Growing is a portrait of a young man sent straight out from university to help govern Ceylon. It is doubtful that any Empire at any time has been served by such an intelligent, dutiful, hardworking and incorruptible civil servant as the young Leonard Woolf. He was determined to do what was good but discovered for himself that colonial rule, be it ever so high-minded, is fated to do wrong. Growing is also a deeply affectionate account of the mystery, magic and savage beauty of Ceylon at the turn of the century, an island whose diverse beliefs and cultures Woolf had the time and wit to explore in detail.

"An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artefacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and-at times-white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race-as well as on the role of religion in racial shift-in the first half of the nineteenth century"--

Born in 70 BC, in a small village near Mantua, Publius Vergilius Maro—Virgil—grew up to be hailed as the greatest Roman poet. And although his work has influenced Western literature for two millennia, little is known about the man himself. Who was the man who created the Aeneid—one of the most important poems in Western literature—and such universal phrases as “love conquers all” and “fortune favors the bold?” Peter Levi here reconstructs the poet's life, from a childhood largely shrouded in mystery to his work as a great literary genius and revolutionary poet, by examining archaeological and historical evidence from Augustan Rome, as well as through close readings of the poet's own work. “Virgil is an intensely personal poet, yet he is anonymous . . . My aim is not so ambitious as to try and restore his prestige single-handed. It has simply been to try to understand him in his original context.” In this highly acclaimed, nowclassic biography, Peter Levi discards the myths and brilliantly reveals the life of Virgil and the extraordinary times during which he lived.

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.

In September 1925, Sidney Reilly journeyed across the Russian frontier on a mission to overthrow the Bolsheviks and restore the Czar. He vanished without a trace. The circumstances surrounding his death remain a mystery. This classic autobiography reveals the intriguing adventures and exploits of the man widely credited as being the original twentieth-century super-spy, inspiration for Ian Fleming's James Bond. Sidney Reilly , the so-called Ace of Spies, was a womanizing British secret agent who claimed to be Irish but was in fact Russian. Awarded the Military Cross for his daring operations, he met his death in Russia in 1925 after a sting operation by the Soviet Secret Service.

"From the Nuremberg Trials to contemporary human rights, Jews have long played prominent roles in the making of international law. But the actual ties between Jewish heritage and legal thought remain a subject of mystery and conjecture even among specialists. This volume of biographical studies takes a unique interdisciplinary approach, pairing historians and legal scholars to explore how their Jewish identities and experiences shaped their legal thought and activism. Using newly-discovered sources and sophisticated interpretative methods, this book offers an alternative history of twentieth-century international legal profession - and a new model to the emerging field of international legal biography"--

Life Out of Context begins as a powerful, brooding and humorously honest examination of Mosley's own sense of cultural dislocation as an African American writer. But due to a series of serendipitous events -- the screening of a documentary about Africa, an encounter with Harry Belafonte and Hugh Masakela -- Mosley, rather like the protagonist in one of his mystery novels, has a series of epiphanies on the role of a black intellectual in America. He asks: What can we do to fight injustice, poverty, exploitation, and racism? What is globalization doing to us? Through these late night meditations, Mosley attempts to transcend his earlier feelings of living a "life out of context" and seeks instead to find a political context. He ends with a call to arms, proposing that African Americans have to break their historic ties with the Democrat Party, and form a party of their own.

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

Norma Barzman is a blacklisted writer living in Southern France. Henry Myers is her beloved cousin, a former member of the Algonquin circle who has found his writing talent diminished with age, and is living an isolated life in New York City. When Norma invites Henry to Italy to realize their mutual dream of traveling together to Cremona to write about the mysterious origins of violin making, neither one could have anticipated the explosive consequences of their journey. But their adventure opens a Pandora's box of long-suppressed emotions, family secrets, and forces each to reassess their feelings towards each other, and themselves.