set three years after Emily Dickinson's death, 1889. Using poems and letters the characters project scenes of Emily's life which make up the "past" action. The play may be seen as a mystery story; it also has aspects of a literary inquest and an investigation, but these are secondary to the exploration of the mystery that was, and remains, Emily Dickinson.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

THE STORY: Raymond Shaw is a young American hero, the first Congressional Medal of Honor winner since Vietnam. Decorated for saving his troops in a peacekeeping mission in the Middle East, he has returned to the U.S. and a career as a journalist in

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God , A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities. Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities. "

Post-modern American Poetry, 108 pp. "Mitch Corber, a stalwart member & chronicler of NYC's poetry community for decades, explores/reveals in this his first major volume of work 'veiled moons, ' 'creaky cabinets, ' 'weekend binges' & so much more -- with dark, humorous, romantic & experimental, at times cut-up/random-seeming verses infused with internal rhyme & wordplay connecting the commonplace with the metaphysical through meditative 'sporadic nibbling' & 'a mosaic of moods.'" -Steve Dalachinsky "Poet Mitch Corber's 'Weather's Feather' is "raw testimony" to love, desire, loss and rage that exists within "the sum of forgiveness." A steadfast and creative presence in New York's downtown poetry scene, Mitch Corber knows the mercurial intensities of its liaisons and its allures. Its passions are his: 'Gentle me a symmetry of delayed/desire lit by a clientele of electricity.' Workdays become occasions where 'fond flowers fish for a wish, ' and the whims of climate and ardor are enhanced by 'shy resurfacings.'" -Star Black "Mitch Corber is a Dylan Thomas for the Hip Hop generation. 'I lace words' is his throwdown, and he ain't kidding around. "Weather's Feather" is a unique contribution to post-Beat poetry as Corber is tapping into the experimental poetics of The Beats as found in Kerouac's 'Old Angel Midnight, ' Ray Bremser's bop prosody, Burroughs' cut-up experiments and Corso's 'Gasoline.' I'll toast this new volume with the author's favorite drink: 'a sinkful of gladdened magnets.'" -Joel Lewis "Mitch Corber dances on a poetic highwire gleaning meaning from the verbal swarm that envelops us. Brawn and beauty mix it up in balletic bouquets of "seething" syntax fusions. Sinuous verse pulses with mystery and affirmation, aspiration and defeat. Beguiling and edgy, Corber's voice is authentic, complex and heady, like a grandy brandy that's been aged in a hollowed-out dictionary. Between sparkling bon mots and startling juxtapositions, Mitch seeks and finds the fine line where the personal meets the communal. -Jeffrey Cyphers Wright "Corber was introduced to poetry through nursery rhymes. He took off from there and never looked back. His flights of fancy display love, loneliness, impermanence, the joys of imagination, and unexpected ascents and descents. No one ever knows where one of his poems will land. And no two trips are alike. This is a book for worldly travelers who never tighten their seatbelts." -George Spencer "Mitch Corber, grassroots documentarian of East Village poetry scene for decades, here shows that his vérité eye goes bongo gonzo when flipped into his interior abyss. He asks, 'Have you seen my pesky porcupine, /her spiny tingle, those naughty needles?' and while everybody else might just say Noooo, for Mitch it's an everyday experience. What's in those needles? Surrealist syringes, jazz bops and verbal nonstops...! Teddy B (Berrigan) puts in an appearance (on Avenue C) - he is La Bohème, with Corber strutting like Lord Buckley to get hiperama. His are the Beatles of 'The Eggman.' Take two poems and call him in the morning. Name a poem 'Pyrex Bowl.' Don't take an answer for an answer. Goo goo ga-joob. Mitch Corber is the Mad Taxidermist, and language is his prey.-Bob Holman "Mitch Corber comes to us from out of nowhere, yet very much from out of somewhere. He can write love 'in the proxy of praxis'- where lovemaking is akin to poesis. A sensitive ear to assonance and rhyme, and love of the unsettling word, fuels Corber's lyric metric. He does not so much explore as navigate. He seems to dwell in the metaphysic, rather than the street, though his sense of human, and particularly romantic, relation is vivid. His metaphysic is a valuable tool for living, existing as it must in what he terms 'the lethal diamond dream.'" -Vincent Katz