"The Pope at War is the third in a trilogy of books about Pope Pius XII's response to the rise of Fascism and Nazism. It tells the dramatic story of Pope Pius XII's struggle to respond to the Second World War, the Holocaust, and the ongoing Nazi attempts to exterminate the Jews of Europe. It is the first book dealing with the war to make extensive use of the newly opened Vatican archives for the war years. It is based, as well, on thousands of documents from the Italian, German, French, British, and American archives. Among the many new discoveries brought to light is the discovery that within weeks of becoming pope in 1939, Pius XII entered into secret negotiations with Hitler through Hitler's emissary, a Nazi Prince who was married to the daughter of the King of Italy and who was very close to Hitler. The negotiations were kept so secret that not even the German ambassador to the Holy See was informed of them. The book also offers new insight into the thinking behind Pius XII's decision to maintain good relations with the German government during the war, including keeping the Germans happy while they occupied Rome in 1943-44. And throughout, David I. Kertzer shows the active role of the Italian Church hierarchy in promoting the Axis war while the pope, who as bishop of Rome was responsible for the Italian hierarchy, offered his silent blessings and cast his public speeches in such a way that both sides could claim support for their cause"--

Between the Middle East and the Americas: The Cultural Politics of Diaspora traces the production and circulation of discourses about "the Middle East" across various cultural sites, against the historical backdrop of cross-Atlantic Mahjar flows. The book highlights the fraught and ambivalent situation of Arabs/Muslims in the Americas, where they are at once celebrated and demonized, integrated and marginalized, simultaneously invisible and spectacularly visible. The essays cover such themes as Arab hip-hop's transnational imaginary; gender/sexuality and the Muslim digital diaspora; patriotic drama and the media's War on Terror; the global negotiation of the Prophet Mohammad cartoons controversy; the Latin American paradoxes of Turcophobia/Turcophilia; the ambiguities of the bellydancing fad; French and American commodification of Rumi spirituality; the reception of Iranian memoirs as cultural domestication; and the politics of translation of Turkish novels into English. Taken together, the essays analyze the hegemonic discourses that position "the Middle East" as a consumable exoticized object, while also developing complex understandings of self-representation in literature, cinema/TV, music, performance, visual culture, and digital spaces. Charting the shifting significations of differing and overlapping forms of Orientalism, the volume addresses Middle Eastern diasporic practices from a transnational perspective that brings postcolonial cultural studies methods to bear on Arab American studies, Middle Eastern studies, and Latin American studies. Between the Middle East and the Americas disentangles the conventional separation of regions, moving beyond the binarist notion of "here" and "there" to imaginatively reveal the thorough interconnectedness of cultural geographies.