"If readers are to come to Shakespeare and to Chekhov, to Henry James and to Jane Austen, then they are best prepared if they have read Lewis Carroll and Edward Lear, Robert Louis Stevenson and Rudyard Kipling," writes Harold Bloom in his introduction to this enchanting and much-needed anthology of exceptional stories and poems selected to inspire a lifelong love of reading. As television, video games, and the Internet threaten to distract young people from the solitary pleasures of reading, Bloom presents a volume that will amuse, challenge, and beguile readers with its myriad voices and subjects. Here are old favorites by beloved writers of children's literature, as well as exciting rediscoveries and wonderful works penned by writers better known for their adult classics, such as Herman Melville, Leo Tolstoy, Edith Wharton, and Walt Whitman. Encompassing the natural world and the supernatural; childhood, romance, and death; pets, wild animals, and goblins; mystery, adventure, and humor; the selections reflect the passion and erudition of our most revered literary critic. Arranged by season, Stories and Poems for Extremely Intelligent Children of All Ages is a must-have anthology, sure to delight readers young and old for years to come.

This updated Agatha Christie compendium offers synopses of all Christie's novels, plays and short stories, without revealing whodunit. It also features: a portrait of Agatha Christie by Julian Symons; Christie's own comments on her work; articles on themes in her work such as a guide to Agatha's toxic agents, gossip and intuition as detective tools and the subtleties of the all-encompassing dress codes that governed her characters; articles on films, plus an updated filmography and new-video listing; a behind-the-scenes look at "Agatha" the movie; a mystery map showing locations of stories; a Christie crossword; and coverage of her romantic writing under the pen name Mary Westmacott.--From publisher description.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

"I have been a character in academic fiction at least twice," Elaine Showalter writes, "once a voluptuous, promiscuous, drug-addicted bohemian, once a prudish, dumpy, judgmental frump. I hope I am not too easily identified in either of these guises . . . although I can tell you that I preferred being cast as the luscious Concord grape to my role as the withered prune." In the days before there were handbooks, self-help guides, or advice columns for graduate students and junior faculty, there were academic novels teaching us how a proper professor should speak, behave, dress, think, write, love, and (more than occasionally) solve murders. If many of these books are wildly funny, others paint pictures of failure and pain, of lives wasted or destroyed. Like the suburbs, Elaine Showalter notes, the campus can be the site of pastoral and refuge. But even ivory towers can be structurally unsound, or at least built with glass ceilings. Though we love to read about them, all is not well in the faculty towers, and the situation has been worsening. In Faculty Towers , Showalter takes a personal look at the ways novels about the academy have charted changes in the university and society since 1950. With her readings of C. P. Snow's idealized world of Cambridge dons, the globe-trotting antics of David Lodge's Morris Zapp, the sleuthing Kate Fansler in Amanda Cross's best-selling mystery series, or the recent spate of bitter novels in which narratives of sexual harassment seem to serve as fables of power, anger, and desire, Showalter holds a mirror up to the world she has inhabited over the course of a distinguished and often controversial career.

Escape into the world of nature with this beautiful collection of essays by Maurice Maeterlinck. The Double Garden explores the wonder and mystery of the natural world through Maeterlinck's signature style of poetic prose. An enchanting read for anyone who finds themselves drawn to the beauty of nature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The dazzlingly clever and always entertaining Raymond Smullyan takes an unorthodox approach to chess puzzles by treating them as mysteries—with Sherlock Holmes as guide and mentor. The key concept is retrograde analysis. Rather than figuring out how to achieve some end from a given arrangement of chess pieces, the game is to examine the board and deduce what has happened in the past: Which side is white? What were the previous moves? Prove that a promotion did or did not occur. Which piece has been replaced by a coin? These are just a few of the challenges Smullyan presents through the eyes of Holmes and Watson. He even manages about as passable an imitation of Sir Arthur Conan Doyle's style as can be expected from a tongue-in-cheek presentation. To enjoy these problems you need only know how chess pieces move. The first puzzles in the book teach all the concepts you need to know to decipher the later ones; the process prepares you to join Holmes in solving a baffling double murder—the keys to which reside in a series of devilishly clever puzzles. The chess game is afoot, and it's almost too much fun!

For a writer, voice is the problem that never lets you go. For a reader, voice is a profound mystery. What is it? How does it develop and why should it even matter? How does the reader hear and respond to an authentic voice, and what happens when the cult of personality threatens to subvert it? These are some of the slippery questions The Writer's Voice addresses with confidence and clarity. Aspiring young writers often confuse voice with stylishness, but the voice that matters has the whole weight of a life, however young, behind it. In this compelling book, renowned poet, author, and critic A. Alvarez defines "voice" as the vehicle by which a writer expresses his aliveness, hooks his readers, and keeps them listening. These powerful reflections from a lifetime's experience belong alongside John Gardner's The Art of Fiction, E. M. Forster's Aspects of the Novel, and William Zinsser's On Writing Well.

Hailed by Publishers Weekly as "an A-1 satire on urban living," William Herrick's Bradovich is now available as a New Directions paperbook. Stephen Bradovich--sculptor, widower, former pro ball player, sometime brawler. Why would this complexly human, anarchist protagonist receive a visit from two impassive, square-shouldered operatives with the alarmling news: "You are under surveillance pending review, that's the message The Authority sends you"? Praised for the compassion, humanism, and "truth-seeking" of his earlier novels, Herrick in Bradovich steps beyond the "lean and muscular prose" of his terrorist trilogy (Shadows & Wolves, Love & Terror, Kill Memory) and beyond the working-class realism that won The Present Tense/Joel H. Cavior Award for That's Life (in 1985) to a surreal--if still recognizable--New York where suddenly not only the improbable but the impossible can happen.