This book constitues the first attempt of its kinds to probe the major features of modern Japanese organization that have played such a critical role in Japan's extraordinarily rapid economic development. The contributors inclue prominent academic business consultants such a Peter Drucker of the United states and Kazuo Noda of Japan; Japanese government officials such as Yoshihisa Ojimi, former Administrative Vice-Minister of the Ministry of International Trade and Industry, and Taishiro Shirai, a member of the Central Labor Relations Commission; as well as outstanding Western experts on modern Japanese organization. The essays deal not only with Japanese government and business but also with teh structures of a newspaper and a university and with the role of Japanese intellectuals in modern organization. The portrait of Japanese organization that emerges is much more dynamic and volatile than has been generally supposed. One finds business and government managers creatively using so-called "traditional practices" in novel ways and undertaking bold departures to achieve new purposes. The findings contradict the view that decision sten from below. Not only do executive have an important role in initiating action; but lower-level officials function within a context defined by their superiors. Far greater tensions and conflict exist within organizations than is commonly reported by outsiders, especially in institutions like the university where conflicts often paralyze the decision-making process. Similarly, there is far greater divergence of interest among different sectors of society than one might infer from the stereotypical view of "Japan, Inc." And since the high level of consensus supporting the fundamental commitment to economic growth is now weakening increasing divergence may be anticipated in the future. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.

Dissecting the complexities of living under a spiritual microscope, The Fakir follows Rudra, a hippie ripe with plans of suicide whose sudden rescue of an old man who strikingly resembles Sai Baba lends to a contemplative relationship of excavating truths and mysteries related to life.Rudra doesn t love anything and is in fact much in need of spiritual or medical help. He is a hippie inclined to live out of haversacks in small and dingy hotels and swigging down malt whiskey. However, this young man finds that everything in his life is changed due to a chance encounter. While driving along the highway, he comes upon an old man lying in a pool of his own blood. In a moment of conscientiousness that the traffic around him doesn t bother to acknowledge, he rushes forward to the old man's aid. There and then in an embrace, Rudra notes the resemblance this man shares with the Shirdi Sai Baba. The novel is an empathetic symbol of spirituality and life as the old man makes the hapless protagonist realize several truths about the metaphysics of the world. The dialogues that are written between the sage and disciple are at the heart of this novel and Bharucha brings a fascinating narrative to life. Karma, divinity, praying, and spirit communication among the broader entities of faith, forgiveness, and energy are all demystified to both the lay reader and the hippie. Most importantly, this book dwells upon the antenna that connects every individual to its master and how the act of goodness is necessary to inculcate a more attuned relationship with that figure of authority. The book stretches across the length of mysticism and spirituality and Bharucha triumphs in his use of symbolism and generosity. The Fakir is the opening installment of a trilogy and was published in 2007. It received rave reviews and was the fourth book in top Indian best selling lists.