Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins, "If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them." His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.

From #1 New York Times bestselling author Neil Gaiman, an ingenious and captivating reimagining of Rudyard Kipling's adventure The Jungle Book that is a glorious meditation on love, loss, survival, sacrifice, and what it means to truly be alive―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee. Nobody Owens, known to his friends as Bod, is a normal boy. He would have been completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy--an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer. But if Bod leaves the graveyard, then he will come under attack from the man Jack--who has already killed Bod's family. . . By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman's #1 national bestseller―winner of the Carnegie and Newbury Medals and the Hugo Award―is a "novel of wonder . . . a tale of unforgettable enchantment" (New York Times Book Review).

From #1 New York Times bestselling author Neil Gaiman, an outstanding array of short fiction that surveys the terrain between the illusory and the ordinary and reveals the terrors and wonders reflected in the funhouse mirrors of our dreams―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "He is a treasure-house of story, and we are lucky to have him." --Stephen King Spanning the realms of dark imagination, Smoke and Mirrors surveys the terrain between the illusory and the ordinary, treating readers to a gift of wonder and delight from one of the most unique literary artists of our time. The miraculous inventions contained herein - stories, novellas, and poems - reveal Gaiman to be a writer of immense talent and sophisticated invention. In his deft hands, magic is no mere illusion, but a powerful means of illumination, revelation, and reflection on what it means to be human. Poignant and haunting, humorous and unorthodox, Smoke and Mirrors is an outstanding array of short fiction from one of the world's most distinguished literary masters.

A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg’s beloved classic and Newbery Medal­–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler ! When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.

"My happiness is not the means to any end. It is the end. It is its own goal. It is its own purpose." ― Ayn Rand, Anthem Anthem has long been hailed as one of Ayn Rand's classic novels, and a clear predecessor to her later masterpieces, The Fountainhead and Atlas Shrugged. In Anthem, Rand examines a frightening future in which individuals have no name, no independence, and no values. Equality 7-2521 lives in the dark ages of the future where all decisions are made by committee, all people live in collectives, and all traces of individualism have been wiped out. Despite such a restrictive environment, the spark of individual thought and freedom still burns in him--a passion which he has been taught to call sinful. In a purely egalitarian world, Equality 7-2521 dares to stand apart from the herd--to think and choose for himself, to discover electricity, and to love the woman of his choice. Now he has been marked for death for committing the ultimate sin. In a world where the great "we" reign supreme, he has rediscovered the lost and holy word--"I." A True Classic that Belongs on Every Bookshelf!

Wouk's Pulitzer prize-winning novel of World War II, which was made into the Academy-Award nominated film of the same name.

Here is Cheryl, a tightly wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other peoples' babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense nonprofit organisation where she works. She believes they've been making love for many lifetimes, though they have yet to consummate it in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter, Clee, can move into her house for a while, Cheryl's eccentrically ordered world explodes. And yet it is Clee the selfish, cruel blond bombshell who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual obsession and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic, and important voice today.

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

ONE OF THE NEW YORK TIMES’ 100 BEST BOOKS OF THE 21ST CENTURY “A master novelist's haunting parable about our troubled modern moment." —The Wall Street Journal “By turns unnerving, hilarious, and sad. . . . It is a book that shows how the public zeitgeist can shape, even destroy, an individual's life." —The New York Times “The best novel he has written.” —The Times Literary Supplement It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk’s secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled.

Foreword by Neil Gaiman The world's leading Arthurian authority reimagines one of the most beloved and influential legends--the story of King Arthur and his Knights--for a new century in this gorgeous keepsake edition, illustrated with luminous full-color paintings and drawings by internationally acclaimed Tolkien artist John Howe. The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D'Arthur (The Death of Arthur). The Great Book of King Arthur brings these legends into the modern age, using accessible prose for contemporary readers for the first time. In addition to the stories in Morte D'Arthur, John Matthews includes many tales of Arthur and his knights either unknown to Malory or written in other languages, such as the story of Avenable, the girl brought up as a boy who becomes a famous knight; Morien, whose adventures are as fantastic and exciting as any found in Malory's work; and a retelling of the life of Round Table favorite Gawain, from his strange birth to his upbringing among the poor to his ascension to the highest position--Emperor of Rome. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. The epic hero is represented in such powerful stories as "The Adventures of Eagle-boy" and "The Coming of Merlin," which is based on the early medieval text Vita Merlini and tells a completely new version of the great enchanter's story. The Great Book of King Arthur includes 15 full-color paintings and 25 pencil drawings.

WINNER OF THE PULITZER PRIZE “One of the five best novels I have ever read, maybe the best. . . . It ranks with the greatest of American fiction." —Stephen King, The New York Times “An incandescent fiction. . . . Scintillates with more Rothian wit, paradox, eloquent tantrums, and absurd pitfalls than can be counted." —Los Angeles Times Book Review “The greatest of great American novels.” —Taffy Brodesser-Akner, The New York Times “Widely considered to be Roth's masterwork."—Esquire American Pastoral is an elegy for the American century's promises of prosperity, civic order, and domestic bliss. Roth’s protagonist is Swede Levov, a legendary athlete at his Newark high school who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father’s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede’s beautiful American luck deserts him. For Swede’s adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandish act of political terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the American berserk.

At the very end of the Ladies’ Frocks Departments, past Cocktail Frocks, there was something very special, something quite, quite wonderful; but it wasn’t for everybody: that was the point. Because there, at the very end, there was a lovely arch, on which was written in curly letters Model Gowns. Written by a superb novelist of contemporary manners, Ladies in Black is a fairytale which illuminates the extraordinariness of ordinary lives. The women in black are run off their feet, what with the Christmas rush and the summer sales that follow. But it’s Sydney in the 1950s, and there’s still just enough time left on a hot and frantic day to dream and scheme... By the time the last marked-down frock has been sold, most of the staff of the Ladies’ Cocktail section at F. G. Goode’s have been launched into slightly different careers. With the lightest touch and the most tender of comic instincts, Madeleine St John conjures a vanished summer of innocence. Ladies in Black is a great novel, a lost Australian classic.

Based on a harrowing true story, the groundbreaking #1 New York Times bestseller, Looking for Mr. Goodbar, is a story of love, power, sex, and death during the sexual revolution of the 1970s. Theresa Dunn spends her days as a schoolteacher whose rigid Catholic upbringing has taught her to find happiness by finding the right man. But at night, her resentment of those social mores and fear of attachment lead her into the alcohol-and-drug fueled underworld of singles’ bars, where she engages in a pattern of dangerous sexual activity that threatens her safety and, ultimately, her life. Looking for Mr. Goodbar is “uncommonly well-written and well-constructed fiction, easily accessible, but full of insight and intelligence and illumination” ( The New York Times Book Review ). With more than four million copies in print, this seminal novel—a lightning rod for controversy upon its publication—has become a cultural touchstone that has forever influenced our perception of social rebellion and sexual empowerment.

A coming-of-age classic about two Jewish boys growing up in Brooklyn in the 1940s, this “profound and universal” ( The Wall Street Journal ) story of faith, family, tradition, and assimilation remains deeply pertinent today. “Works of this caliber should be occasion for singing in the streets and shouting from the rooftops.” — Chicago Tribune It’s the spring of 1944 and fifteen-year-olds Reuven Malter and Danny Saunders have lived five blocks apart all their lives. But they’ve never met, not until the day an accident at a softball game sparks an unlikely friendship. Soon these two boys—one expected to become a Hasidic rebbe, the other at ease with secular America—are drawn into one another’s worlds despite a father’s strong opposition. Set against the backdrop of World War II and the creation of the state of Israel, The Chosen is a poignant novel about transformation and tradition, growing up and growing wise, and finding yourself—even if it might mean disappointing those you love.

“One of our most exquisite storytellers” (Esquire) gives us his first collection in over a decade: ten potent new stories that, along with twenty-one classics, display his mastery over a quarter century. Tobias Wolff’s first two books, In the Garden of the North American Martyrs and Back in the World, were a powerful demonstration of how the short story can “provoke our amazed appreciation,” as The New York Times Book Review wrote then. In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School. Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”

In Search of Lost Time , also translated as Remembrance of Things Past—is a novel in seven volumes, written by Marcel Proust (1871–1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the madeleine" which occurs early in the first volume. In Search of Lost Time follows the narrator's recollections of childhood and experiences into adulthood during late 19th century to early 20th century aristocratic France, while reflecting on the loss of time and lack of meaning to the world.

A #1 New York Times bestseller from the author of Exodus and Trinity, Topaz is the classic Cold War thriller of high intrigue and international suspense set during the Cuban Missile Crisis. On the eve of the Cuban Missile Crisis in Paris, 1962, Devereaux and Nordstrom uncover Soviet plans to ship nuclear arms. But when nobody acts after sharing his findings, Devereaux becomes the target of an assassination attempt and soon realizes the plot extends far beyond Cuba--and himself. A thrilling and well-paced novel filled with Cold War intrigue, Topaz features two agents on a journey around the world to save NATO and themselves.

In her dystopian novella *Anthem*, Ayn Rand presents a haunting vision of a future devoid of individuality and personal freedom, set in a collectivist society where the word "I" has been obliterated from existence. The narrative follows the journey of Equality 7-2521, a rebellious individual who discovers the power of self and the concept of personal identity. Rand's lyrical prose and philosophical undertones make for an engaging exploration of objectivism, positing the inherent value of the individual against the backdrop of a conformist society, ultimately advocating for the pursuit of one's own happiness and purpose. Ayn Rand, a Russian-American writer and philosopher, crafted *Anthem* during a time of great political upheaval in the early 20th century, influenced by her own experiences of totalitarianism in Soviet Russia. Her commitment to individualism and capitalism is evidenced throughout this novella, reflecting her belief that society should foster rather than suppress personal achievement and ambition. Rand's philosophical insights resonate deeply, revealing the tenets of her objectivist philosophy through her protagonist's journey of self-discovery. *Anthem* is highly recommended for readers interested in political philosophy, individualism, and the critique of collectivism. Its succinct narrative and profound themes make it an essential read for anyone seeking to understand the complexities of personal freedom and the importance of the self in a world often bent on conformity.

“Invites comparison with Crane’s Red Badge of Courage . . . Ithink this is an even better book.”—The New York Times When you read this novel about April 19, 1775, you will see the British redcoats marching in a solid column through your town. Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket’s kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you’ve helped whip the King’s best soldiers...

Miss Lonelyhearts is Nathanael West's second novel. He began writing it early in 1930 and completed the manuscript in November of 1932. Published in 1933, it is an Expressionist black comedy set in New York City during the Great Depression. In the story, Miss Lonelyhearts is an unnamed male newspaper columnist writing an advice column for the lovelorn and lonesome, a duty that the other newspaper staff considers a joke. As Miss Lonelyhearts reads letters from desperate New Yorkers, he feels terribly burdened and falls into a cycle of deep depression, accompanied by heavy drinking and occasional bar fights. He is also the victim of the pranks and cynical advice of Shrike, his feature editor at the newspaper. Miss Lonelyhearts tries several approaches to escape the terribly painful letters he has to read: religion, trips to the countryside with his fiancée Betty, and affairs with Shrike's wife and Mrs. Doyle, a reader of his column. However, Miss Lonelyheart's efforts do not seem to ameliorate his situation. After his sexual encounter with Mrs. Doyle, he meets her husband, a poor crippled man. The Doyles invite Miss Lonelyhearts to have dinner with them. When he arrives, Mrs. Doyle tries to seduce him again, but he responds by beating her. Mrs. Doyle tells her husband that Miss Lonelyhearts tried to rape her. In the last scene, Mr. Doyle hides a gun inside a rolled newspaper and decides to take revenge on Miss Lonelyhearts. Lonelyhearts, who has just experienced a religious enlightenment after three days of sickness, runs toward Mr. Doyle to embrace him. The gun "explodes", and the two men roll down a flight of stairs together. The general tone of the novel is one of extreme disillusionment with Depression-era American society, a consistent theme throughout West's novels. However, the novel is a black comedy, characterized by a dark sense of humor and irony. Justus Neiland, among others, has pointed out the use of Bergsonian laughter, in which "the attitudes, gestures, and movements of the human body are laughable in exact proportion as that body reminds us of a machine." The novel can be read through a Marxist lens as a condemnation of alienation and the colonization of social life by commodification, foreshadowing the stance of the Situationists and Guy Debord in particular. Miss Lonelyhearts is unable to fulfill his role as advice giver in a world in which both people and advice (in the form of newspaper ads, for example) are mass-produced. People are machines for the sole purpose of laboring as far as the rest of society is concerned (thus Miss Lonelyhearts' name), and any advice for them is as mass-produced as a manual for a machine. Lonelyhearts is unable to find a personal solution to his problems because they have systemic causes. West, who worked in the newspaper business before writing Miss Lonelyhearts, is also an advice giver of a sort as a novelist. Miss Lonelyhearts is similar to a détournement because it uses a form to critique the same form. The novel also condemns itself by condemning art, which is repeatedly derided by Shrike and compared to religion as an opiate of the masses. Many of the problems described in Miss Lonelyhearts describe actual economic conditions in New York City during the Great Depression, although the novel carefully avoids questions of national politics. Moreover, the novel is particularly important due to its existential import. The characters seem to be living in an amoral world. Hence, they resort to heavy drinking, sex, and parties. Miss Lonelyhearts has a "Christ complex", which stands for his belief in religion as a solution to a world devoid of values. (wikipedia.org)