An examination of how eighteenth century novels described and defined the feminine and feminine life during the rise of the modern novel. Novels discussed include Moll Flanders, La Vie de Marianne, Pamela, Fanny Hill, Manon Lescaut, Clarissa, La Nouvelle Heloise, and Les Laisons Dangereuses.

War is coming to Europe. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield. At the French embassy, in Warsaw, the new military attaché, Colonel Jean-François Mercier, a decorated hero of the 1914 war, is drawn into a world of abduction, betrayal, and intrigue in the diplomatic salons and back alleys of the city. At the same time, the handsome aristocrat finds himself in a passionate love affair with a Parisian woman of Polish heritage, a lawyer for the League of Nations. Risking his life, Colonel Mercier must work in the shadows, amid an extraordinary cast of venal characters, some known to Mercier as spies, some never to be revealed --

'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.

With trenchant realism and profound understanding, Matthew Josephson presents in VICTOR HUGO the realistic biography of a great romantic who wrote Les Misérables and The Hunchback of Notre Name, among others. Of tremendous sweep and scope, it is a penetrating analysis of a literary titan, who as a political pamphleteer, playwright, novelist, and romantic lover, dominated his time, influenced his peers, and moved the hearts of men. Matthew Josephson, whose Stendhal, Zola, The Robber Barons, and Rousseau defined him as a master of the art of biography, has given us in VICTOR HUGO a highly readable account of this vigorous, zestful, and fruitful career. VICTOR HUGO is the final and definitive work on "France's prince of poets and lord of language." EARLIER BOOK REVIEWS "Matthew Joseph's third full-blown biography of a great French writer.is the best. There is more color and drive in it .because the materials are so rich." New York Times Book Review (1942) "Victor Hugo's varied and colorful career offered Josephson a perfect opportunity to display again his gift for spirited narrative and keen characterization. He skillfully traces Hugo's conversion from literary great to political hero. Along the way he adds texture to his portrait by interweaving the fascinating components of Hugo's personal life -his marriage to Adèle Foucher, his fifty-year liaison with Juliette Drouet, and his friendship and betrayal by Sainte-Beuve.Victor Hugo's life was a success story without parallel, and it provided an apotheosis of Josephson's point about the duty of writers in times of social and political crisis. The critics again praised Josephson's talents as a biographer." - David E. Shi, Matthew Josephson: Bourgeois Bohemian, Yale University Press, 1981

The nineteen stories contained herein, all beautifully translated for the first time into English by Sue Boswell, combine work published by Marcel Schwob (1867-1905) in newspapers together with manuscripts never published in his lifetime. From historical pieces, such as "Poupa", an early unfinished novel which takes place in ancient Rome, to horrific tales, such as "The Hand of Glory" and "The Maison Close", and others, such as "On Umbrellas", which are completely unclassifiable, the present collection displays the diversity and genius of one of France's greatest yet largely forgotten writers.

In POT BOUILLE, the well-known French novelist Émile Zola and dramatist William Busnach combine their talents to unmask the hypocrisy that hides behind the façade of a respectable and fashionable Parisian apartment house. The Josserands are struggling to make ends meet, and at the same time to marry off their two daughters to prosperous businessmen. At the heart of this broken family is a weak husband and domineering, spendthrift wife, who between them create two willful children who are doomed to unhappy lives. The sly and adulterous Berthe seduces a shop owner into marriage, and Hortense eventually runs off with the man she loves--knowing he'll never marry her. The result is an unflattering portrayal of a corrupt, immoral society at the heart of French life in the late nineteenth century. Based on one of the great novels of modern literature!

"In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides," wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tombe is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the "all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah." Masterfully translated by Laurent Milesi, Tombe preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work .

The Torch-Bearers tells the story of an itinerant Anarchist preacher who comes to the corrupt city of Geronta in the company of a fellow vagabond, where he begins preaching in parables, that being his preferred method of enlightenment. He hears a number of other story-tellers narrating their own parables, to which he opposes his own in order to expose their ideological flaws. Here, presented in English for the first time in a superb translation by Brian Stableford, is one of the most interesting novels of the Symbolist Movement--the elaborate fruit of author Bernard Lazare's wholehearted commitment to both Symbolist and Anarchist ideals. This striking literary experiment, testing the hypothesis that the raw materials of myth, legend and folklore, which had been redeployed and pastiched so successfully by the Movement, could be adapted to Anarchist purposes.

"A way to live" is a black comedy about revenge when there's nothing more to lose. "Where there's a Will" is a film about a struggling country jazz band that receives a helping hand from long dead musicians. "The third player" tells the tale of an Australian country football team which discovers a novel way to improve their performance.