Winner of the National Jewish Book Award · New York Times Bestseller "A brilliant and heart-wrenching book, with universal and timely lessons about the power of information--and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . . Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear. In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom--among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope. And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more. This is the story of a brilliant yet troubled man--a gifted "escape artist" who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

A leading authority's panoramic history compares the experiences of immigrant-ethnic groups, African-Americans, and Native Americans to each other and in relation to the national political culture. Winner of the John Hope Franklin Prize (1991) Winner of the Theodore Saloutos Award from the Immigration History Society (1993) Do recent changes in American law and politics mean that our national motto — e pluribus unum — is at last becoming a reality? Lawrence H. Fuchs searches for answers to this question by examining the historical patterns of American ethnicity and the ways in which a national political culture has evolved to accommodate ethnic diversity. Fuchs looks first at white European immigrants, showing how most of them and especially their children became part of a unifying political culture. He also describes the ways in which systems of coercive pluralism kept persons of color from fully participating in the civic culture. He documents the dismantling of those systems and the emergence of a more inclusive and stronger civic culture in which voluntary pluralism flourishes. In comparing past patterns of ethnicity in America with those of today, Fuchs finds reasons for optimism. Diversity itself has become a unifying principle, and Americans now celebrate ethnicity. One encouraging result is the acculturation of recent immigrants from Third World countries. But Fuchs also examines the tough issues of racial and ethnic conflict and the problems of the ethno-underclass, the new outsiders. The American Kaleidoscope ends with a searching analysis of public policies that protect individual rights and enable ethnic diversity to prosper. Because of his lifelong involvement with issues of race relations and ethnicity, Lawrence H. Fuchs is singularly qualified to write on a grand scale about the interdependence in the United States of the unum and the pluribus. His book helps to clarify some difficult issues that policymakers will surely face in the future, such as those dealing with immigration, language, and affirmative action.

The award-winning, bestselling author of While Canada Slept gives his view of a country wasted on Canadians. What is national character? What makes the Americans, the British, the French, the Russians, and the Chinese who they are? In this homogenized world, where globalization is a byword for a deadening sameness, why do peoples who live in the same region, use the same money, read the same books, and watch the same movies remain different from one another? As much as Canada may be seen as a copy, clone, or colony of America, we are unquestionably distinctive. It is a result of our geography, history, and politics. It comes from our demography and prosperity. Most of all, it comes from our character. In The Unfinished Canadian , Andrew Cohen delves into our past and present in search of our defining national characteristics. He questions hoary shibboleths, soothing mythologies, and old saws with irreverence, humour, and flintiness, unencumbered by our proverbial politeness (itself a great misperception) and our suffocating political correctness. We are so much, in so many shades, and it’s time we took an honest look at ourselves. In this provocative, passionate, and elegant book, Cohen argues that our mythology, our jealousy, our complacency, our apathy, our amnesia, and our moderation are all part of the unbearable lightness of being Canadian.