"Annabelle Blake fully expects sixth grade to be the same as every other year: same teachers, same classmates, same, same, same. So no one is more shocked when the first day of school delivers a big surprise: a new kid named Bailey who has a cute smile and nice hands (how can someone even have nice hands!?). It turns out, sixth grade is going to be anything but the same. And when her father reveals that he and Bailey have something big-- and surprising-- in common, Annabelle begins to realize how labels she thought were fixed-- same, different, boy, girl, gay, straight, and even fruit and vegetable-- aren't so clear-cut after all."--

In this novel, a marriage is revealed in all its joys and agonies. A mother, a father, and their two children, living in a small village in New England, move, in their own minds, between the present, the past, and the future, constrained by the world, the characters despairing in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, nonlinear. This is a piercing examination of the manifold ways in which the passing of time operates on the human consciousness

Meet the Pomeroys: a church-going family of five living in a too-red house in a Texas college town. In an attempt to climb out of the holes they've dug, father Roger and mother Georgia make a series of choices that will have catastrophic consequences for their three children.

Wesley, haunted by his father's murder, begins a strange and deeply personal quest; Billy becomes involved with a girl who leads him into unexpected dangers; Gretchen finds new challenges and experiences a remarkable twist to her life. Moving between Europe and America, "Beggarman, Thief" is a brilliant novel chronicling the fortunes of one family - the joys, sorrows, successes and failures. This is not only the gripping sequel to Irwin Shaw's bestselling "Rich Man, Poor Man", but also an outstanding novel in its own right.

"New historical fiction from a Newbery Honor-winning author about how middle schooler Ariel Goldberg's life changes when her big sister elopes following the 1967 Loving v. Virginia decision, and she's forced to grapple with both her family's prejudice and the antisemitism she experiences, as she defines her own beliefs. Twelve-year-old Ariel Goldberg's life feels like the moment after the final guest leaves the party. Her family's Jewish bakery runs into financial trouble, and her older sister has eloped with a young man from India following the Supreme Court decision that strikes down laws banning interracial marriage. As change becomes Ariel's only constant, she's left to hone something that will be with her always--her own voice."--

After her husband's death, Eleanor returns to her New Hampshire farm to care for their brain-injured son while facing family tensions, personal struggles and national events, in the follow-up to Count the Ways.

"Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded. Mud, mice and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them. Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. By the end of their year, the lives of all will be changed for ever. Part black comedy, part psychological suspense, this is a rich, compassionate and enthralling novel in its depiction of the English countryside, and the potentially lethal interplay between money and marriage"--Publisher's description.

This is the first book in a two-part collection of 264 primary source documents from the Enlightenment to 1950 chronicling the public debate that raged in Europe and America over the role of women in Western society. The present volume looks at the period from 1750 to 1880. The central issues—motherhood, women's legal position in the family, equality of the sexes, the effect on social stability of women's education and labor—extended to women the struggle by men for personal and political liberty. These issues were political, economic, and religious dynamite. They exploded in debates of philosophers, political theorists, scientists, novelists, and religious and political leaders. This collection emphasizes the debate by juxtaposing prevailing and dissenting points of view at given historical moments (e.g. Madame de Staël vs. Rousseau, Eleanor Marx vs. Pope Leo XIII, Strindberg vs. Ibsen, Simone de Beauvoir vs. Margaret Mead). Each section is preceded by a contextual headnote pinpointing the documents significance. Many of the documents have been translated into English for the first time.

In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed - the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife, Charmian, is a beacon of calm, but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' -- Source other than Library of Congress.

An unforgettable novel of mothers and daughters, wives and muses, secrets and outright lies 'Freud is a modern literary rarity: a born storyteller' THE TIMES 'Such a powerful book' RICHARD CURTIS'Delivers an emotional punch that left me in tears' RACHEL JOYCE'Utterly compelling' HANNAH ROTHSCHILD 'I couldn't love it more' POLLY SAMSON 'I loved this book' AMANDA CRAIG 'Completely, inspiringly wonderful' BARBARA TRAPIDO 'Breathtakingly beautiful' JULIET NICOLSON AN EVENING STANDARD BOOK OF 2021 Rosaleen is still a teenager, in the early Sixties, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic - drinking in Soho, journeying to Marseilles. But it's not long before Rosaleen finds herself fearfully, unexpectedly alone. Desperate, she seeks help from the only source she knows, the local priest, and is directed across the sea to Ireland on a journey that will seal her fate. Kate lives in Nineties London, stumbling through her unhappy marriage. But something has begun to stir in her. Close to breaking point, she sets off on a journey of her own, not knowing what she hopes to find. Aoife sits at her husband's bedside as he lies dying, and tells him the story of their marriage. But there is a crucial part of the story missing and time is running out. Aoife needs to know: what became of Rosaleen? Spanning three generations of women, I Couldn't Love You More is an unforgettable novel about love, motherhood, secrets and betrayal - and how only the truth can set us free.

"Brilliant . . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register" "One of the most absorbing evenings of theatre to come along in some time."-"Variety" Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion. Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

When Layla Brennan married her high school sweetheart, Brett Foster, she finally got the big, loving family she’d always wanted: his. Now she’s closer to Brett’s parents than he is, partners with his sister in a successful pet-photography business, and confidant to his younger brother. She couldn’t be more of a Foster if she’d been born one. There’s just one problem: Brett wants a divorce. Stunned and heartbroken, Layla turns to the Fosters for comfort, only to realize that losing Brett means losing them as well. What else can she do but sue him for the most valuable thing he’s got–namely, his family. Breaking up may be hard to do, but for Layla and Brett it’s even harder to undo. Fresh, funny, poignant, and brimming with insight into what makes modern families tick–and what can blow them apart– Family Affair proves that in love and war, everything’s relative.

"The hauntingly beautiful epistolary novel from 'a glowing light of modern Italian literature' (New York Times Book Review). At the heart of Happiness As Such is an absence, an abyss that draws everyone nearer to its edge, created by the departure of a family's wayward only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes to him too; so does Mara, his former lover, who gave birth to a child who could be his own. Left to clean up Michele's mess, his family and friends complain and commiserate, making mistakes and missteps, attempting to cope in the only ways that they know how. With a few brushstrokes, Natalia Ginzburg can flesh out an entire existence and all its pitfalls and disappointments with unmatched clarity. One of Natalia Ginzburg's finest achievements, Happiness As Such is an experimental, wise, raw, comic novel, written in powerful prose that cuts to the bone with surgical precision"--

Irina Davydovna is a cleaner. She has no time for politics or even for that matter, people: 'rules and rulers may come and go, but dirt never changes.' Boris Aleksandrovich is a revolutionary. He thinks he understands power. But this is Leningrad in 1933 and Stalin is about to turn against their city. When the life of his beloved daughter Natasha is threatened and his old friend Anton saves a skinny little orphan he finds on a Moscow train, Boris' faith in his ideals are put to the test. While Irina, watching it all, must learn the power of loyalty and love. 'Powerful and moving, Ice Road is a novel whose epic scope never obscures the individual lives that are lived in the shadow of great events. I shall never forget Natasha and Kolya's love story . . . or Irina, whose sturdy self respect and determination to survive, seems, at times, to speak for an entire people. Gillian Slovo excels in depicting complex human beings, full of passion, love, ambition, self-interest, who are caught up in their country's history and swept along by it.' Pat Barker

Howard Engel has written the perfect parody of a present day Christmas in the suburbs. In his irreverant yet delightfully nostalgic style, Howard Engel tells a story of family, laughter and love. Engel's ear for the rhythm of Thomas' original book combined with his hilarious accounts of uncles, aunts and cousins stuffed into an overcrowded living room, draining the punch bowl and scavenging for presents, brilliantly captures the comic and nostalgic moments of the season.

"A modern English comedy of morals and manners, about a highborn family of outrageous characters, in a story that proves revenge can be sweet. In the months leading up to the Brexit referendum, Ayesha, the beautiful, young secret daughter of the late Enyon Trelawney, has married the much older thuggish banker Tomlinson Sleet with whom she has a young daughter, Stella. Ayesha is busy restoring the once run-down Trelawney Castle in Cornwall, which Sleet has bought, to its former glory, as well as studying art at the Courtauld in London. The elderly Countess Clarissa-still ensconced on the property--the host of a camp television show, is about to head into a disastrous marriage. Lady Jane has separated from the hopeless Trelawney heir Kitto, who is crazier than ever, and found an enlightened woman to keep her company abroad. Sleet is becoming increasingly difficult, distracted by the seductive and ruthless bitcoin goddess Zamora, but Kitto's sister Blaze and her husband, Joshua, will support Ayesha's clever plan as she discovers shocking secrets, takes action, and brings the family together."--

Set largely in the elegant city of Geneva in the mid-1930s, Belle du Seigneur is a terrifying and seductive novel, comic in form and deadly serious in its deflation of the common pieties. Adrian Deume is an aspirant 'B' in the sprawling bureaucracy of the League of Nations, and also the head of the ghastly Deume clan, portrayed in a brilliantly sustained commentary on middle-class manners. Then there is a generous helping of the 'Valiant', a squabbling quintet who stand, in comic invention, somewhere between Baron Munchhausen and the Marx Brothers. These distinct worlds have a common centre: Solal, Under-Secretary General of the League of Nations. A Mediterranean Jew blessed with great gifts and cursed by crippling idealism, he sees all too clearly that international understanding is eternally undermined by personal and national interests. But it is his affair with Ariane Deume that finally precipitates his fall. He rejects the world and attempts to achieve through love the Absolute which he craves. But it is the eternal contradiction that perfection, once achieved, cannot endure, and Cohen leads him to his fate with a unique brand of teasing, clear-eyed pessimism.

When Jo Green takes a nannying job in London to escape her small-town routine, complicated family, and perfect-on-paper boyfriend Shaun, culture shock doesn't even begin to describe it. Dick and Vanessa Fitzgerald are the most incompatible pair since Tom and Jerry, and their children - glittery warrior pixie Cassandra, bloodthirsty Zak and shy little Tallulah - are downright mystifying. Suddenly village life seems terribly appealing. Then, just as Jo's getting the hang of their designer lifestyle, the Fitzgeralds acquire a new lodger and suddenly she's sharing her nanny flat with the distractingly good-looking but inexplicably moody Josh. So when Shaun turns up, things get even trickier... A heartwarming, laugh out loud romantic novel with a fantastically dysfunctional family and complicated love triangle to amuse every reader.

On the surface, David Baddiel's childhood was fairly standard: a lower-middle-class Jewish family living in an ordinary house in Dollis Hill, north-west London. But David came to realise that his mother was in fact not ordinary at all. Having escaped extermination by fleeing Nazi Germany as a child, she was desperate to make her life count, which took the form of a passionate, decades-long affair with a golfing memorabilia salesman. Meanwhile, as Baddiel investigates his family's past, his father's memories are fading; dementia is making him moodier and more disinhibited, with an even greater penchant for obscenity. As with his mother's affair, there is both comedy and poignancy to be found: laughter is a constant presence, capable of transforming the darkest of experiences into something redemptive.

"Told from the points of view of a twenty-year-old Pomo man, his grandmother, and his mother, this intergenerational saga illuminates the experiences of urban Indians and depicts the historical conditions that shape a tribe's rural-to-urban migration. The novel deals with such topics as ethnic and racial prejudice, urban poverty, violence toward women, and LGBTQ identity. This new edition includes a revised preface by the author and an afterword by Reginald Dyck"--