Presents three short novels of mystery and suspense that combine elements of standard detective fiction and postmodern fiction

Now a TNT series starring Sean Bean, from the producers of"24"and"Homeland" Robert Littell is today widely considered one of the true grand masters of American spy fiction, hailed for his profound grasp of the ambiguous world of international espionage, grippingly displayed in his thirteen novels. His most recent international bestseller, The Company, was praised as being "popular fiction at its finest" by the Washington Post Book World and as "one of the best spy novels ever written" by the Chicago Tribune. Now delving into one agent's labyrinth of memories and past identities "legends," in CIA parlance Legends again displays Littell's unparalleled prowess as a seductive storyteller exploring the clandestine but always very human world of secret agents."

At the start of bestseller Fairstein's nail-biting 10th legal thriller to feature alter ego Alex Cooper (after 2006's Bad Blood), the Manhattan ADA takes a hit from a cigar at the urging of her longtime police ally, Mike Chapman-to cover the stench of a badly decomposed female body at a crime scene in an abandoned building near the Staten Island ferry. The victim later proves to be the first of a number of women in uniform targeted by the murderer, who may have military ties in his past. The trail leads to a notorious bar catering to underage drinkers, before a chance observation by a civilian shifts the inquiry dramatically. Meanwhile, Cooper is preparing to try Floyd Warren, a rapist whose first trial three decades earlier ended in a hung jury. Fairstein, whose professional resume includes groundbreaking work in the field of sex crimes prosecution, manages to both entertain and educate, as Cooper struggles with the evidentiary challenges of the Warren rape case and with tracking a vicious serial killer.

Auster's tale of family dynamics past and present from the author of contemporary classic The New York Trilogy : 'a literary voice for the ages' ( Guardian ) 'I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I travelled down there from Westchester to scope out the terrain . . .' So begins Paul Auster's remarkable novel, The Brooklyn Follies . Set against the backdrop of the contested US election of 2000, it tells the story of Nathan and Tom, an uncle and nephew double-act. One in remission from lung cancer, divorced, and estranged from his only daughter, the other hiding away from his once-promising academic career, and, indeed, from life in general. Having accidentally ended up in the same Brooklyn neighbourhood, they discover a community teeming with life and passion. When Lucy, a little girl who refuses to speak, comes into their lives, there is suddenly a bridge from their pasts that offers them the possibility of redemption. Infused with character, mystery and humour, these lives intertwine and become bound together as Auster brilliantly explores the wider terrain of contemporary America - a crucible of broken dreams and of human folly.

IN NEW YORK, IF YOU HAVE A PROBLEM NO ONE ELSE CAN SOLVE, YOU CALL LEONID McGILL Ex-boxer, hard drinker, in a business that trades in cash and favours, McGill's an old-school P.I. working a city that's got fancy all around him. When McGill is approached by a small-time office manager, he declines the case. He has better things to do than track down the man's long lost cousin, who is about to inherit millions. But then McGill's office is broken into, and his potential client is found dead. Soon, McGill finds himself drawn into the underbelly of an establishment family, and a Pandora's box of secrets and lies. Taking you from the moneyed haunts of Uptown to the shady corners of Downtown, Mosley is the Chandler of Obama's America, and one of the finest crime writers in the world.

Seven years ago, Zella Grisham was arrested for illegal possession of a firearm, assault with a deadly weapon, attempted murder, and grand theft. After two years of fruitless negotiations, Zella was sentenced to twenty-five years in prison, mainly because she refused to give up her accomplices in a $6.8 million heist from Rutgers Assurance Corp. But Zella had played no part in that heist. PI Leonid McGill had planted the evidence. All Zella had done was shoot her man, her cheating husband Harry Tangelo, when she'd caught him in bed with her best friend. That was a long time ago, and McGill has regrets. So he hires a hotshot attorney to set her free. Zella's big regret is that she tried to kill Tangelo. McGill agrees to track him down but the trail leads back to Rutgers Assurance, and the man who paid McGill to plant the evidence is found dead. As Zella is hounded and an attempt is made on McGill's life, the detective realises the case is more complicated than he had ever imagined - but can he live long enough to sort it out?

A mystery caller sends Leonid McGill to an uptown address 'just to check a girl's okay'. There's no explanation - just a name - Angelique - a reward, and the chilling knowledge that he's working for Rinaldo Alphonse, the most feared man in New York. What LT finds is a crime scene. A girl lies with her face blown off, her assassin felled by a knife. But the dead girl isn't the one LT was sent to find, and her killer's injuries don't make sense. The next day Alphonse comes calling: LT must find Angelique before the assassin's assassin tracks her down. Alphonse isn't the only one who wants a bit of LT's time - the NYPD, finding his appearance too convenient, think they can finally put away the thorn in their side. But why do so many people want a piece of the apparently normal, clean-living Angelique? And why is the mafia coming after McGill, linking his sons - shy Dmitri and streetwise Twill - to the escape of a sex trafficked Belarussian girl. As both plots career towards a thrilling finale, McGill must put his street know-how and book of lethal contacts to the test, while haunted by the re-appearance of a face from his crooked past and wife Katrina's continued infidelities (this time it's her son's best friend).

Leonid McGill's spent a lifetime building his reputation as a private investigator in New York. His seemingly infallible instincts and inside knowledge of the crime world make him the ideal man to help when Phillip "Catfish" Worry comes knocking. Catfish is a ninety-four-year-old Mississippi blues-man who needs Leonid's help with a simple task: deliver a letter revealing the black lineage of a wealthy heiress and her corrupt father. The opportunity to do a simple favor while shocking the prevailing elite is impossible for Leonid to resist. But when a famed and feared assassin puts out a hit on Catfish, Leonid has no choice but to confront the ghost of his own felonious past. Working to protect his client, and his own family, Leonid needs to reach the heiress on the eve of her wedding before her powerful father kills those who hold their family's secret. Joined by a team of young and tough aspiring investigators, Leonid must gain the trust of wary socialites, outsmart vengeful thugs, and, above all, serve the truth -- no matter the cost.

PI Artie Cohen flies to London and battles the Russian mafia, plotting to flood parts of the city in a real-estate scam. A Russian immigrant and former NYPD officer, Cohen is investigating a murder committed in New York.

On the morning after Sigmund Freud arrives in New York on his first, and only, visit to the United States, a stunning debutante is found bound and strangled in her penthouse apartment, high above Broadway. The following night, another beautiful heiress, Nora Acton, is discovered tied to a chandelier in her parents' home, viciously wounded and unable to speak or to recall her ordeal. Soon Freud and his American disciple, Stratham Younger, are enlisted to help Miss Acton recover her memory, and to piece together the killer's identity. It is a riddle that will test their skills to the limit, and lead them on a thrilling journey, into the darkest places of the city, and of the human mind.

"An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artefacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and-at times-white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race-as well as on the role of religion in racial shift-in the first half of the nineteenth century"--

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times , “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” – The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” – The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” – Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” – Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

John Wells, an old-school crime reporter on the New York Star, comes into conflict with his new boss Robert and when news of a teen suicide breaks, Wells is posted upstate off the crime beat. Gritting his teeth, he sets to work, but discovers that in Grant County, suicide may in fact be murder.

The economy has hit the PI business hard, and Leonid McGill is getting job offers only from the criminals he's worked so hard to leave behind. So how can he say no to the beautiful young woman who walks into his office with a stack of cash? She's an artist, she tells him, who's escaped poverty via marriage to a rich collector. A rich collector with two ex-wives whose deaths are shrouded in mystery. She says she fears for her life, and needs Leonid's help. Though Leonid knows better than to believe every word, this isn't a job he can afford to turn away. Meanwhile, Leonid's personal life grows ever more chequered: his favourite stepson, Twill, drops out of school for mysteriously lucrative pursuits; his wife takes a new lover, infuriating the old one and endangering the whole family; and Leonid's girlfriend, Aura, is back but intent on some serious conversations... Is the client at his door who she seems and - if his family's misadventures don't kill him first - will sorting out the woman's crooked tale bring Leonid straight to death's door?

'You were some dish,' says Betsy Thornhill's boyfriend on seeing an old photograph of her. A casual remark, but Betsy, a fifty-one-year-old American living in London, finds herself conscious of age. She goes in for a 'little work' on her face and comes out looking marvellous, younger by fifteen years. She goes back to New York, where she has not lived for thirty years - to a city devastated by the aftermath of September 11. A few days after she arrives, Betsy is accused of murder. She looks at the police sketch. 'It isn't me,' she says. 'It's someone younger.' 'Look in the mirror,' says the cop. Betsy is trapped by her own face...

'This is jazz-loving, womanising Artie's fourth outing and consolidates his position as fiction's most exciting private dick - and keeps Nadelson up there with the crime greats.' Daily MirrorArtie Cohen's long-time girlfriend Lily Hanes, has been found beaten up, raped and left for dead in an empty Parisian apartment. In the wintry French capital, where drugs are sold like fries at Macdonald's and the hookers are trucked in with the vegetables, Artie looks for Lily's attackers and finds himself drawn in to a web of sex, death and deceit.Artie follows the trail from Paris across Europe to Vienna and then, finally, back to his native New York on a roller-coaster ride from which there is no return ticket.'This book is classy noir entertainment - edgy, witty, slickly plotted... She has a perfect pitch for the voice of her hard-boiled, jazz-loving , skirt-chasing hero.' Independent'Nadelson's skill is in evoking an atmosphere as thick as a nineteenth-century smog, and just as evil.' The Times

An ex-KGB general has been killed on a live TV show in New York. Artie Cohen, a Russian American Jew and a special detective with the New York Police Department, unravels a Russian plot to acquire the infamous red mercury - a vital ingredient in the making of nuclear weapons.

It's a summer Sunday in downtown New York City and Artie Cohen is getting married... A message from his old friend Sid McKay asks Artie to come out to Red Hook in Brooklyn. It's his wedding day, but Artie goes - and finds a dead man spread-eagled in the water off the old docks. When Sid shows up he's scared and edgy; Artie suspects he's holding something back... It's not his case, but it drags him in, threatening his friends and a former lover. In the tense pre-election atmosphere, Artie becomes involved in uncovering the betrayals that have led to death on the Red Hook waterfront...