"Episodes from the young life of Annie John, aged 10 to 17, as she grows up on the Caribbean island of Antigua. This is a magical coming-of-age tale, ripe with the special ambience of its tropical setting and sustained by Annie's far from naive awareness of the world around her. Death, illness, and poverty intrude on the narrator's perceptive sensilibity from time to time, but even these experiences instruct her and expand her understanding of life and its shifting reality. Although Annie leaves Antigua at the end of the novel for a new role as a student in England, the hollowness she feels at her departure is balanced by the new self that awaits her as she begins the search for her own identity. A poetic and intensely moving work from the author of At the Bottom of the River. (Reviewed April 1, 1985)"--Booklist Review.

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

This subtle, unusual book explores the many, often overlapping ways in which the Russian Jewish past has been remembered in history, in literature, and in popular culture. Drawing on a wide range of sources?including novels, plays, and archival material? Imagining Russian Jewry is a reflection on reading, collective memory, and the often uneasy, and also uncomfortably intimate, relationships that exist between seemingly incompatible ways of seeing the past. The book also explores what it means to produce scholarship on topics that are deeply personal: its anxieties, its evasions, and its pleasures. Zipperstein, a leading expert in modern Jewish history, explores the imprint left by the Russian Jewish past on American Jews starting from the turn of the twentieth century, considering literature ranging from immigrant novels to Fiddler on the Roof . In Russia, he finds nostalgia in turn-of-the-century East European Jewry itself, in novels contrasting Jewish life in acculturated Odessa with the more traditional shtetls. The book closes with a provocative call for a greater awareness regarding how the Holocaust has influenced scholarship produced since the Shoah.