This third collection of short fiction by Gaiman includes previously published pieces of short fiction--stories, verse, and a Doctor Who story written for the series' fiftieth anniversary (Nothing o'clock). There is also "Black Dog," a new tale that revisits the world of his novel American Gods. The collection explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Horror and ghosts stories, science fiction and fairy tales, fabulism and poetry explore the realm of experience and emotion. In "Adventure Story"--a thematic companion to The Ocean at the End of the Lane--Gaiman ponders death and the way people take their stories with them when they die. His social media experience "A Calendar of Tales" are short takes inspired by replies to fan tweets about the months of the year--stories of pirates and the March winds, an igloo made of books, and a Mother's Day card that portends disturbances in the universe. Gaiman offers his own spin on Sherlock Holmes in his award-nominated mystery tale "The Case of Death and Honey". And "Click-Clack the Rattlebag" explains the creaks and clatter we hear when we're all alone in the darkness.

Astonished when her seemingly devoted husband is found murdered in a prostitute's apartment, Susie, a mother of four-year-old triplets, bristles at her neighbors' mixed reactions and tackles everyone from her husband's partners to the DA to restore her family's honor.

"When a soldier is found stabbed through the heart at a US Army base, there is no doubt that his wife, Luz, is to blame. But was it an act of self-defense? An attempt to save her infant daughter? Or the cold-blooded murder of an innocent man? Ambitious public defender Abby is determined to win at all costs. As a new mother herself, she wants to keep Luz out of prison and with her daughter. But when the surprises stack up and shocking new evidence emerges, Abby realizes the task proves far more difficult than she suspected and will require a terrible sacrifice. As the trial hurtles toward an outcome no one expects, Abby, Luz and a captivated jury are forced to answer the question that will decide everything--what does it mean to be a good mother?"--Provided by publisher

At 23, Dani Shapiro had drifted far from her New Jersey roots and family. Then an accident on snowy roads left both her parents critically ill in hospital. This memoir traces Shapiro's journey back to the world she left behind, where she was faced with the task of taking care of two people who needed her desperately.

A fourteen-year-old living with his grandparents learns his father is to be released from prison after killing his mother and feels apprehensive about renewing the relationship. Based on true events.

Written between 1980 and 1986, the stories in The Lute and the Scars were transcribed from the manuscripts left by Danilo Kis following his death in 1989. Many are autobiographical. Others resurrect protagonists belonging to Kis's fellow Central European novelists.

Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity. It is tempting to view this rich elaboration of death imagery as yet another example of an “invented tradition,” that is, a cult shaped by the modern state’s cultural policies or by the narrow interests of contemporary identity politics. Lomnitz takes a different approach. Rather than flattening out the tradition by insisting only on the ways it is willfully manipulated, this book focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history ― within a history in which the key institutions of society are built around the claims of the fallen. Based on a wide range of sources ― from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations ― Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of their social compact. This work effects a novel turn in the classical historiography of death ― a turn that can be characterized by a move from social and cultural history to political history. The move toward the politics of death gives readers a unique insight into the peculiar story of death in the Americas.

"'The grave we dug for my brother Little remained empty even after we filled it back in. And nobody was going to admit it.' So begins Little, first published by Graywolf Press in 1995 when David Treuer was just twenty-four. The narrative unfolds to reveal the deeply entwined stories of the three generations of Little's family, including Stan, a veteran of the Vietnam War who believes Little is his son; Duke and Ellis, the twins who built the first house in Poverty after losing their community to smallpox and influenza; Jeannette, the matriarch who loved both Duke and Ellis and who walked hundreds of miles to reunite with them. Each of these characters carries a piece of the mystery of Little's short life. With rhythmic and unadorned prose, Treuer uncovers in even the most frost-hardened ground the resilience and humor of life in Poverty. From the unbearable cruelty of the institutions that systematically unraveled Native communities at the turn of the century, to the hard and hallow emptiness of a child's grave, Treuer has orchestrated a moving account of kinship and survival. In his new introduction, Treuer, now among the foremost writers of his generation, reflects on the germ of this novel and how it fits into his lasting body of work centered on Native life. More than a quarter of a century later, Little proves as vital and moving as ever"--

A beautiful, elegiac novel of a father, a son, and the secrets that divide generations. In the seventy-fifth year of his life, on a sweltering August afternoon, Chester Garland, the distinguished psychiatrist, author, and campaigner for human rights, is struck by a subway train and dies. Soon after, his son Paul receives a thoroughly unexpected inheritance: three diaries written decades earlier, in the year when Garland, on a trip to France,unaccountably walked out on his family and his profession. As cool, detached Paul, a cyberspace cartoonist, reads the diaries, he finally faces the event that has shadowed his life since childhood. He embarks, as his father had a quarter century earlier, on a pilgrimage of love and grief, of passions-religious, erotic, and intellectual-and of discovery that is as unexpected as it is moving. With grace and precision, Gitlin takes us on a journey not just across an ocean or across decades, but into the secret depths of two men's lives, which were forever changed in the aftermath of that tumultuous decade now known as "the sixties." A memorable portrait of a father and son locked in a biblical embrace, Sacrifice builds with quiet elegance to its shocking conclusion.

Just One Big Happy Family... That's the way Preston Scott would have described his all-American family. His parents seemed to have everything, including the ideal marriage. But then their perfect life started to unravel. Mr. and Mrs. Scott began to. fight-vicious, hurtful, drawn-out battles that went on day after day. Finally one day Mrs. Scott moved out. And that's when Preston's nightmare began... Now, three years later, Preston's dad is getting out of prison, and Preston is no closer to coming to terms with his feelings about him. Because how can you forgive your father for killing someone...when that someone was your mother? Here is Preston's searing true story about upheaval, growth, faith ... and the power of love. No one has an inkling that handsome, athletic, and talented Preston Scott is carrying a terrible His father was imprisoned three years ago. Now Mr. Scott is coming home to live with Preston and his little brother, Tyler and Preston has yet to come to terms with his feelings about him. Because how can you forgive your father for killing someone . . . when that someone was your mother? This unforgettable novel is a fictionalized account based on the words of the boy who experienced these events firsthand. "Impossible to put down . . . a stunning novel." V. 1992 Best Books for Young Adults (ALA) Children's Choices for 1992 (IRA/CBC) Young Adult Choices for 1993 (IRA) 1992 Outstanding Young Adult Fiction Award (The Southern California Council on Literature) 1993 94 Sequoyah Young Adult Book Award (Oklahoma Library Association)

"Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together - or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away."--Provided by publisher.

-- Brimming with Elkin's comic brilliance and singular wordplay, The Magic Kingdom tells the story of Eddy Bale, who, determined to learn from the ghastly experience of his son's long, drawn-out death, decides to raise enough money to take seven terminally ill children to Disney World in order to give them a dream vacation before they die. -- Stanley Elkin, a two-timer winner of the National Book Critics Award and three-time nominee for the National Book Award, is widely considered to be one of the most important writers of the contemporary period. Author of over a dozen novels and short story collections, his works include The Franchiser, George Mills, and Mrs. Ted Bliss. -- First published by Dutton (1985), most recent paperback by Thunder's Mouth (1991).

The author's daring treatment of nine frenzied days in the life of a troubled Israeli family, Yehoshua's latest novel reconfirms his status as a shrewd analyst of domestic ordeals. Neatly and leisurely divided into "five seasons" following the death of the protagonist's wife of 30 years, this is a genuine and elegant portrait of a widower, Molkho, a middle-aged Sephardi, like his creator, and his heartfelt grief and painfully awkward readjustment to life as a single person. A passive, frugal civil servant obsessed with bodily functions and malfunctions, who diligently and celibately cared for his wife through a long illness, Molkho is a straight man, vulnerably ripe for absurd romantic entanglements. He is variously infatuated with or fancied by the barren, fey cast-off wife of a "born-again" Orthodox Jew; an aggressive lawyer, who is senior to him on the bureaucratic ladder; an Indian girl in a development town; and a Russian emigre Molkho helps to repatriate. Although much here is universally applicable, Yehoshua continues to advance his vision of Israel as the necessary, if chaotic and problematic, receptacle of the scattered remnants of world Jewry.

"With Death and So Forth, esteemed writer and editor Gordon Lish returns with a new book of scintillating short fiction. With his trademark precision, wit, and wiliness, Lish writes outside the margins and around the edges of the death, loss, and the fractiousness and fragmentation of language"--Provided by publisher.

Three novellas filled with humor and insight by one of America’s modern literary masters. In Searches & Seizures, Elkin tells the story of the criminal, the lovelorn, and the grieving, each searching desperately for fulfillment - while on the verge of receiving much more than they bargained for. Infused with Elkin's signature wit and richly drawn characters, "The Bailbondsman," "The Making of Ashenden," and "The Condominium" are the creations of a literary virtuoso at the pinnacle of his craft.

In this powerfully affecting novel—by the author of The Pawnbroker—Joe Berman, an immigrant at eighteen, fifty-nine now, and a hard-working Connecticut plumber, faces the loss of his deeply loved wife. The months that follow, months of wrath and rebellion during which he fights his way to a new idea of life, death, and God, are part of Berman's human season. But so are the years behind him, vividly evoked as the narrative travels back into the past.

Manas is an epic novel in free verse, an extraordinary blend of Hindu mythology and existentialism depicting in a language of enormous vigor and many voices a mesmerizing story of love, death and rebirth