From #1 New York Times bestselling author Neil Gaiman, an ingenious and captivating reimagining of Rudyard Kipling's adventure The Jungle Book that is a glorious meditation on love, loss, survival, sacrifice, and what it means to truly be alive―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee. Nobody Owens, known to his friends as Bod, is a normal boy. He would have been completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy--an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer. But if Bod leaves the graveyard, then he will come under attack from the man Jack--who has already killed Bod's family. . . By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman's #1 national bestseller―winner of the Carnegie and Newbury Medals and the Hugo Award―is a "novel of wonder . . . a tale of unforgettable enchantment" (New York Times Book Review).

Short-listed for the Booker Prize Long-listed for the National Book Award "The first major American novel to be published this year." --Sam Sacks, The Wall Street Journal "Gorgeous . . . Almost impossibly heartbreaking." --Sam Worley, New York Magazine A Must-Read: The New York Times , New York Magazine, Time , The Washington Post , Los Angeles Times , The Boston Globe , Entertainment Weekly , USA Today , The Chicago Review of Books , Forbes , Literary Hub , and Town & Country "A major world writer . . . Choi is in thrilling command." ―Dwight Garner, The New York Times "Devastating." --Ron Charles, The Washington Post "Ranks among her best work." --Hamilton Cain, Los Angeles Times A Dakota Johnson x TeaTime Book Club Pick A novel tracing a father's disappearance across time, nations, and memory, from the author of Trust Exercise . One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne's illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa's father? Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family's catastrophe, even as they are swept up in the invisible currents of history. A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heart-gripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.

Longlisted for the 2013 National Book Award for Fiction Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls—teenagers Helen and Dossie—run wild while their only brother, Charlie, goes off to train for war. The children’s Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short. An unforgettable portrait of one family’s journey through the second half of the twentieth century, Elizabeth Graver’s The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us.

Hotel Malta is a fascinating tale of love and hope, the story of Ernest and Eva Bloom whose lives were upended by World War II, and of Amotz, their grandson, whose marriage is disintegrating, while expecting the birth of his first child. Compelled by an overpowering urge, Ernest makes an intriguing request of his grandson that returns him to a fraught period in his life, rekindling the memory of three distant, stormy, passionate days in Naples in the 1950s. This request alters not only Ernest Bloom's life but also the lives of others, both close and distant. The book raises many questions: How can three days of bliss be weighed against an entire life, and what is love, after all? How does an author find her place in the lives of her characters? And perhaps the most heartbreaking question of all - is it possible to die of happiness?The author's two previous books, Amstel (shortlisted for the prestigious Sapir Prize, 2008) and The Sand Dunes of Paris, were received with critical acclaim, have been translated into English and were awarded national and international prizes: "Arabesque," from Amstel, won first prize in UNESCO's international Mediterranean Short Story Competition; The Sand Dunes of Paris was awarded the Hebrew Literature Translation Prize by the Israel Ministry of Culture. Hotel Malta was awarded the Hebrew Literature Translation Prize in 2016. Go, Pave the Sea, her most political novel, will be published soon (Autumn 2017).

The award-winning author of Minor Characters writes with delicious transparency about a love that cannot be harnessed and a woman who refuses to be deceived In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg-the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp. While Conrad radiates positive energy, he is unable to tell Molly-or anyone who loves him-the truth. No longer the wronged wife, Molly now finds herself the Other Woman. She is sharing Conrad with Roberta, another refugee from marriage-with Conrad's movements between the two of them disguised by his suspiciously frequent out-of-town engagements. Roberta either knows nothing or prefers to look the other way, but Molly's maddening capacity for double vision takes over her mind. What saves her from herself is her well-developed sense of irony, which never fails her-or the reader. "Ironic, witty and always graceful." -Marilyn French, author of The Women's Room "Johnson . . . reveals a knack for lyric bitterness." -Kirkus Reviews "Another superb novel of feminine risk-taking." -Ann Douglas " Bad Connections] is controlled, smooth, deftly written: it evokes scene and character with admirable sure swiftness. . . . Joyce Johnson's touches are all true." -Harper's Magazine "Joyce Johnson is a writer of wit and perception . . . and she has a keen eye for the irony of modern life." -The New York Times Book Review "Often funny, sometimes cathartically angry, always skillful in rendering the small, excruciating moments that add up to the misery of love gone bad." -The Village Voice "The new literature of the aggrieved woman has produced something here quite memorable, a sad, beautiful casebook of unrequited love, unrequited humanity." -E. L. Doctorow "Painfully perceptive, psychologically accurate." -Judith Rossner "A subtle, witty, rueful tour de force of that strange new territory which all of us now inhabit: modern women's modern lives." -Barbara Probst Solomon Joyce Johnson was born in 1935 in New York City, the setting for all her fiction: Come and Join the Dance, recognized as the first Beat novel by a woman writer, Bad Connections, and In the Night Caf . She is best known for her memoir Minor Characters, which won the National Book Critics Circle Award in 1983 and dealt with coming of age in the 1950s and with her involvement with Jack Kerouac. She has published two other Beat-related books: Door Wide Open: A Beat Love Affair in Letters, and The Voice Is All: The Lonely Victory of Jack Kerouac. She has also written a second memoir, Missing Men, and the nonfiction title What Lisa Knew: The Truths and Lies of the Steinberg Case.