From the French intellectual, novelist, essayist, critic, and one of the greatest writers of the twentieth century: the second volume of Proust's monumental achievement Remembrance of Things Past , collecting The Guermantes Way and Cities of the Plain. In C. K. Scott Moncrieff's heralded original English translation, as revised by Terence Kilmartin based on the definitive French Pléiade edition. Marcel Proust's masterpiece is one of the towering literary works of the twentieth century. Relating its narrator's experiences in Belle Epoque France as he grows up, falls in love, and lives through the First World War, it has mesmerized generations of readers with its profound reflections on art, time, and memory.

"The long-awaited final volume in the acclaimed Penguin translation of Marcel Proust's In Search of Lost Time-one of the world's most beloved works of literature. "The greatest literary work of the twentieth century."-The New York Times. Ian Patterson's acclaimed new translation of Finding Time Again introduces a new generation of American readers to the literary riches of Marcel Proust. The seventh and final volume in Penguin Classics' superb new edition of In Search of Lost Time-the first completely new translation of Proust's masterpiece since the 1920s-brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In Finding Time Again, Marcel discovers his world destroyed by war and those he knew transformed by the march of time. An exquisite picture of France in the throes of the First World War, and containing, in the "Bal des têtes" sequence, one of Proust's most devastating set-pieces, Finding Time Again triumphantly describes the paradox of facing mortality yet overcoming it through the act of writing. As Marcel rediscovers his vocation, he realizes that he can live on by writing down the story of his own memories and of his quest to recapture the past"--

Intimate, enchanting and comedic, Family Lexicon is an unforgettable novel about memory, language, and the lasting power that family holds over all of us.

"Brent Spiner's explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of "Fandom.""--

Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.

"A stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the 20th century, now back in print for the first time since 1969. Sophie Blind is starting a new life. She has left her husband Ezra and taken her three children to Paris. She has lovers there and another in New York. She is lecturing and writing. And she is compulsively reviewing her own history, having resumed the "lifelong struggle" of "coming into consciousness." The task of reclaiming her existence is all the more urgent because, even as Sophie Blind undertakes this necessary transformation-Sophie Blind is dead. Dream and reality overlap in Divorcing, a book in which divorcing is not just a matter of marital collapse but names a rift that runs right through the inner and outer worlds of its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present day New York to her childhood in pre-World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions of Sophie's life now. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes's startlingly original novel was published in 1969 but largely ignored; after the author's tragic early death, it was forgotten. Its republication presents a chance to rediscover a dazzling intense and inventive writer whose work in many ways anticipates the fragmentary, glancing, lyrical novels that Renata Adler and Elizabeth Hardwick would write in the 1970s"--

Steps Under Water is a novel drawn from Alicia Kozameh’s experiences as a political prisoner in Argentina during the “Dirty War” of the 1970s.

A fictionalized memoir of the Spanish Civil War by the last commander of the Lincoln Brigade. The protagonist is Mitch Castle, a 21-year-old youth from Brooklyn who enrolls as a water carrier and rises to become the brigade commander. Against the background of trench warfare, the novel analyzes the bravery of non-military men who are fighting for a cause.

"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

Revisits moments of the author's past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women--Geneviève, Martine, Madeleine, a certain Madame Huberson--in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become.

""I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another--and further enriching our culture"--

"Moods by Yoel Hoffmann--"Isreal's celebrated avant-garde genius" (The Forward)--supplies the magic missing link between the infinitesimal and the infinite. Part novel and part memoir, Yoel Hoffmann's Moods is flooded with feelings--about his family, losses, loves, the soul's hidden powers, old phone books, and life in the Galilee, with its every scent, breeze, notable dog, and odd neighbor. Carrying these shards is a general tenderness accentuated by a new dimension brought along with "that great big pill of Prozac." Literature's so pathetic. We peddle fabric with a sun painted on it and no one even looks up... Beautifully translated by Peter Cole, Moods is fiction for lovers of poetry and poetry for lovers of fiction--a small marvel of a book and, with its pockets of joy, a curiously cheerful book by an author who once called himself "a praying mantis inclined to melancholy" --

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home. As Ben struggles to understand the full contours of his identity, Levy's coming-of-age novel offers an eloquent elegy to a lost time. From the vantage point of a privileged and alienated "outsider" (gaijin), A Room Where the Star-Spangled Banner Cannot Be Heard beautifully captures a heady, eventful moment in Japanese history. Ben's experiences virtually recreate Levy's own youth. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds that reach his ears. Eventually, the symbols and sensations take root, disproving the common assumption that foreigners can never really know Japanese language and culture. Through Ben's explorations, both he and the author break free from English and the constraints of being a "gaijin." Ben's character plays a leading role in each of the book parts: "A Room Where the Star-Spangled Banner Cannot Be Heard," "The End of November," and "One of the Guys."

A collection of interrelated short stories centering on the author's Egyptian family and ancestors exiled from Castile.

In this utterly unconventional, autobiographical novel, Mark Leyner gives a reading in the food court of a mall. Besides Mark's mother, who's driven him to the mall and introduces him before he begins, and a few employees of fast food chain Panda Express who ask a handful of questions, the reading is completely without audience. The action of Gone with the mind takes place exclusively at the food court, but the territory covered on these pages has no bounds. Existential, self-aware, and very much concerned with the relationship between a complicated mother and an even more complicated son, Leyner's story--with its bold, experimental structure--is a moving work of genius.--Amazon.com

"Drawing on the remarkable events of her own life, ... author and Holocaust survivor Edith Bruck tells the story of Ditke, a young Jewish girl living in Hungary during World War II"--Page 4 of cover.