Bedridden after a freak accident, a novelist begins to question his own sanity as he moves through dreamlike memories of his own fictional characters.

Pittsburgh professor and author Grady Tripp is working on an unwieldy 2,611 page manuscript that is meant to be the follow-up to his successful, award-winning novel The Land Downstairs, that was published seven years earlier. On the eve of a college-sponsored writers and publishers weekend called WordFest, two monumental things happen to Tripp: his wife walks out on him, and he learns that his mistress, who is also the chancellor of the college, Sara Gaskell, is pregnant with his child. To top it all off, Tripp finds himself involved in a bizarre crime involving one of his students, an alienated young writer named James Leer. During a party, Leer shoots and kills the chancellor's dog and steals her husband's prized Marilyn Monroe collectible: the jacket worn by the starlet on her wedding day to Joe DiMaggio. -- Wikipedia.

Leo Gursky is trying to survive a little bit longer, tapping his radiator each evening to let his upstairs neighbor know he's still alive, drawing attention to himself at the milk counter of Starbucks. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And although he doesn't know it, that book also survived: it crossed oceans and generations, and changed lives. Fourteen-year-old Alma was named after a character in that book. She has her hands full keeping track of her little brother Bird (who thinks he might be the Messiah) and taking copious notes in her book, How to Survive in the Wild Volume Three. But when a mysterious letter arrives in the mail she undertakes an adventure to find her namesake and save her family. In her extraordinary new novel Nicole Krauss has created some of the most memorable and moving characters in recent fiction. A tale brimming with laughter, passion, and soaring imaginative power, The History of Love confirms Krauss as one of the most remarkable writers of her generation.

A dark, brilliant novel of astonishing pitch, set in Provincetown, a “spit of shrub and dune” captured here in the rawness and melancholy of the off-season, Tough Guys Don’t Dance is the story of Tim Madden, an unsuccessful writer addicted to bourbon, cigarettes, and blonde, careless women with money. On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat. Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence—physical, sexual, and emotional—but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream—ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den’s father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics. Tough Guys Don’t Dance represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes of machismo and homosexuality been so well explored.

Jacqueline Susann broke all the rules. Her life was flamboyant, outrageous, a mile-a-minute trip through the gossip columns and casting couches of the entertainment world. At 50, she knew herself a failure. She had missed the brass ring and now lived under a possible death sentence. It was then that she wrote the novel that would become one of the bestselling novels of all time--VALLEY OF THE DOLLS. LOVELY ME gives us the real woman behind the legends and the lies. She was amoral, loving, vulgar, brilliant, intensely loyal and capable of viciousness--a woman who lived at full throttle and without regret. She may shock you, but one thing is You will never forget her.

Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.

Enraged about the literary successes of his ex-girlfriend and her new lover, Ian, an aspiring writer and coffee shop employee, becomes involved in a scheme to pen a bogus memoir and discovers unsettling industry hypocrisies.

Dramatic Comedy / 2mWhat if all your dreams came true. . . for your best friend? The Four of Us follows Ben whose first novel vaults him into literary stardom and his friend David a struggling playwright who is thrilled by Ben's success. . . and crushed by it. From the dreams of aspiring youth to the realities of adulthood this poignant two-man comedy explores friendship and memory the gap between our hopes and our lives and the struggles between our egos and our capacity to love.An extreme"

"Master stylist Begley continues the story of Jack Dana, the former Marine Corps officer turned novelist whose quest to avenge his murdered uncle takes a new, more dangerous turn. The man who brutally murdered Uncle Harry is dead. In an effort to recover from the confrontation and collect himself, Jack takes refuge on Torcello, a small island in the Venetian lagoon, to return to his writing career. Even more urgently, he wants to win back Kerry, the beautiful lawyer who rejected him after the bloody episode with Harry's assassin. But events beyond Jack's control intervene: Kerry loses her life in circumstances that contradict everything Jack thinks he knew about her. Soon death begins to stalk Jack himself. It is impossible not to recognize in its drumbeat the machinations of Abner Brown, the man who orchestrated Harry's demise. Jack fights back, driven by cold rage and determination to complete his revenge. At his side is Kerry's best friend, the glamorous and enigmatic Heidi Krohn. Their quest will force Jack to plumb the abyss of depravity into which Kerry had sunk and face one of his fellow Marines who has embarked on a violent feud of his own. Reprising memorable characters from Killer, Come Hither and introducing dangerous new ones, Begley concludes Jack's harrowing vendetta with one last shocking twist"--

"A collection of essays from a "great poet-critic-intellectual" (Daily Beast). In these brilliant, wide-ranging essays, published over the last seven years in the New Republic, The New Yorker, and elsewhere, renowned American critic Adam Kirsch explores the intersection of literature with larger questions about ideas, history, and society. Kirsch has been described as "elegant and astute . . . [a] critic of the very first order" (Michiko Kakutani, New York Times). In Rocket and Lightship he examines the work and lives of writers past and present, from intellectuals Susan Sontag, Hannah Arendt, and Walter Benjamin to novelists including E. M. Forster, David Foster Wallace, and Zadie Smith. Kirsch quotes G. M. Hopkins: "Nor rescue, only rocket and lightship, shone." So, according to Kirsch, shines literature: as an unattainable speed, as a moving beacon. Taken together, the provocative and bold essays in Rocket and Lightship show how literature can illuminate questions of meaning, ethics, and politics, and how those questions shape the way we take pleasure in art" --

Max Brod, a successful novelist, was a boyhood companion of Kafka's and remained closely tied to him until Kafka's death in 1924. He was undoubtedly the one man whom Kafka trusted more than any other, and it is to Brod, as his literary executor and editor, that we are indebted for rescuing and bringing to light Kafka's work. Out of a lifelong devoted friendship, Brod drew this account of Kafka's youth, family and friends, his struggle to recognize himself as a writer, his sickness, and his last days. Franz Kafka gives us not only a more vivid and lifelike picture of Kafka than that painted by any of his contemporaries, but also a fascinating portrayal of the complicated interaction between two writers of different temperaments but similar backgrounds who together helped shape the future of twentieth-century literature.

Revisits moments of the author's past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women--Geneviève, Martine, Madeleine, a certain Madame Huberson--in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become.

Lloyd has a particular set of skills. He writes the small print for prescription drugs, marital aids, and incontinence products. The clients present him with a list of possible side effects. His job is "to "ecite and minimize", sometimes by just saying them really fast and other times by finding the language that can render them acceptable. The results are ingenious. The methods diabolical. Lloyd has a habit too. He cops smack during coffee breaks at his new job writing copy for Christian Swingles, an online dating service for the faithful. He finds a precarious balance between hackwork and heroin until he encounters Nora, a mysterious and troubled young woman, a Sylvia Plath with tattoos and implants, who asks for his help. Lloyd falls swiftly in love, but Nora bestows her affections at a cost. Before Lloyd clears his head from the fog of romance, he finds himself complicit in Nora's grand scheme to horrify the world and exact revenge on those who poison the populace in order to sell them the cure.

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

Paperback edition of a novel first published in 1991, giving an account of one man's weekend encounter with insanity. The author has also written the award-winning autobiography TWhole Life', and several novels and short stories. His novel TFlying Home' was selected by the National Book Council as one of the 10 best Australian books of the decade.

Thrown Among the Bones -- My Life in Fiction is a candid account of Patricia Schonstein's creative, deeply lived life as a novelist. Annotated with extracts from her writings, this generous memoir welcomes you behind the scenes, into her Workshop and Costumery. She shows how her own life configures with the scaffolding of her fictions; how characters take up roles both archetypal and simple to tackle existential questions; and how urban landscapes and wilderness serve as the neon-spangled theatres of her story telling."--

"Approaching his fiftieth birthday, the narrator in "My Two Worlds" is wandering in an unfamiliar Brazilian city, in search of a park. A walker by inclination and habit, he has decided to explore the city after attending a literary conference--he was invited following the publication of his most recent novel, although, as he has been informed via anonymous e-mail, the novel is not receiving good reviews. Initially thwarted by his inability to transpose the two-dimensional information of the map onto the impassable roads and dead-ends of the three-dimensional city, once he finds the park the narrator begins to see his own thoughts, reflections, and memories mirrored in the landscape of the park and its inhabitants. Chejfec's "My Two Worlds"--an extraordinary meditation on experience, writing and space--is at once descriptively inventive and preternaturally familiar, a novel that challenges the limitations of the genre"--

Recounts the main events and relationships of Maugham's long life and analyzes most of the important plays, stories, novels, and essay collections, with a glance at film scripts and miscellanea