"When Ernest Hemingway died on July 2, 1961, Mary Hemingway asked the Hemingway's good friend, journalist Leonard Lyons, to announce the death of the Nobel Prize-winner to stunned readers and admirer everywhere. Both Hemingways admired Lyons for his fidelity to the truth, that "he would get the story right." (As it turns out the "truth" was not quite what it seemed, since Mary initially denied that her husband's death was suicide.) This memoir recounts the quarter-century long friendship between Hemingway and Leonard Lyons, which eventually came to include Lyons's wife and three sons. In this short book Jeffrey Lyons recounts visits to Hemingway in Cuba (where "Papa" first taught him how to shoot a gun) as well as nights out with the great writer at such popular New York watering holes as the Stork Club and Toots Shor's. Throughout the book Hemingway comes across as a hard-working, generous, and thoughtful man of letters, and not the gruff, hard drinking beast perpetually looking for a fight that he was often perceived as. This is a book about friendship, loyalty, and trust between a famed novelist and a working journalist and his family"--

A. E. Hotchner did not come to the task of adapting Hemingway's seven-page short story "After the Storm" with apparent disadvantages. After all, he personally knew Ernest Hemingway; he had traveled with him to Paris, Pamplona, Venice, the Riviera. He had studied Hemingway's work and already adapted for the television or movie screen fifteen of the Nobel Prize–winning writer's works, including For Whom the Bell Tolls. Still, in the matter of adaptation, as Hotchner shows in the essay that opens this volume, close familiarity with an artist's work or personality does not necessarily simplify the challenge to the adapter. In addition to Hotchner's essay, which identifies the problems posed by adaptations of works not written for the screen, the book includes the complete texts of both Hemingway's story and the screenplay that converts it into a full-length feature film—making this volume invaluable to film students, movie fans, screenwriters, and Hemingway readers alike.