"New superiour court judge Alex Cormier is assigned to preside over the case of the alleged Sterling High School shooter. Lawyer Jordan McAffee represents Peter--the boy who, on the day of the shooting, was found in the corner of the gymnasium holding a gun to his head with a shaky hand. Detective Patrick DuCharme has one star witness, but her story keeps changing. And then there's the biggest problem of all--the star witness happens to be Judge Cormier's daughter."--Container

A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

Detective and mystery stories. A sadistic killer is at play in suburban Glen Rock, N.J., outside New York City, but somehow he's less frightening than the more mundane problems that send ordinary lives into chaos. How do you weigh a child's privacy against a parent's right to know? How do you differentiate normal teenage rebelliousness from out-of-control behavior? When and how do you intervene if suicidal signs appear? Other issues include single parenting; career versus family; marital honesty; and how much information you should share with a child at what age. Coben plucks each of these strings like a virtuoso as Mike and Tia Baye try to deal with the increasing withdrawal of their 16-year-old son, Adam, after a friend's suicide. A pair of brutal, seemingly senseless killings, punctuate the unfolding domestic troubles that ratchet up the tension and engulf the Baye family, their friends and neighbors in a web of increasing tragedy.

"What if the end is not the end?" From the beloved author of the number-one New York Times bestsellers Tuesdays with Morrie and The Five People You Meet in Heaven comes his most thrilling and magical novel yet—a page-turning mystery and a meditation on the power of human connection. One morning in the small town of Coldwater, Michigan, the phones start ringing. The voices say they are calling from heaven. Is it the greatest miracle ever? Or some cruel hoax? As news of these strange calls spreads, outsiders flock to Coldwater to be a part of it. At the same time, a disgraced pilot named Sully Harding returns to Coldwater from prison to discover his hometown gripped by "miracle fever." Even his young son carries a toy phone, hoping to hear from his mother in heaven. As the calls increase, and proof of an afterlife begins to surface, the town—and the world—transforms. Only Sully, convinced there is nothing beyond this sad life, digs into the phenomenon, determined to disprove it for his child and his own broken heart. Moving seamlessly between the invention of the telephone in 1876 and a world obsessed with the next level of communication, Mitch Albom takes readers on a breathtaking ride of frenzied hope. The First Phone Call from Heaven is Mitch Albom at his best—a virtuosic story of love, history, and belief.

In Jonathan Kellerman's gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn. Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman's bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses--part Boy Scout, part bulldog, man of few words--is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn't usual. For Moses, it's an ice-cold mystery he just can't outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it's a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together-and the rivalry that rules them won't let either man quit till the case is cracked. A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin's white knight as their primary person of interest, hoping that, like most people in L.A., he has a secret side. But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who's probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul. From the Hardcover edition.

Adrift in a raft after a deadly ship explosion, nine people struggle for survival at sea. Three days pass. Short on water, food and hope, they spot a man floating in the waves and pull him in. The man, strange and quiet, claims to be the Lord. Is the man who he claims to be? What actually caused the explosion? Are the survivors already in heaven, or are they in hell? Years later, when the empty life raft washes up on the island of Montserrat-- the events recounted in a notebook-- it falls to the island's chief inspector to solve the mystery of what really happened. -- adapted from jacket

New York Times bestselling author Joseph Finder's breakneck stand-alone thriller about the secrets families can keep—and the danger of their discovery. When former investigative reporter Rick Hoffman loses his job, fiancée, and apartment, his only option is to move back into--and renovate--the home of his miserable youth, now empty and in decay since the stroke that put his father in a nursing home. As Rick starts to pull apart the old house, he makes an electrifying discovery—millions of dollars hidden in the walls. It's enough money to completely transform Rick's life—and everything he thought he knew about his father. Yet the more of his father's hidden past that Rick brings to light, the more dangerous his present becomes. Soon, he finds himself on the run from deadly enemies desperate to keep the past buried, and only solving the mystery of his father—a man who has been unable to communicate, comprehend, or care for himself for almost 20 years—will save Rick...if he can survive long enough to do it.

"Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It's all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There's just one problem: they both want the house. For husband and wife, it's not just a residence: it's a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties. In this viciously black comedy, the Roses will each do whatever they can to destroy their better half--no matter the cost to themselves..." -- Provided by publisher.

Rocco Klein, homicide detective, has had enough of life on the edge. When a warm summer night brings yet another drug-related murder, he has no sense that the case is anything special. A young black man steps forward to confess but a little digging reveals that he's never been in any kind of trouble.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

Life in New Jersey seems boring to Nicky after spending the summer in Brooklyn with his Italian-American family, so when his father invites the relatives and Nicky's friend Tommy to their lavish home for a New Year's Eve party, Nicky is sure that adventures will follow.

Marigold and Rose is a magical and incandescent fiction from the Nobel laureate Louise Glück. “Marigold was absorbed in her book; she had gotten as far as the V.” So begins Marigold and Rose , Louise Glück’s astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka’s The Metamorphosis , an incandescent act of autobiography. Here are the elements you’d expect to find in a story of infant twins: Father and Mother, Grandmother and Other Grandmother, bath time and naptime—but more than that, Marigold and Rose is an investigation of the great mystery of language and of time itself, of what is and what has been and what will be. “Outside the playpen there were day and night. What did they add up to? Time was what they added up to. Rain arrived, then snow.” The twins learn to climb stairs, they regard each other like criminals through the bars of their cribs, they begin to speak. “It was evening. Rose was smiling placidly in the bathtub playing with the squirting elephant, which, according to Mother, represented patience, strength, loyalty and wisdom. How does she do it, Marigold thought, knowing what we know.” Simultaneously sad and funny, and shot through with a sense of stoic wonder, this small miracle of a book, following thirteen books of poetry and two collections of essays, is unlike anything Glück has written, while at the same time it is inevitable, transcendent.

A brand-new mystery series from one of the countryas best-known, best-loved writers: a new character, a new city, a new era. A new Walter Mosley. His name is etched on the door of his Manhattan office: LEONID McGILL, PRIVATE INVESTIGATOR. Itas a name that takes a little explaining, but heas used to it. aDaddy was a communist and great-great- Granddaddy was a slave master from Scotland. You know, the black manas family tree is mostly root. Whatever you see aboveground is only a hint at the real story.a Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGillas an old-school P.I. working a city thatas gotten fancy all around him. Fancy or not, he has always managed to get byakeep a roof over the head of his wife and kids, and still manage a little fun on the sideamostly because heas never been above taking a shady job for a quick buck. But like the city itself, McGill is turning over a new leaf, adecided to go from crooked to slightly bent.a New York City in the twenty-first century is a city full of secretsaand still a place that reacts when you know where to poke and which string to pull. Thatas exactly the kind of thing Leonid McGill knows how to do. As soon as "The Long Fall" begins, with McGill calling in old markers and greasing NYPD palms to unearth some seemingly harmless information for a high-paying client, he learns that even in this cleaned-up city, his commitment to the straight and narrow is going to be constantly tested. And we learn that with this protagonist, this city, this time, Mosley has tapped a rich new vein thatas inspiring his best work since the classic "Devil in a Blue Dress."

Life in New Jersey seems boring to Nicky after spending the summer in Brooklyn with his Italian-American family, so when his father invites the relatives and Nicky's friend Tommy to their lavish home for a New Year's Eve party, Nicky is sure that adventures will follow.

"An outcast teen girl explores the mysteries of friendship, family, faith, and phenomena, including the greatest mystery of all--herself"--

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

Cal Bradley's marriage is the stuff of romance. For fifteen year,, he has shared his life with Marie, a woman he passionately adores. In an idyllic corner of New England that has been home to his family for generations, Cal has become one of the most respected men in town: a father, churchgoer and a talented psychiatrist who runs a family clinic. Life is good. Then one night, a nineteen-year-old boy named Peter Blue sets a local church on fire and is sent to Cal for treatment For the patient, it's a last chance at redemption. For Cal, it's a journey into fear, deception, and murder. Because somehow Peter Blue's inner life is connected to Cal', reality...and to his wife's hidden past. And before Cal can hunt down the truth he is going to have to choose between everything he believes is right, and everything he loves.

An ordinary day in Gloucestershire holds a half century of secrets and lies in this crafty and well-crafted mystery, when a skeleton turns up in a field outside the old village of Tolland. A dogtag beside it in the earth bears the name Ben Gordheimer, a young American soldier who disappeared—and was dishonorably discharged for desertion—during the war fifty years before. To complicate matters for the police team of Keith Tyrell, the adept and ambitious Detective Inspector sent to Tolland, the investigation into the G.I.'s death unearths a second, much more recent corpse whose identity and identification as a blackmailer sets the entire village even more on edge. While Tyrell discovers the killer, long dead, of the G.I. quickly enough, the village of Tolland itself proves to be a harder case to crack. The repercussions of the old murder continue to haunt the memories and disturb the souls of Tolland's inhabitants, while the fact that another killer is dwelling in their midst troubles the placidity of their closely knit daily lives. Their distrust of Tyrell's inquiry and of the avid press only reinforces their tight-lipped secrecy. Tyrell has problems of his own as well, with the envy and betrayals of internal politics among the members of his police team increasingly impeding the progress of the investigation. Neither the village nor Tyrell realizes, though, just how quickly time is running out for them in this case. Then a third dead body further rouses once-sleepy Tolland and confronts the beleaguered Tyrell with another nasty case of murder.

At the heart of Anita Brookner's new novel lies a double mystery: What has happened to Anna Durrant, a solitary woman of a certain age who has disappeared from her London flat? And why has it taken four months for anyone to notice? As Brookner reconstructs Anna's life and character through the eyes of her acquaintances, she gives us a witty yet ultimately devastating study of self-annihilating virtue while exposing the social, fiscal, and moral frauds that are the underpinnings of terrifying rectitude. "From the Trade Paperback edition.

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years? Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place. From the Hardcover edition.