Andrew Vachss called "Devil in a Blue Dress," Walter Mosley's debut mystery featuring Easy Rawlins, a tough black private detective in L.A.'s Watts section, "the most self-assured, uniquely-voiced first novel I've ever read." The "Wall Street Journal" said of its sequel, "A Red Death": "Remarkable...proves Mr. Mosley's debut was no fluke." Readers and critics agree that Walter Mosley is writing novels fit to stand alongside the giants of the L.A. hardboiled tradition.

We thought we'd seen the last of Easy Rawlins at the end of BLONDE FAITH. But it takes more than an oncoming car to stop LA's finest PI. As Easy wakes from his coma, the last thing he needs is an investigation. But a friend's son is in trouble and old habits die hard. So Easy wades into the squats, clubs and LSD dens of Sunset Boulevard, trying to find the missing boy, Evander. What he discovers will take him on a journey into the dark underbelly of 1960s culture, where Evander's disappearance is only one piece of a far larger puzzle... LITTLE GREEN is Mosley's finest work since DEVIL IN A BLUE DRESS - a brilliant novel showing a world-class author reunited with his most beloved protagonist.

"A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman--Lutisha James, though she's gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy's own life, painfully closer to home." --

When Joe arrives in Boston and is mistaken for African-- rather than African American-- he quickly discovers that letting the illusion stand generates magic. A job, a place to live, even a kind of deference he's never known before are suddenly casually endowed upon him, a man who surely must have a closer connection to life's hidden possibilities. Central Square bustles with the complexities and contradictions of today's urban existence as it tells what happens when the enigmatic Joe meets up with several other disparate characters. There is Paula, the social worker whose loneliness is intensified with each sad story she hears; Eric, the writer who struggles in a world that ignores his work and whose wife has abandoned him for pregnancy; the mysterious community group that has posted titillating "feel-good" signs around the city. As characters collide with circumstances, and each other, George Packer's bold novel explores the conflict between personal desires and social constraints, and the unattainable balance between private life and the life of a community. Unafraid to expose the difficult truths about contemporary society, Central Square asks how we can find something decent to which to commit our lives.

Lester (The Last Tales of Uncle Remus, 1994, etc.) offers a potentially controversial and intimate account of the life and death of a black civil rights leader as told 25 years later by the leader himself and the people who loved him. John Calvin Marshall—a fictional Martin Luther King Jr.- -speculates about the movement he led and its unintended consequences. Were the costs too high? As John grapples with this question, three casualties of the movement assess its cost to their own lives in an effort to free themselves from John's burdensome legacy: Andrea, the wife who resented his work during his lifetime and became a national symbol of it as his widow; Lisa Adams, John's white personal secretary and lover who lost everything when he died and she was thrust from the movement; and Bobby Card, the black organizer who sacrificed his youth and sanity for love of John. The three of them are reunited as Andrea lies dying of a stroke in a hospital in Nashville. Lisa leaves her mountain in Vermont to sit with the comatose Andrea and ask for forgiveness and perhaps for permission to move on. Amazingly, Andrea is able to give her both and, at the same time, free herself. In her turn, Lisa helps Bobby forgive himself for not hating whites enough, a terrible weakness in his mind. Lisa and Bobby leave each other with real hope for the future. The future of the movement is more doubtful, however, just as its past is ambiguous. The answer to John's original question is never stated explicitly, but perhaps hope can be found in the Andrea-Lisa-Bobby microcosm. Ultimately, however, Lester leaves John Calvin Marshall's question unanswered because it is unanswerable. A forceful and startling look into the minds and hearts of those involved in the civil rights movement, this novel raises compelling questions about the successes and failures of that movement. -