New York Times bestselling author Jennifer Weiner’s unforgettable story of adjusting to suburbia—and all the surprises hidden behind its doors. For Kate Klein, a semi-accidental mother of three, suburbia has been full of unpleasant surprises. Her once-loving husband is hardly ever home. The supermommies on the playground routinely snub her. Her days are spent carpooling and enduring endless games of Candy Land, and at night, most of her orgasms are of the do-it-yourself variety. When a fellow mother is murdered, Kate finds that the unsolved mystery is the most exciting thing to happen in Upchurch, Connecticut, since her neighbors broke ground for a guesthouse and cracked their septic tank. Even though the local police chief warns her that crime-fighting's a job best left to the professionals, Kate launches an unofficial investigation -- from 8:45 to 11:30 on Mondays, Wednesdays, and Fridays, when her kids are in nursery school. As Kate is drawn deeper into the murdered woman's past, she begins to uncover the secrets and lies behind Upchurch's picket-fence facade -- and considers the choices and compromises all modern women make as they navigate between marriage and independence, small towns and big cities, being a mother and having a life of one's own.

When Kit and Adam separated after almost fifteen years of marriage, Kit felt like she had lost her lover, her best friend and her identity all in one fell swoop. But now, a year on from the divorce, Kit has found herself again and she loves her life in the idyllic Connecticut town of Highfield. She has the perfect job – working for Robert McClore, the famous novelist – two wonderful children, a good relationship with her ex-husband and time to enjoy yoga with her friends. Then Tracy, Kit’s yoga instructor and close friend, introduces her to Steve – attentive, charming, the perfect gentleman – and, for the first time in years, Kit thinks she may have found the right one. But is Steve really as perfect as he seems? And why does it bother Kit when Tracy starts dating Kit’s reclusive boss, Robert? What no one knows is that Tracy is hiding a secret – one that threatens to ruin her new-found happiness with Robert and her friendship with Kit. And now Tracy must decide whether to keep her past hidden from them both for ever or whether she should reveal the truth before it’s too late... Sparkling, poignant and wise, Girl Friday is a captivating tale of friendship, family and marriage as both Kit and Tracy discover that sometimes the people you thought you had lost make their way back into your life again... N.B. Girl Friday is called Dune Road in the US

Jane Green, author the best-sellers The Beach House and Second Chance , follows happily married Alice who moves from London to the USA only to discover that her life is not as fairy-tale as it seems in Spellbound . Alice has everything. So why isn't she happy? After all, she has a handsome husband, a gorgeous home and membership of London's most exclusive clubs. Okay, Joe can't keep his hands to himself - but she got what she wanted, didn't she? When Joe's indiscretions force a transfer to New York, Alice hopes it'll be a fresh start. And when they find a beautiful old house in Connecticut she is overjoyed. For a while Alice and Joe are as happy as newlyweds. But then the late nights and unexplained absences start. Alice is desperate to give her marriage a fairy tale ending. What should she do? Stay and fight for Joe? Or try to break the spell he's cast over her? 'Will have you hungrily turning page after page' Heat 'Green whips up a sparkling morality tale that points the finger at bad boys and low-rent romance' Independent 'Her books are just damn readable' Glamour Jane Green's novels, including The Other Woman , Jemima J. , Babyville , The Love Verb (published as Promises to Keep in the USA), Girl Friday ( Dune Road ), Life Swap ( Swapping Lives ), Straight Talking , The Patchwork Marriage ( Another Piece of My Heart ), Mr. Maybe , and Bookends , are as moving as they are funny and have achieved best-seller status internationally. Spellbound is published in the USA as To Have and to Hold .

On October 30, 1975, fifteen-year-old Martha Moxley headed home from Halloween Eve antics with her Greenwich, Connecticut, neighbors Tommy and Michael Skakel. She never made it. Her brutal murder with a golf club in her own backyard made national headlines. But for years no one was arrested, despite troubling clues pointing to the Skakels, a rich and powerful family related to the Kennedys. After the police department's first unsuccessful attempts to catch the killer, the case lay dormant, and the culprit remained free. Enter Leonard Levitt. In 1982, the Stamford Advocate and Greenwich Time newspapers asked investigative reporter Levitt to look into the murder and the undying rumors of a cover-up. Levitt soon uncovered groundbreaking information about how the police had bungled the investigation, and he learned that Tommy and Michael had lied about their activities on the night of the murder. But Levitt's articles about his findings -- and the haunting questions they raised -- almost never saw the light of day. For years, Levitt's superiors mysteriously refused to publish the stories. Convinced that the Moxley family deserved the peace and closure they had so long been denied, Levitt fought desperately to keep his discoveries alive. Finally, after Levitt's first article appeared, the case was reopened. Enter Frank Garr. As the newly appointed investigator on the Moxley case, the seasoned Greenwich detective doggedly pursued unexplored leads and became increasingly convinced that for over a decade, his colleagues had been pursuing the wrong suspects. At first mistrustful of one another, as reporters and detectives often are, Levitt and Garr became friends, encouraging each other in their quest for the truth as the obstacles against them piled up. In 2002, more than twenty-five years after Moxley's death, a shocked world watched as Michael Skakel was convicted of the murder, thanks largely to the evidence Garr alone had marshaled against him. Now, for the first time, Leonard Levitt tells the amazing true story of Garr's fight to solve the case and of how their friendship with each other, and with Martha Moxley's mother, Dorthy, sustained them over the years. A riveting, suspenseful drama that unfolds like a mystery novel, this incredible memoir also reveals how a police officer and a reporter refused to give up, and how they helped justice to prevail, against all odds.

In this "wonderfully entertaining" novel, a famous domestic diva finds her perfect life falling to pieces (Candace Bushnell, author of Sex and the City ). She's the goddess of hearth and home, America's millionaire media maven of domesticity, Connecticut's most dazzling hostess, and everything in her world is perfect--except that Maggie Darling's picture-book life has suddenly gone off the rails. Amid the extravagant trappings of a Christmas Eve bash, she spies her swinish stockbroker husband slipping out of a powder room moments after his creamy young colleague. The ensuing matrimonial meltdown launches Maggie on a year of romance and misadventure, starting with an ill-fated fling with a British rock star-turned-movie-actor. Back home, a sniper is loose on the Merritt Parkway and a gang known as the Businessman's Lunch Posse is terrorizing patrons of Manhattan's four-star restaurants. Meanwhile, Maggie's son Hooper drops out of college and falls into the company of the sinister gangsta rap group Chill Az Def. As calamity piles on catastrophe, even Maggie Darling's legendary organizational skills may not be able to restore civilization as we wish we knew it . . . "Deliciously funny." -- Publishers Weekly

In this powerfully affecting novel—by the author of The Pawnbroker—Joe Berman, an immigrant at eighteen, fifty-nine now, and a hard-working Connecticut plumber, faces the loss of his deeply loved wife. The months that follow, months of wrath and rebellion during which he fights his way to a new idea of life, death, and God, are part of Berman's human season. But so are the years behind him, vividly evoked as the narrative travels back into the past.