Winner of the National Jewish Book Award · New York Times Bestseller "A brilliant and heart-wrenching book, with universal and timely lessons about the power of information--and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . . Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear. In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom--among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope. And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more. This is the story of a brilliant yet troubled man--a gifted "escape artist" who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

ONE OF THE NEW YORK TIMES BOOK REVIEW’ S 10 BEST BOOKS OF THE YEAR A Best Book of the Year: San Francisco Chronicl e, Seattle Times Winner of the Plutarch Award for Best Biography Penelope Fitzgerald, one of the most quietly brilliant novelists of the twentieth century, was a great English writer whose career didn’t begin until she was nearly sixty. Her life was marked by dramatic twists of fate, moving from a bishop’s palace to a sinking houseboat to a last, late blaze of renown. Her exquisite novels—short, spare masterpieces—would go on to win some of the most coveted awards in literature: the Booker Prize and the National Book Critics Circle Award. Now, in an impeccable match of talent between biographer and subject, Hermione Lee gives us this remarkable writer’s story.

New York Times Bestseller Now in paperback, the dishy, rollicking, and deeply personal story of what really happened in the 2016 election and since, as seen through the eyes of the New York Times reporter who gave eight years of her life to covering the First Woman President who wasn’t. “The Devil Wears Prada meets The Boys on the Bus.”—New York Times For nearly a decade, award-winning New York Times journalist Amy Chozick chronicled Hillary Clinton’s pursuit of the presidency. Chozick’s assignments, covering Clinton’s imploding 2008 campaign and then her front-row seat to the 2016 election on “The Hillary Beat,” set off a years-long journey in which the author’s formative twenties and thirties became, both personally and professionally, intrinsically intertwined with Clinton’s presidential ambitions. As Mrs. Clinton tried, and twice failed, to shatter “that highest, hardest glass ceiling,” Chozick was herself trying, with various fits and starts, to scale the highest echelons of American journalism. In this rollicking, hilarious narrative, Chozick takes us through the high- (and low-) lights of the most noxious and dramatic presidential race in American history. Chozick’s candor and clear-eyed perspective—from her seat on the Hillary bus and reporting from inside the campaign’s Brooklyn headquarters to her run-ins with Donald J. Trump—provide fresh intrigue and insights into the story we thought we all knew. This is the real story of what happened, with the kind of dishy, inside details that repeatedly surprise and enlighten. But Chasing Hillary is also the unusually personal and moving memoir of how Chozick came to understand Clinton not as an unknowable enigma and political animal, but as a complete, complex person full of contradictions and forged in the crucible of political battles that had long predated Chozick’s years covering her. And as Chozick gets engaged, married, buys an apartment, climbs the professional ladder, and inquires about freezing her eggs so she can have children after the 2016 campaign, she dives deeper into decisions Mrs. Clinton had made at similar points in her early career. In the process, Chozick develops an intimate understanding of what drives Clinton, how she accomplished what no woman had before, and why she ultimately failed. Clinton’s shocking defeat would mark the end of the almost imperial hold she’d had on Chozick for most of her professional life. But the results also make Chozick question everything she’d worked so hard for in the first place. Illuminating, poignant, laugh-out-loud funny, Chasing Hillary is a campaign book unlike any other that reads like a fast-moving political novel.

James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son , established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris , both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son , in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.

NEW YORK TIMES BESTSELLER • For anyone who wants to see how today’s best and brightest got it right, got it wrong, and came out on top. What was the tipping point for Malcolm Gladwell? What unscripted event made Meryl Streep who she is? In this inspiration-packed book, Katie Couric reports from the front lines of the worlds of politics, entertainment, sports, philanthropy, the arts, and business—distilling the ingenious, hard-won insights of leaders and visionaries, who tell us all how to take chances, follow our passions, cope with criticism, and, perhaps most important, commit to something greater than ourselves. Among the many voices to be heard here are financial guru Suze Orman on the benefits of doing what’s right, not what’s easy; director Steven Spielberg on listening rather than being listened to; quarterback Drew Brees on how his (literal) big break changed his life; and novelist Curtis Sittenfeld on the secrets of a great long-term relationship (she suggests marrying someone less neurotic than you); not to mention: • Michael Bloomberg: “Eighty percent of success is showing up . . . early.” • Eric Stonestreet: “Remember that the old lady who’s taking forever in line is someone’s grandma.” • Joyce Carol Oates: “Read widely—what you want to read, and not what someone suggests that you should read.” • Jimmy Kimmel: “When in doubt, order the hamburger.” • Apolo Ohno: “It’s not about the forty seconds; it’s about the four years, the time it took to get there.” • Madeleine K. Albright: “Never play hide-and-seek with the truth.” Along the way, Couric reflects on the good advice—and the missteps—that have guided her from her early days as a desk assistant at ABC to her groundbreaking role as the first female anchor of the CBS Evening News . She reveals how the words of Thomas Jefferson helped her deal with her husband’s tragic death from cancer, and what encouraged her to leave the security of NBC’s Today show for a new adventure at CBS. Delightful, empowering, and moving, The Best Advice I Ever Got is the perfect book for anyone who is thinking about the future, contemplating taking a risk, or daring to make a leap into the great unknown.

This critically acclaimed, explosive thriller is a book only prosecutor Linda Fairstein could write. Patricia Cornwall knows the morgue; John Grisham knows the courtroom; but no one knows the inner workings of the D.A.'s office like Linda Fairstein, renowned for two decades as head of Manhattan Sex Crimes Unit. Now that world comes vividly to life in a brilliant debut novel of shocking realism, powerful insight, and searing suspense. Alexandra Cooper, Manhattan's top sex crimes prosecutor, awakens one morning to shoking news: a tabloid headline announcing her own brutal murder. But the actual victim was Isabella Lascar, the Hollywood film star who sought refuge at Alex's Martha's Vineyard retreat. Was Isabella targeted by a stalker or -- mistaken for Alex -- was she in the wrong place at the wrong time? In an investigation that twists from the back alleys of lower Manhattan to the chic salons of the Upper East Side. Alex knows she'sin final jeopardy...and time is running out. She has to get into the killer's head before the killer gets to her.

Winner of three Oscars® and the highest grossing film of its time, Jaws was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's #1 best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, an actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in The Jaws Log, which was first published in 1975, generating 17 printings and selling more than 2 million copies. This new edition includes a photo section, a new introduction by Benchley, and a lengthy afterword by Gottlieb that updates the people and events involved in the film, ultimately providing a singular portrait of a famous movie and inspired moviemaking in process.

From the author of Doc Hollywood, the basis for the hit movie starring Michael J. Fox, Better Health Care for Less, High Blood Pressure, and Understanding Growth Hormone comes a hilarious novel based on the author's experiences as a young doctor. Dr. Shulman's comic personality launched him into a successful career in entertainment where he has been using humor as therapy in a unique one-man live traveling comedy show. His adventures have also included a United Nations peace mission to Cyprus.

"I wonder if Judy Blume really knows how many girls' lives she affected. I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along..." —from Everything I Needed to Know About Being a Girl I Learned from Judy Blume Whether laughing to tears reading Otherwise Known as Sheila the Great or clamoring for more unmistakable "me too!" moments in Are You There God? It's Me, Margaret , girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women , these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

New York Times bestselling author, Newbery Honor recipient, and National Book Award finalist Steve Sheinkin presents both the heroism and the treachery of one of the Revolutionary War's most infamous players in his biography of Benedict Arnold. Winner of the Boston Globe -Horn Book Award for Nonfiction Winner of the YALSA-ALA Award for Excellence in Young Adult Nonfiction Most people know that Benedict Arnold was America's first, most notorious traitor. Few know that he was also one of its greatest Revolutionary War heroes. Steve Sheinkin's accessible biography, The Notorious Benedict Arnold , introduces young readers to the real Arnold: reckless, heroic, and driven. Packed with first-person accounts, astonishing American Revolution battle scenes, and surprising twists, this is a gripping and true adventure tale from history. “Sheinkin sees Arnold as America's ‘original action hero' and succeeds in writing a brilliant, fast-paced biography that reads like an adventure novel...The author's obvious mastery of his material, lively prose and abundant use of eyewitness accounts make this one of the most exciting biographies young readers will find.” — Kirkus Reviews (starred review) “Several complex political, social, and military themes emerge, one of the most prominent being that within the Continental army, often simplistically depicted as single-minded patriots, beat hearts scheming with political machinations that are completely familiar today...Arnold's inexorable clash with Gates and his decision to turn traitor both chill and compel.” — Horn Book Magazine (starred review) Also by Steve Sheinkin: Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew - a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda , George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state - this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda . And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions - above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

Having recalled his life through the story of his physical self in Winter Journal , internationally acclaimed novelist Paul Auster remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior . In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . . From his baby's-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone's story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

"The modern novel in its most cogent and permanent form"--this has been the achievement of E. M. Forster; his masterpiece, A Passage to India, belongs with perhaps three or four other works in English at the pinnacle of literary craftsmanship in this century. Yet for many years Forster's genius was virtually unrecognized in America. Not until 1943, when Lionel Trilling's authoritative and discerning study was first published, did Forster find his way to a broad American audience. In this 1964 revision of the first paperbook edition, Mr. Trilling added a preface and brought the bibliography up to date. His book performs two services: it is a critical-biographical introduction to the master novelist and his works; it is in itself a primary document in the development of, contemporary American criticism. Here is criticism functioning at its best, deftly, surely, wittily, within a framework of the ideas which are basic to literary thought today.

A "lively" memoir by the Hollywood legend about the making of Spartacus , with a foreword by George Clooney ( Los Angeles Times ). One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus , Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood's moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus . Trumbo was one of the "Unfriendly Ten," men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas's source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era--but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.

Shockingly honest, richly detailed, and pulling no punches, Friends and Enemies traverses the highs and lows of Barbara Amiel's storied life in journalism and high society. From her early childhood in London during the Blitz to emigrating to North America and her rise to the top rungs of journalism; to her four husbands and other assorted beaus both famous and not; and right up to her marriage to Conrad Black and their prolific legal battles against the powerful and vengeful American justice system, Barbara Amiel's life has been as dramatic as it is glamorous. She has been called every conceivable name in the book by the media (and authors of unauthorized biographies about her), pilloried for her extravagant lifestyle and sometimes regrettable quotes to the press ("My extravagance knows no bounds," for instance, to Vogue ), not to mention her outspoken conservative political views as stated in her weekly newspaper columns around the world. It's no surprise she remains to this day a subject of utter fascination after over four decades in the public eye. But until now, very few people actually know her real story—the break-up of her family when she was a child, her bouts of debilitating depression and other chronic health issues, her thoughts on feminism and #MeToo, her travels with the international jet set and A-list celebrities, and, of course, her unvarnished views on the trial and conviction (since overturned) of Conrad Black and the iron-clad bond they have shared since they were married in 1992. Whether you are an admirer or critic of Amiel’s, you will be completely engrossed in her operatic life, one that seems ripped from the pages of a scandalous novel. She also distinguishes herself as a woman well ahead of her time—the first female editor of a national newspaper in Canada, she challenged the sexual mores of society while also angering the feminist establishment. She has certainly had many friends and enemies over the years—Henry and Nancy Kissinger, Elton John, Tom Stoppard, David Frost, Anna Wintour, Oscar de la Renta, Margaret Thatcher, Princess Diana, Marie Jose Kravis, to name but a few—and she brings these personalties into the spotlight in this larger-than-life memoir that is sure to cause a sensation with readers everywhere.

The final previously unpublished work from two-time winner of the Pulitzer Prize and winner of the National Book Award, Norman Mailer. Norman Mailer is one of America's most consequential public intellectuals of the postwar period. He cofounded the Village Voice , and he was the author of twelve novels, among them The Naked and the Dead and Harlot’s Ghost , as well as numerous works of nonfiction. He is truly one of the giants of American literature. Lipton's, A Marijuana Journal is the only work by Norman Mailer that has not been published previously. Written between 1954-55, from December to March, it contains many ideas he would develop in his later work. The journal includes daily musings, as well as thoughts profound. It is a must-read for Norman Mailer scholars, as well as literature professors. Lipton’s, A Marijuana Journal also includes never before published letters between Robert Lindner (author of Rebel Without a Cause , Prescription for a Reberllion , and The 50 Minute Hour) and Norman Mailer. They introduce the reader to Mailer’s state of mind during the time he was writing the journal and to the unique relationship he had with Dr. Lindner.

The letters Kafka addressed to the woman to whom he was twice engaged make up a collection of some of the most startling "love letters" of our time. They form a revealing record of five crucial years in his life and of his relationship to the one woman who decisively influenced his writing. These letters will take their place alongside Kafka's major novels and stories.

Two extraordinary men--Harry Houdini, a master of illusion who regarded his cr aft as the clever workings of the mind, and Sir Arthur Conan Doyle, beloved writer and firm believer in the occult--engage in a battle of wits to determine if there is life after death. Well-known actor William Shatner is the bestselling author of Teklords and Tekwar. Tobias penned Voice of the Planet.

An uproarious and frank memoir of illness and recovery, No Laughing Matter is a story of friendship and recuperation from the author of the classic Catch-22 . It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows , coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day—but within twenty-four hours he would be in intensive care at Manhattan's Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair. Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed—sometime artist, sometime businessman, sometime herring taster, and now a coauthor—moved into Joe's apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller's condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis. This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation—as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and greathearted as any fiction Joseph Heller ever wrote.