Fictional memoir of Dr. Max Aue, a former Nazi officer who survived the war and has reinvented himself, many years later, as a middle-class entrepreneur and family man in northern France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience the horrors of the Second World War and the Nazi genocide of the Jews in graphic, disturbingly precise detail from the dark and disturbing point of view of the executioner rather than the victim. During the period from June 1941 through April 1945, Max is posted to Poland, the Ukraine, and the Caucasus; he is present at the Battle of Stalingrad, at Auschwitz and Cracow; he visits occupied Paris and lives through the chaos of the final days of the Nazi regime in Berlin. Although Max is a totally imagined character, his world is peopled by real historical figures, such as Eichmann, Himmler, Göring, Speer, Heydrich, Hoss, and Hitler himself.

A new edition of a “dazzlingly seductive” fever dream written in “brilliant poetic vernacular” ( Bookforum ) by a beloved poet and cultural critic, now with an introduction by Rachel Kushner. For five years, concert pianist Theo Mangrove has been living at his family’s home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern France, he becomes obsessed with the idea that the Italian circus star Moira Orfei must join him there to perform alongside him. Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion. "If Debussy and Robert Walser had collaborated on an opera, it would sound like this. --John Ashbery

Five years of breakdown separate pianist Theo Mangrove’s last recital in Europe from his planned comeback in Aigues-Mortes, "the town of dead water." At home in tiny East Kills, NY, Theo begins jotting in 25 notebooks, purchased all at once and addressed to his mother. Theo’s wife, aside from servicing two of Theo’s twenty daily erections, will have nothing to do with him. The other eighteen—taken care of by male hustlers, random strangers in YMCA locker-rooms and naked piano students—contribute to Theo’s sense of dissolution as his "comeback" approaches. Overcome with the belief that Moira Orfei, queen of the Italian circus during the 1960’s, must perform with him, Theo begins to write to her and to pen what may or may not be her cryptic replies into his notebooks. In a fugue of notes and troubling memories, Theo prepares for Aigues-Mortes, struggling with Moira’s guidance towards one final, full celebration of "the partial, the flawed, the almost, the not quite." Peopled by piano playing relatives, prostitutes, muses and manipulators; poet and cultural critic Wayne Koestenbaum’s first novel shines a hot light on the treacherous crossroads of sex, death, family and popular culture.