In the field of mad science, women have for too long been ignored, their triumphs misattributed to mere men. Society has seen the laboratory as the province of men. Jacob's Ladder electric arcs, death rays, even test tubes have phallic connotations, subliminally reinforcing the patriarchy. The mother of Mary Shelley, author of Frankenstein, advocated that women appear more masculine to earn respect. If Marie Curie had been allowed to develop her Atomic Gendarmerie for the Institut du radium, surely she would have been awarded her third Nobel Prize, for Peace. Thankfully, the women working to dangerous and/or questionable ends in the pages of Daughters of Frankenstein are unafraid of the patriarchy--indeed, as lesbian mad scientists, they prefer the company and comforts of their own gender. Androids? Pfeh, the gynoid is superior. Etheric dynamos have a more pleasing design, one that is vulvar, than Tesla coils. Eighteen imaginative, if not insane, women; eighteen stories told by some of the finest writers working in queer speculative fiction: Traci Castleberry, Sean Eads, Gemma Files, Amy Griswold, and Melissa Scott.

"America's most interesting and important essayist." --Eric Kandel, Nobel Prize-winning author of The Age of Insight "[Gerald Weissmann] bridges the space between science and the humanities, and particularly between medicine and the muses, with wit, erudition, and, most important, wisdom." --Adam Gopnik Epigenetics, which attempts to explain how our genes respond to our environment, is the latest twist on the historic nature vs. nurture debate. In addressing this and other controversies in contemporary science, Gerald Weissmann taps what he calls "the social network of Western Civilization," including the many neglected women of science: from the martyred Hypatia of Alexandria, the first woman scientist, to the Nobel laureates Marie Curie, Christiane Nüsslein-Volhard, and Elizabeth Blackburn, among other luminaries in the field. Always instructive and often hilarious, this is a one-volume introduction to modern biology, viewed through the lens of contemporary mass media and the longer historical tradition of the Scientific Revolution. Whether engaging in the healthcare debate or imagining the future prose styling of the scientific research paper in the age of Twitter, Weissmann proves himself as an incisive cultural critic and satirist. Gerald Weissmann (August 7, 1930 - July 10, 2019) was a physician, scientist, editor, and essayist whose collections include The Fevers of Reason: New and Selected Essays ; Epigenetics in the Age of Twitter: Pop Culture and Modern Science ; Mortal and Immortal DNA: Science and the Lure of Myth ; and Galileo's Gout: Science in an Age of Endarkenment .