Winner of the Nobel Peace Prize Night is one of the masterpieces of Holocaust literature. First published in 1958, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Elie Wiesel writes of their battle for survival and of his battle with God for a way to understand the wanton cruelty he witnesses each day. In the short novel Dawn (1960), a young man who has survived World War II and settled in Palestine joins a Jewish underground movement and is commanded to execute a British officer who has been taken hostage. In Day (previously titled The Accident , 1961), Wiesel questions the limits of conscience: Can Holocaust survivors forge a new life despite their memories? Wiesel’s trilogy offers insights on mankind’s attraction to violence and on the temptation of self-destruction. A Hill & Wang Teacher's Guide is available for this title.

WINNER OF THE 2025 NOBEL PRIZE Now in paperback, the capstone to Krasznahorkai’s four-part masterwork, and winner of the 2019 National Book Award for Translated Literature Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor―a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town?offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

The Piano Teacher, the most famous novel of Elfriede Jelinek, who was awarded the 2004 Nobel Prize in Literature, is a shocking, searing, aching portrait of a woman bound between a repressive society and her darkest desires. Erika Kohut is a piano teacher at the prestigious and formal Vienna Conservatory, who still lives with her domineering and possessive mother. Her life appears to be a seamless tissue of boredom, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night to watch live sex shows and sadomasochistic films. Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first, but then the dark passions roiling under the piano teacher's subdued exterior explode in a release of sexual perversity, suppressed violence, and human degradation. Celebrated throughout Europe for the intensity and frankness of her writings and awarded the Heinrich Böll Prize for her outstanding contribution to German letters, Elfriede Jelinek is one of the most original and controversial writers in the world today. The Piano Teacher was made into a film, released in the United States in 2001, was awarded the Grand Jury Prize at Cannes.

Nobel Prize winner Isacc Bashevis Singer wrote both autobiographical and fantasy tales for children which are deeply rooted in the lost cultural tradition of his native Poland. This very special collection combines the stories he wrote of his childhood with exuberant and timeless tales that can be included among the world's great folk literature.

Serialized in the late 1950s, "Shadows on the Hudson" was translated from Yiddish and published posthumously as a complete novel in 1998, receiving widespread literary acclaim. From the Upper West Side to Miami's pastel resorts, Shadows on the Hudson traces the intertwined destiny of survivors in the aftermath of the Holocaust. Nobel Prize-winning author Isaac Bashevis Singer has created a vibrant, resonant, and provocative cast of characters in search of answers to life's greatest dilemmas, challenges, and ironies.

Twenty stories from the Nobel Prizewinner, including "Disguised," a transvestite tale of the yeshiva student whose deserted wife finds him dressed as a woman and married to a man, and the title story, which portrays Methuselah at the age of 969 -- "and when you pass your nine hundredth birthday, you are not what you used to be."

"Superb...a series of masterly drawn glimpses into the storymaking art of one of Africa's great modern literary geniuses." -Alan Cheuse, NPR A selection of short stories written to date by Nobel Laureate Nadine Gordimer, Life Times reveals her acute understanding of human nature and paints a fascinatingly original portrait of South Africa. Whether focusing on politics, sexuality, race, love, or loss, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. Complex and multifaceted, her stories challenge us, time and again, to examine the conflict between our actions and our unspoken desires. This powerful collection, which includes two new stories, is a testament to Gordimer's literary genius and the ongoing power and relevance of her vision.

Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Tales represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years. Returning to a lifetime of nonfiction work has become an extraordinary experience for Gordimer. She takes from one of her revered great writers, Albert Camus, the conviction that the writer is a "responsible human being" attuned not alone to dedication to the creation of fiction but to the political vortex that inevitably encompasses twentieth- and twenty-first-century life. Born in 1923, Gordimer, who as a child was ambitious to become a ballet dancer, was recognized at fifteen as a writing prodigy. Her sensibility was as much shaped by wide reading as it was to eye-opening sight, passing on her way to school the grim labor compounds where black gold miners lived. These twin decisives-literature and politics-infuse the book, which includes historic accounts of the political atmosphere, firsthand, after the Sharpeville Massacre of 1960 and the Soweto uprising of 1976, as well as incisive close-up portraits of Nelson Mandela and Desmond Tutu, among others. Gordimer revisits the eternally relevant legacies of Tolstoy, Proust, and Flaubert, and engages vigorously with contemporaries like Susan Sontag, Octavio Paz, and Edward Said. But some of her most sensuous writing comes in her travelogues, where the politics of Africa blend seamlessly with its awe-inspiring nature-including spectacular recollections of childhood holidays beside South Africa's coast of the Indian Ocean and a riveting account of her journey the length of the Congo River in the wake of Conrad. Gordimer's body of work is an extraordinary vision of the world that harks back to the sensibilities-political, moral, and social-of Dickens and Tolstoy, but with a decidedly vivid contemporary consciousness. Telling Times becomes both a literary exploration and extraordinary document of social and political history in our times.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

The best kind of mystery, the kind that never stops haunting you. Entertainment Weekly A work of melancholic beauty . . . Sincere, shattering, magnificent. L Express In the stillness of his Paris apartment, Jean Daragane has built a life of total solitude. Then a surprising phone call shatters the silence of an unusually hot September, and the threatening voice on the other end of the line leaves Daragane wary but irresistibly curious. Almost at once, he finds himself entangled with a shady gambler and a beautiful, fragile young woman, who draw Daragane into the mystery of a decades-old murder. The investigation will force him to confront the memory of a trauma he had all but buried. This masterly novel penetrates the deepest enigmas of identity and compels us to ask whether we ever know who we truly are. Moody . . . Lyrical . . . A pleasure. Kirkus Reviews A writer unlike any other and a worthy recipient of the Nobel. Wall Street Journal Patrick Modiano is the author of more than twenty novels, including several bestsellers. He has won the Prix Goncourt, the Grand Prix National des Lettres, and many other honors. In 2014 he was awarded the Nobel Prize in literature. He lives in Paris. "

A haunting novel that probes the enigmas of time and memory, by Nobel Prize-winning author Patrick Modiano "Polizzotti's crisp and evocative translation keeps the reader hooked."-- Publishers Weekly In his acclaimed semi-autobiographical novella Suspended Sentences , Patrick Modiano recounted a dramatic season in his childhood, of the home he shared with sinister surrogate parents, the mysterious events that took place there, and an infamous heist that was never solved. In Scene of the Crime , Modiano conjures the aftermath of those years. A decade has passed, and Jean Bosmans, now in his early twenties, becomes aware of a set of disturbing coincidences involving an elusive woman, his childhood home, and a host of disquieting characters who seem inordinately interested in his past, for reasons he can't fathom. As he journeys into the echoes of memory, past and present become increasingly intertwined, forming a web spanning half a century. With the taut suspense of a detective novel, this book slowly peels away layers of time and forgetfulness to reveal the haunting, threatening, ultimately tragic legacies of what we think we know about our lives.

This award-winning novel is "a delightful, inventive tale" about the pursuit of love and literary fame from "a compassionate and witty satirist" ( Kirkus Reviews ). It's the opportunity of a lifetime for middle-aged Ezra Shultish--a chance to the meet his literary hero, Nobel Laureate Bar Nun, a writer Ezra has worshipped for most of his career as a teacher and translator. Hoping to get a recording of the author reading his story, The Yemenite Girl , Shultish travels to Israel, where he finds himself pursuing his own Yemenite girl, as well as the elusive author. But will Ezra get the girl--or his own glimpse of literary fame? Winner of the Edward Lewis Wallant Book Award, The Yemenite Girl is Curt Leviant's comic novel on the nature of celebrity and the relationship between life and art. "Shultish is a man with a life of his own. . . . And the celebrity, too, is remarkably drawn. . . . [The book] is done with great tact, feeling, and skill." --Saul Bellow, Pulitzer Prize- and Nobel Prize for Literature-winning author "A passionate story . . . The charm of the text and the intensity of the subtext is what keeps the pages turning." -- The New York Times Book Review "Good comic writing and satire on the Hebrew literary scene with its jealous politicking for literary prizes." -- The Washington Post