#1 New York Times Bestseller From #1 New York Times bestselling author Neil Gaiman, a haunting novel that explores the awesome power of memory, friendship, and sacrifice―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "A novel about the truths--some wonderful, some terrible--that children know and adults do not." --Time Magazine Returning to his childhood home to attend a funeral, a middle-aged man is drawn back to a place once alive with monsters and magic; to a past where the impossible is all too frighteningly real . . . A haunting meditation on memory, wonder, friendship, and sacrifice, The Ocean at the End of the Lane, which was named "Book of the Year" by the UK National Book Awards, is a groundbreaking triumph of storytelling as delicate as a butterfly's wing and as menacing as a knife in the dark.

Winner of the National Jewish Book Award · New York Times Bestseller "A brilliant and heart-wrenching book, with universal and timely lessons about the power of information--and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . . Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear. In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom--among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope. And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more. This is the story of a brilliant yet troubled man--a gifted "escape artist" who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

The winner of the National Book Award and now considered a classic, The House of Morgan is the most ambitious history ever written about an American banking dynasty. Acclaimed by The Wall Street Journal as "brilliantly researched and written", the book tells the rich, panoramic story of four generations of Morgans and the powerful, secretive firms they spawned. It is the definitive account of the rise of the modern financial world. A gripping history of banking and the booms and busts that shaped the world on both sides of the Atlantic, The House of Morgan traces the trajectory of the J. P. Morgan empire from its obscure beginnings in Victorian London to the crash of 1987. Ron Chernow paints a fascinating portrait of the private saga of the Morgans and the rarefied world of the American and British elite in which they moved. Based on extensive interviews and access to the family and business archives, The House of Morgan is an investigative masterpiece, a compelling account of a remarkable institution and the men who ran it, and an essential book for understanding the money and power behind the major historical events of the last 150 years.

_x2B50_ CHOSEN BY BARACK OBAMA AS A FAVOURITE READ OF 2020 _x2B50_ NEW YORK TIMES BESTSELLER AND OPRAH'S BOOK CLUB PICK _x2B50_ TOP TEN BOOKS OF 2020, NEW YORK TIMES 'Hilarious, pitch-perfect... one of the year's best novels.' The Washington Post From the winner of a National Book Award and author of the bestselling memoir,The Color of Water, and The Good Lord Bird , a TV series starring Ethan Hawke The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportcoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment draw in the whole community, from Sportcoat's best friend - Hot Sausage - to the local Italian mobsters, the police (corrupt and otherwise), and the stalwart ladies of the Five Ends Baptist Church. DEACON KING KONG is a book about a community under threat, about the ways people pull together in an age when the old rules are being rewritten. It is very funny in places, and heartbreaking in others. From a prize-winning storyteller, this New York Times bestseller shows us that not all secrets are meant to be hidden, and that the communities we build are fragile but vital. ______________________ ' Deacon King Kong is deeply felt, beautifully written and profoundly humane; McBride's ability to inhabit his characters' foibled, all-too-human interiority helps transform a fine book into a great one' The New York Times Book Review What Goodreads readers are saying- ***** ' Deacon King Kong is one of those novels whose brilliance sneaks up on you. I haven't been this pleasantly surprised by a book in a while.' ***** 'I do believe I just finished one of my all time favorite books. I loved every minute spent with Sportcoat and his community. A good old fashioned yarn shot through with truth, spirit, and humor. I LOVED it!' ***** 'This book was a balm for my soul, a portrait of a black church community circa 1969 with sweet characters (well, most of them), interconnections that stretch back decades, and a plot with more than one mystery at its heart.' ***** '"Deacon" has the texture of folk lore and fable mixed with the unexpected rhythms of jazz and the noisy streets of late 1960s Brooklyn.' ***** 'The ending was one of those where you clutch your heart and want to hug the book (or your Kindle).'

* Selected as One of the Best Books of the 21st Century by The New York Times * * WINNER of the National Book Critics Circle Award * Books for a Better Life Award * The New York Times Book Review ’s 10 Best Books of the Year * This masterpiece by the National Book Award–winning author of The Noonday Demon features stories of parents who not only learn to deal with their exceptional children, but also find profound meaning in doing so—“a brave, beautiful book that will expand your humanity” ( People ). Solomon’s startling proposition in Far from the Tree is that being exceptional is at the core of the human condition—that difference is what unites us. He writes about families coping with deafness, dwarfism, Down syndrome, autism, schizophrenia, or multiple severe disabilities; with children who are prodigies, who are conceived in rape, who become criminals, who are transgender. While each of these characteristics is potentially isolating, the experience of difference within families is universal, and Solomon documents triumphs of love over prejudice in every chapter. All parenting turns on a crucial question: to what extent should parents accept their children for who they are, and to what extent they should help them become their best selves. Drawing on ten years of research and interviews with more than three hundred families, Solomon mines the eloquence of ordinary people facing extreme challenges. Elegantly reported by a spectacularly original and compassionate thinker, Far from the Tree explores how people who love each other must struggle to accept each other—a theme in every family’s life.

"From the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain, a revelatory history of one of Stalin's greatest crimes--the consequences of which still resonate today. In 1929 Stalin launched his policy of agricultural collectivization--in effect a second Russian revolution--which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least five million people died between 1931 and 1933 in the USSR. But instead of sending relief the Soviet state made use of the catastrophe to rid itself of a political problem. In Red Famine, Anne Applebaum argues that more than three million of those dead were Ukrainians who perished not because they were accidental victims of a bad policy but because the state deliberately set out to kill them. Applebaum proves what has long been suspected: after a series of rebellions unsettled the province, Stalin set out to destroy the Ukrainian peasantry. The state sealed the republic's borders and seized all available food. Starvation set in rapidly, and people ate anything: grass, tree bark, dogs, corpses. In some cases, they killed one another for food. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil. Today, Russia, the successor to the Soviet Union, has placed Ukrainian independence in its sights once more. Applebaum's compulsively readable narrative recalls one of the worst crimes of the twentieth century, and shows how it may foreshadow a new threat to the political order in the twenty-first."--Provided by publisher.

National Bestseller Winner of the National Book Award Updated with a New Chapter Author of The World Is Flat and That Used to Be Us One of the most thought-provoking books ever written about the Middle East, From Beirut to Jerusalem remains vital to our understanding of this complex and volatile region of the world. Three-time Pulitzer Prize winner Thomas L. Friedman drew upon his ten years of experience reporting from Lebanon and Israel to write this now-classic work of journalism. Rich with anecdote, history, analysis, and autobiography, From Beirut to Jerusalem will continue to shape how we see the Middle East for many years to come.

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR FICTION NATIONAL BESTSELLER "Electrifying" ( People ) - "Masterly" ( The Guardian ) - "Dramatic and memorable" ( The New Yorker ) - "Magic" ( TIME ) - " Ingenious" ( The Financial Times ) - A gonzo literary performance" ( Entertainment Weekly ) - "Rare and splendid" ( The Boston Globe ) - "Remarkable" ( USA Today ) - "Delicious" ( The New York Times ) - "Book groups, meet your next selection (NPR) In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving "Brotherhood of the Arts," two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed--or untoyed with--by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls--until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true--though it's not false, either. It takes until the book's stunning coda for the final piece of the puzzle to fall into place--revealing truths that will resonate long after the final sentence. As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

"Of all the Kennedy books . . . this is the best." Time Magazine Winner of the Pulitzer Prize and the National Book Award, this is the classic study of the presidency of John F. Kennedy as told by a master historian who had the advantage of personally witnessing the great and tragic events of which he writes.

Perfect for middle grade readers and history enthusiasts, New York Times bestselling author Steve Sheinkin presents the fascinating and frightening true story of the creation behind the most destructive force that birthed the arms race and the Cold War in Bomb: The Race to Build — and Steal--the World's Most Dangerous Weapon . A Newbery Honor book A National Book Awards finalist for Young People's Literature A Washington Post Best Kids Books of the Year title In December of 1938, a chemist in a German laboratory made a shocking discovery: When placed next to radioactive material, a Uranium atom split in two. That simple discovery launched a scientific race that spanned three continents. In Great Britain and the United States, Soviet spies worked their way into the scientific community; in Norway, a commando force slipped behind enemy lines to attack German heavy-water manufacturing; and deep in the desert, one brilliant group of scientists was hidden away at a remote site at Los Alamos. This is the story of the plotting, the risk-taking, the deceit, and genius that created the world's most formidable weapon. This is the story of the atomic bomb. “This superb and exciting work of nonfiction would be a fine tonic for any jaded adolescent who thinks history is 'boring.' It's also an excellent primer for adult readers who may have forgotten, or never learned, the remarkable story of how nuclear weaponry was first imagined, invented and deployed—and of how an international arms race began well before there was such a thing as an atomic bomb.” — The Wall Street Journal “This is edge-of-the seat material that will resonate with YAs who clamor for true spy stories, and it will undoubtedly engross a cross-market audience of adults who dozed through the World War II unit in high school.” — The Bulletin (starred review) Also by Steve Sheinkin: The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

"An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year byThe Washington Postand theSan Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another Worldis a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another Worldis her Everything That Rises Must Convergeor A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick"--

ONE OF THE NEW YORK TIMES BOOK REVIEW’ S 10 BEST BOOKS OF THE YEAR A Best Book of the Year: San Francisco Chronicl e, Seattle Times Winner of the Plutarch Award for Best Biography Penelope Fitzgerald, one of the most quietly brilliant novelists of the twentieth century, was a great English writer whose career didn’t begin until she was nearly sixty. Her life was marked by dramatic twists of fate, moving from a bishop’s palace to a sinking houseboat to a last, late blaze of renown. Her exquisite novels—short, spare masterpieces—would go on to win some of the most coveted awards in literature: the Booker Prize and the National Book Critics Circle Award. Now, in an impeccable match of talent between biographer and subject, Hermione Lee gives us this remarkable writer’s story.

PULITZER PRIZE WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE From National Book Award finalist David I. Kertzer comes the gripping story of Pope Pius XI’s secret relations with Italian dictator Benito Mussolini. This groundbreaking work, based on seven years of research in the Vatican and Fascist archives, including reports from Mussolini’s spies inside the highest levels of the Church, will forever change our understanding of the Vatican’s role in the rise of Fascism in Europe. The Pope and Mussolini tells the story of two men who came to power in 1922, and together changed the course of twentieth-century history. In most respects, they could not have been more different. One was scholarly and devout, the other thuggish and profane. Yet Pius XI and “Il Duce” had many things in common. They shared a distrust of democracy and a visceral hatred of Communism. Both were prone to sudden fits of temper and were fiercely protective of the prerogatives of their office. (“We have many interests to protect,” the Pope declared, soon after Mussolini seized control of the government in 1922.) Each relied on the other to consolidate his power and achieve his political goals. In a challenge to the conventional history of this period, in which a heroic Church does battle with the Fascist regime, Kertzer shows how Pius XI played a crucial role in making Mussolini’s dictatorship possible and keeping him in power. In exchange for Vatican support, Mussolini restored many of the privileges the Church had lost and gave in to the pope’s demands that the police enforce Catholic morality. Yet in the last years of his life—as the Italian dictator grew ever closer to Hitler—the pontiff’s faith in this treacherous bargain started to waver. With his health failing, he began to lash out at the Duce and threatened to denounce Mussolini’s anti-Semitic racial laws before it was too late. Horrified by the threat to the Church-Fascist alliance, the Vatican’s inner circle, including the future Pope Pius XII, struggled to restrain the headstrong pope from destroying a partnership that had served both the Church and the dictator for many years. The Pope and Mussolini brims with memorable portraits of the men who helped enable the reign of Fascism in Italy: Father Pietro Tacchi Venturi, Pius’s personal emissary to the dictator, a wily anti-Semite known as Mussolini’s Rasputin; Victor Emmanuel III, the king of Italy, an object of widespread derision who lacked the stature—literally and figuratively—to stand up to the domineering Duce; and Cardinal Secretary of State Eugenio Pacelli, whose political skills and ambition made him Mussolini’s most powerful ally inside the Vatican, and positioned him to succeed the pontiff as the controversial Pius XII, whose actions during World War II would be subject for debate for decades to come. With the recent opening of the Vatican archives covering Pius XI’s papacy, the full story of the Pope’s complex relationship with his Fascist partner can finally be told. Vivid, dramatic, with surprises at every turn, The Pope and Mussolini is history writ large and with the lightning hand of truth.

Robert A. Caro's life of Lyndon Johnson, which began with the greatly acclaimed The Path to Power, also winner of the National Book Critics Circle Award, continues -- one of the richest, most intensive and most revealing examinations ever undertaken of an American President. In Means of Ascent the Pulitzer Prize-winning biographer/historian, chronicler also of Robert Moses in The Power Broker, carries Johnson through his service in World War II and the foundation of his long-concealed fortune and the facts behind the myths he created about it. But the explosive heart of the book is Caro's revelation of the true story of the fiercely contested 1948 senatorial election, for forty years shrouded in rumor, which Johnson had to win or face certain political death, and which he did win -- by "the 87 votes that changed history." Caro makes us witness to a momentous turning point in American politics: the tragic last stand of the old politics versus the new -- the politics of issue versus the politics of image, mass manipulation, money and electronic dazzle. From the Trade Paperback edition.

TIME ’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and t he NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“ The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” ( The Wall Street Journal ), “one of those books that enrage you even as they break your heart” ( The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” ( Entertainment Weekly ).

Instant New York Times bestseller! A Winner of the Barondess/Lincoln Award A Washington Independent Review of Books Favorite Book of 2018 A Suspense Magazine Best Book of 2018 A Mental Floss Best Book of 2018 A USA Today Top 10 Hot Book for Summer "Makes you feel as if you are watching a live camera riveted on a courtroom more than 150 years ago." --Diane Sawyer The true story of Abraham Lincoln's last murder trial, a case in which he had a deep personal involvement--and which played out in the nation's newspapers as he began his presidential campaign At the end of the summer of 1859, twenty-two-year-old Peachy Quinn Harrison went on trial for murder in Springfield, Illinois. Abraham Lincoln was hired to defend him. This was to be his last great case as a lawyer. What normally would have been a local case took on momentous meaning. Lincoln's debates with Stephen Douglas had gained him a national following. He was being urged to make a run for the presidency. His reputation was untarnished, but should he lose this trial, the spotlight now focused so brightly on him might be dimmed. The case also posed personal challenges for Lincoln. The victim had trained for the law in his office, and Lincoln had been his friend and his mentor. The accused killer, the young man Lincoln would defend, was the son of a close friend and supporter. And to win this trial he would have to form an allegiance with a bitter political rival. Lincoln's Last Trial captures the presidential hopeful's dramatic courtroom confrontations in vivid detail as he fights for his client--but also for his own political future.

The Fixer is the winner of the 1967 National Book Award for Fiction and the 1967 Pulitzer Prize for Fiction. The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel. Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

The National Book Award winner from Pulitzer Prize-winning author A. Scott Berg is now celebrating its 40th anniversary. The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend. This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare --in both the professional and personal domains. It tells not only of Perkins's stormy marriage, endearing eccentricities, and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century. It is, in the words of Newsweek , "an admirable biography of a wholly admirable man." The basis for the Major Motion Picture Genius , Starring Colin Firth, Nicole Kidman, and Jude Law.

Abraham Pais's 'Subtle is the Lord...' is the definitive biography of Albert Einstein. Timothy Ferris, in The New York Times Book Review, called it "the biography of Einstein he himself would have liked best," adding that "it is a work against which future scientific biographies will be measured." As a respected physicist himself, Pais was the first biographer to give Einstein's thinking its full due, and as a close friend and associate of Einstein, he could provide an intimate, first-hand account of the life of this great scientist. The result was a national bestseller. Indeed, it was one of The New York Times's Best Books of the Year, and the winner of the 1983 American Book Award for Science. Now, Pais turns his attention to the great physicist's life outside of science, with an informal, almost kalaidoscopic portrait of Einstein--his personal life and his public persona ("my mythical namesake who has made my life so burdensome"), his scientific contributions, and his thoughts on religion, philosophy, and politics, on Israel and Zionism, on the rise of Nazism and McCarthyism, and on much more. Pais offers a candid look at Einstein's troubled personal life--his two failed marriages, his first child Lieserl, who was born out of wedlock (and of whom all trace has vanished), his estranged son Hans Albert, also a scientist, who felt his father had abandoned the family, and his son Eduard, who gradually descended into madness. Of course, any book on Einstein must touch upon science, and Pais includes several illuminating chapters, one of which offers general readers an accessible explanation of relativity, and another traces the long road to Einstein's Nobel Prize (after being nominated almost every year from 1909 to 1920, he finally won in 1921--not for relativity, but for his work on the photoelectric effect). On the lighter side, Pais includes samples from Einstein's "curiosity file," in which he kept crank letters, marriage proposals, hate mail (one began "You are the prince of idiocy, the count of imbecility, the duke of cretinism, the baron of morons"), and the like. But the heart of the book is the final section, where Pais traces Einstein's life as seen through the media. Here we not only meet Einstein the living legend--receiving the keys to New York City from flamboyant Mayor Jimmy Walker, attending the Hollywood premier of City Lights with Charlie Chaplin--but also witness his extensive involvement in the issues of his day. Much of his commentary is amazingly prescient. In 1933, he said of Nazism: "I cannot understand the passive response of the whole civilized world to this modern barbarism. Does the world not see that Hitler is aiming for war?"

The book and lyrics of the extraordinary musical from the Pulitzer Prize-winning author of Angels in America. 1963, Louisiana. The destruction of a Confederate statue might just signal that change is in the air. But, whatever the progress of the civil rights movement, things seem just the same in the Gellman household - for now at least. Caroline, the black maid to the family, is struggling to stay afloat - emotionally and economically. Noah, the eight-year-old son of her employer, tries to make sense of the world following the death of his mother and his father's remarriage. When his stepmother comes up with a way for Caroline to take a little more money home, the consequences for Caroline and Noah's relationship are not what anybody might have expected... Caroline, or Change is an uplifting and profound portrait of America at a time of momentous social upheaval. The musical, with book and lyrics by Tony Kushner and music by Jeanine Tesori, was first performed at New York's Off-Broadway Public Theater, where it opened in November 2003, transferring to the Eugene O'Neill Theatre on Broadway in May 2004. It received its British premiere at the National Theatre in 2006 and won the Olivier Award for Best New Musical. This edition was published alongside the Chichester Festival Theatre production, which transferred to Hampstead Theatre, London, in 2018. 'Extraordinary... Perhaps no one short of the author of Angels in America could pull this off... you feel that mixture of terror and rapture that arrives on those rare occasions in theatre and in life when you genuinely don't know what's going to happen next' New York Times