"Sophie Beckett never dreamed she'd be able to sneak into Lady Bridgerton's famed masquerade ball-or that "Prince Charming" would be waiting there for her! Though the daughter of an earl, Sophie has been relegated to the role of servant by her disdainful stepmother. But now, spinning in the strong arms of the debonair and devastatingly handsome Benedict Bridgerton, she feels like royalty. Alas, she knows all enchantments must end when the clock strikes midnight. Ever since that magical night, a radiant vision in silver has blinded Benedict to the attractions of any other-except, perhaps, this alluring and oddly familiar beauty dressed in housemaid's garb whom he feels compelled to rescue from a most disagreeable situation. He has sworn to find and wed his mystery miss, but this breathtaking maid makes him weak with wanting her. Yet, if he offers her his heart, will Benedict sacrifice his only chance for a fairy-tale love" -- Front jacket flap.

EDGAR AWARD WINNER • “ What sets Harlan Coben above the crowd are wit and . . . an entertaining plot.”— Los Angeles Times Book Review ONE OF TIME' S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME In novels that crackle with wit and suspense, Harlan Coben has created one of the most fascinating heroes in suspense fiction: the wisecracking, tenderhearted sports agent Myron Bolitar. In this gripping third novel in the acclaimed series, Myron must confront a past that is dead and buried—and more dangerous than ever before. The home is top-notch New Jersey suburban. The living room is Martha Stewart. The basement is Legos—and blood. The signs of a violent struggle. For Myron Bolitar, the disappearance of a man he once competed against is bringing back memories—of the sport he and Greg Downing had both played and the woman they both loved. Now, among the stars, the wannabes, the gamblers, and the groupies, Myron is embarking upon the strange ride of a sports hero gone wrong that just may lead to certain death. Namely, his own.

"I have been sleuthing my mother's symptoms for as long as I can remember. If I see myself as an unwilling detective with a desire for justice, is her illness an unsolved crime? If so, who is the villain and who is the victim? Sofia, a young anthropologist, has spent much of her life trying to solve the mystery of her mother's unexplainable illness. She is frustrated with Rose and her constant complaints, but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and her mother travel to the searing, arid coast of southern Spain to see a famous consultant--their very last chance--in the hope that he might cure her unpredictable limb paralysis. But Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Sofia's mother's illness becomes increasingly baffling. Sophia's role as detective--tracking her mother's symptoms in an attempt to find the secret motivation for her pain--deepens as she discovers her own desires in this transient desert community. Hot Milk is a profound exploration of the sting of sexuality, of unspoken female rage, of myth and modernity, the lure of hypochondria and big pharma, and, above all, the value of experimenting with life; of being curious, bewildered, and vitally alive to the world" -- Provided by publisher.

New York Times bestselling author M. J. Rose’s “wondrously original” ( Providence Journal ) suspense novel featuring perfumer Jac L’Etoile “combines fascinating history, torrid romance, and a compelling mystery” ( Associated Press ). Florence, Italy—1533: An orphan named René le Florentin is plucked from poverty to become not only the greatest perfumer in the country, but also the most dangerous, creating deadly poisons for his Queen, Catherine de Medici, to use against her rivals. But while mixing herbs and essences under the light of flickering candles, René can’t begin to imagine the tragic and personal consequences for which his lethal potions will be responsible. Paris, France—The Present: Renowned mythologist Jac L’Etoile becomes obsessed with René le Florentin—who may have been working on an elixir that would unlock the secret to immortality. Together with her estranged lover, Griffin, they confront an eccentric heiress in possession of a world-class art collection, a woman who has her own dark purpose for the elixir…and believes the end will justify her deadly means. Fiery and lush, set against deep, wild forests and dimly lit chateaus, this gothic tale zigzags from the violent days of Catherine de Medici’s court to twenty-first-century France. Sara Gruen, New York Times bestselling author of Water for Elephants , raves about the book: “Mysterious, magical, and mythical. What a joy to read!”

One-time underground journalist Sandy Blair has come a long way from his radical roots in the '60s--until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with the '60s band the Nazgul. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past--a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgul and the mad new beat may be more than anyone bargained for--a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time.--From publisher description.

A grotesque figure burst into the girl's room. Its head piled with fake curls, its face concealed behind a smiling mask, it wore the rubber gloves of a surgeon or perhaps a mortuary attendant. It seized the girl from behind and chloroformed, suffocated, and finally, decapitated her.

In a novel that’s part comic mystery, part political satire, and part case vignette, a psychiatrist reviews his involvement with a narcissistic national leader who has turned up dead on the consulting room couch. When Peter D. Kramer wrote about his work with psychiatric patients in books like Listening to Prozac and Should You Leave? , Joyce Carol Oates said, “To read his prose on virtually any subject is to be provoked, enthralled, illuminated.” When Kramer switched to fiction, Publishers Weekly wrote, “The depth, quality, and ambition of Kramer’s prose will surprise those expecting a superficial crossover effort.” In his new novel, Death of the Great Man , Kramer uses those literary skills to introduce readers to an unforgettable character, Henry Farber, a well-meaning psychiatrist forced into hiding when the nation’s chief executive—a narcissistic autocrat in his disastrous second term—is found dead on the consulting room couch. From an isolated bungalow, Farber sets out to clear his name while offering an intimate view of a flawed populist leader. What begins as comic mystery and political satire matures into a moving journey of self-exploration and a commentary on the fate of truth-telling in an era when lying has become a norm in public life.