Winner of the National Jewish Book Award · New York Times Bestseller "A brilliant and heart-wrenching book, with universal and timely lessons about the power of information--and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . . Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear. In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom--among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope. And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more. This is the story of a brilliant yet troubled man--a gifted "escape artist" who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

NEW YORK TIMES BESTSELLER * A thrilling novel based on actual events, about the nature of genius, the cost of ambition, and the battle to electrify America--from the Oscar-winning screenwriter of The Imitation Game and author of The Sherlockian SOON TO BE A MAJOR MOTION PICTURE STARRING EDDIE REDMAYNE New York, 1888. Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history--and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? The task facing Cravath is truly daunting -- win. And the stakes are immense: the winner of the case will illuminate America. In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem... Praise for The Last Days of Night 'Moore weaves a complex web. . . He conjures Gilded Age New York City so vividly, it feels like only yesterday' Entertainment Weekly 'A model of superior historical fiction . . . Graham Moore digs deep into long-forgotten facts to give us an exciting, sometimes astonishing story of two geniuses locked in a brutal battle to change the world. . .[A] brilliant journey into the past' The Washington Post 'Mesmerizing, clever, and absolutely crackling...a beautifully researched, endlessly entertaining novel that will leave you buzzing' Gillian Flynn, author of Gone Girl 'Part legal thriller, part tour of a magical time - the age of wonder - and once you've finished it, you'll find it hard to return to the world of now' Erik Larson, author of The Devil in the White City

A true account that reads as a novel, Harriet Jacobs's narrative bears rare witness to the female experience of slavery, highlighting the threat of sexual exploitation and appealing directly to women." -Victoria Segal ; The Guardian Harriet Jacobs (1813-1897) was an African-American writer who escaped from slavery and was later freed. She became an abolitionist and reformer. Jacobs wrote an autobiography, Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym Linda Brent. It was a reworking of the genres of slave narrative and sentimental novel, and was one of the first books to address the struggle for freedom by female slaves, explore their struggles with sexual harassment and abuse and their effort to protect their roles as women and mothers. After being overshadowed by the American Civil War, the book was rediscovered in the late 20th century, when there was new interest in minority and women writers. A Must Read Classic for All Those Interested in African American History

Tastemaker, n. Anyone with the power to make you eat quinoa. Kale. Spicy sriracha sauce. Honeycrisp apples. Cupcakes. These days, it seems we are constantly discovering a new food that will make us healthier, happier, or even somehow cooler. Chia seeds, after a brief life as a novelty houseplant and I Love the '80s punchline, are suddenly a superfood. Not long ago, that same distinction was held by pomegranate seeds, açai berries, and the fermented drink known as kombucha. So what happened? Did these foods suddenly cease to be healthy a few years ago? And by the way, what exactly is a "superfood" again? In this eye-opening, witty work of reportage, David Sax uncovers the world of food trends: Where they come from, how they grow, and where they end up. Traveling from the South Carolina rice plot of America's premier grain guru to Chicago's gluttonous Baconfest, Sax reveals a world of influence, money, and activism that helps decide what goes on your plate. On his journey, he meets entrepreneurs, chefs, and even data analysts who have made food trends a mission and a business. The Tastemakers is full of entertaining stories and surprising truths about what we eat, how we eat it, and why.

Enter Hollywood's inner sanctums in this gosippy and honest book, named one the top 100 film books of all time by The Hollywood Reporter, by the Academy Award-winning screenwriter and bestselling author of The Primcess Bride. No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of The Princess Bride, Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films . . . .into the plush offices of Hollywood producers . . ..into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.."

Why are words so important to so many Jews? Novelist Amos Oz and historian Fania Oz-Salzberger roam the gamut of Jewish history to explain the integral relationship of Jews and words. Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation.Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

"From the bestselling author of Gates of Fire comes an historical epic about the early years of the Roman Empire. A Man at Arms is a Western set in Jerusalem and the Sinai desert in the first century AD, a few years after the crucifixion of Jesus of Nazareth. The villains are the Romans. They're in pursuit of a courier bearing an incendiary letter from Paul the Apostle. For agents of Rome, this letter represents an existential threat that will propagate a new faith and a new form of resistance among those who suffer under the heel of the Roman Empire. The Romans hire a mercenary named Telamon, formerly of the Roman Tenth Legion, to interdict and destroy the letter. Telamon only fights for money. He's been guaranteed a rich reward, but he must not fail because the punishment for failure is death by crucifixion"--

The best-selling novel about a slave revolt in ancient Rome and the basis for the popular motion picture. Copyright © Libri GmbH. All rights reserved.

Every story has a beginning. For teen secret-agent Alex Rider, that beginning occurred prior to his first case for MI6, known to all as Stormbreaker. By the time that mission came to be, Alex's father, a secret-agent in his own right, has been murdered. And when Alex's uncle was murdered by the assassin Yassen Gregoravich, Alex was essentially left orphaned. Yet at the conclusion of the novel, when Yassen has the chance to kill a vengeful-minded Alex, he chooses not to. This story tells us why. Much in the way that Alex's uncle mentored Alex, preparing him for a life in espionage, Alex's father once mentored Yassen. Yassen was the original Alex Rider--a teenager meant to work for MI6. Instead, he turned rogue assassin. This web of emotion and deceit forms the basis of the last of the Alex Rider novels, a spy thriller in the vein of classic James Bond for teens.

The received idea of Native American history -- as promulgated by books like Dee Brown's 1970 mega-bestselling Bury My Heart at Wounded Knee -- has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U.S. Cavalry, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear -- and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence -- the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the U.S. military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the intimate story of a resilient people in a transformative era.

Michael Chabon’s Pulitzer Prize-winning bestseller, The Amazing Adventures of Kavalier & Clay, sprang from an early passion for the derring-do and larger-than-life heroes of classic comic books. Now, once more mining the rich past, Chabon summons the rollicking spirit of legendary adventures–from The Arabian Nights to Alexandre Dumas to Fritz Leiber’s Fafhrd and the Gray Mouser stories–in a wonderful new novel brimming with breathless action, raucous humor, cliff-hanging suspense, and a cast of colorful characters worthy of Scheherazade’s most tantalizing tales. They’re an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued witticism as he is with a sharpened battle-ax. Brothers under the skin, comrades in arms, they make their rootless way through the Caucasus Mountains, circa A.D. 950, living as they please and surviving however they can–as blades and thieves for hire and as practiced bamboozlers, cheerfully separating the gullible from their money. No strangers to tight scrapes and close shaves, they’ve left many a fist shaking in their dust, tasted their share of enemy steel, and made good any number of hasty exits under hostile circumstances. None of which has necessarily prepared them to be dragooned into service as escorts and defenders to a prince of the Khazar Empire. Usurped by his brutal uncle, the callow and decidedly ill-tempered young royal burns to reclaim his rightful throne. But doing so will demand wicked cunning, outrageous daring, and foolhardy bravado . . . not to mention an army. Zelikman and Amram can at least supply the former. But are these gentlemen of the road prepared to become generals in a full-scale revolution? The only certainty is that getting there–along a path paved with warriors and whores, evil emperors and extraordinary elephants, secrets, swordplay, and such stuff as the grandest adventures are made of–will be much more than half the fun.

The second of a funny, fast-paced, Regency-set duet from Julia Quinn, the bestselling author of the global phenomenon Bridgerton When Elizabeth Hotchkiss stumbles upon a copy of How to Marry a Marquis in her employer's library, she's convinced someone is playing a cruel joke. With three younger siblings to support, she knows she has to marry for money, but who might have guessed how desperate she's become? Although . . . a guidebook to seduction might be just the thing she needs - and what harm could there be in taking a little peek? James Sidwell, the Marquis of Riverdale, has been summoned to rescue his aunt from a blackmailer, a task that requires him to pose as the new estate manager, and his primary suspect is his aunt's companion, Elizabeth. Intrigued by the alluring young woman with the curious little rulebook, he gallantly offers to help her find a husband . . . by practicing her wiles on him. But when practise becomes all too perfect, James decides that there is only one rule worth following - that Elizabeth marry her marquis. Find out why readers love Julia Quinn . . . 'A veritable treat' Daily Mail ' Light, pacy and full of feisty heroines ' Guardian on the Bridgerton series 'Julia Quinn's Bridgerton books take all of the classic tropes we know and love . . . and gives them a thoroughly modern twist . I can't focus on anything else' Stylist 'Quinn is a master of historical romance' Entertainment Weekly 'A smart, funny touch' Time Magazine 'Like an episode of Downton Abbey mixed with a great rom-com' iBooks Best Books of March 'Powered by a surfeit of dazzling wit and graced with a cast of unforgettable characters' Booklist ' A romance readers will not want to put down . . . Hooray Julia! ' Romance Reviews Today 'Quinn writes delightfully fast-paced, funny, sparkling and bright romance' Romantic Times 'The next best thing to Georgette Heyer' Gloss 'Julia Quinn is one of the best historical romance novelists of our time' Heroes and Heartbreakers 'Quinn excels in writing stories full of joy and delight , where laughter trembles on the edges' Happy Ever After 'Full of wit, charm and smouldering attraction . . . an unputdownable story that I think romance fans will treasure' Harlequin Junkie 'Quinn is incomparable! The latest addition to her beloved Bridgerton series is funny, charming, witty and wildly romantic' RT Book Reviews

How can a work published in 1611 have had such a lasting influence on the language? To answer this question, Crystal offers fascinating discussions of phrases such as "The skin of one's teeth" or "Out of the mouth of babes," tracing how these memorable lines have found independent life in the work of poets, playwrights, novelists, politicians, and journalists, and how more recently they have been taken up with enthusiasm by advertisers, Hollywood, and hip-hop. --from publisher description.

A spirited classic of American Jewish literature, a historical novel about ancient sage-turned-apostate Elisha ben Abuyah in the late first century C.E. At the heart of the tale are questions about faith and the loss of faith and the repression and rebellion of the Jews of Palestine. Elisha is a leading scholar in Palestine, elected to the Sanhedrin, the highest Jewish court in the land. But two tragedies awaken doubt about God in Elisha's mind, and doubt eats away at his faith. Declared a heretic and excommunicated from the Jewish community, he journeys to Antioch in nearby Syria to begin a quest through Greek and Roman culture for some fundamental irrefutable truth. The pace of the narrative picks up as Elisha directly encounters the full force of the ancient Romans' all-consuming culture. Ultimately, Elisha is forced by the power of Rome to choose between loyalty to his people, who are rebelling against the emperor's domination, and loyalty to his own quest for truth.-Publishers Weekly

Arguably the most decisive shift in the history of ideas in modern times was the complete demolition during the late 17th and 18th centuries — in the wake of the Scientific Revolution — of traditional structures of authority, scientific thought, and belief by the new philosophy and the philosophes, culminating in Voltaire, Diderot, and Rousseau. In this revolutionary process, which effectively overthrew all justification for monarchy, aristocracy, and ecclesiastical power, as well as man's dominance over woman, theological dominance of education, and slavery, substituting the modern principles of equality, democracy, and universality, the Radical Enlightenment played a crucially important part. Despite the present day interest in the revolutions of the late 18th century, the origins and rise of the Radical Enlightenment have been little studied doubtless largely because of its very wide international sweep and the obvious difficulty of fitting it into the restrictive conventions of ‘national history’ which until recently tended to dominate all historiography. The greatest obstacle to the Radical Enlightenment finding its proper place in modern historical writing is simply that it was not French, British, German, Italian, Jewish, or Dutch, but all of these at the same time. In this novel interpretation of the Radical Enlightenment down to La Mettie and Diderot, two of its key exponents, particular stress is placed on the pivotal role of Spinoza and the widespread underground international philosophical movement known before 1750 as Spinozism.

"The unforgettable story of a Jewish teenager who survives World War II and embarks on a long and dangerous journey to a new land ... and new life. A poignant, inspirational novel about the inner strength of children, and how other children find their place in the world" Cf. Our choice, 1997-1998

Jacob Rappaport, a Jewish soldier in the Union army during the Civil War is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn't to murder the spy, but to marry her.--From publisher's description.

In Exodus Revisited, Leon Uris returns to the scene of his famous bestselling novel, Exodus, which has sold over five million copies. With power, compassion, and love, he writes a revealing commentary to accompany the sensitive and haunting photographs of Dimitrios Harissiadis. Israel is a land of contrasts--of modern hotels and ancient olive trees; of young girls in slacks and elders with traditional beards. It is a country of harsh desert, lush farmland, sandy beaches, and sun-dappled seas. Israel is the common homeland of the Jew, the Christian, and the Muslim. It is a nation with a living history, a memory of violence and pain, a hope for the future, and a promise in its people.

The New York Times bestselling author of The Forgotten Man and Coolidge offers a stunning revision of our last great period of idealism, the 1960s, with burning relevance for our contemporary challenges. "Great Society is accurate history that reads like a novel, covering the high hopes and catastrophic missteps of our well-meaning leaders." --Alan Greenspan Today, a battle rages in our country. Many Americans are attracted to socialism and economic redistribution while opponents of those ideas argue for purer capitalism. In the 1960s, Americans sought the same goals many seek now: an end to poverty, higher standards of living for the middle class, a better environment and more access to health care and education. Then, too, we debated socialism and capitalism, public sector reform versus private sector advancement. Time and again, whether under John F. Kennedy, Lyndon Johnson, or Richard Nixon, the country chose the public sector. Yet the targets of our idealism proved elusive. What's more, Johnson's and Nixon's programs shackled millions of families in permanent government dependence. Ironically, Shlaes argues, the costs of entitlement commitments made a half century ago preclude the very reforms that Americans will need in coming decades. In Great Society, Shlaes offers a powerful companion to her legendary history of the 1930s, The Forgotten Man, and shows that in fact there was scant difference between two presidents we consider opposites: Johnson and Nixon. Just as technocratic military planning by "the Best and the Brightest" made failure in Vietnam inevitable, so planning by a team of the domestic best and brightest guaranteed fiasco at home. At once history and biography, Great Society sketches moving portraits of the characters in this transformative period, from U.S. Presidents to the visionary UAW leader Walter Reuther, the founders of Intel, and Federal Reserve chairmen William McChesney Martin and Arthur Burns. Great Society casts new light on other figures too, from Ronald Reagan, then governor of California, to the socialist Michael Harrington and the protest movement leader Tom Hayden. Drawing on her classic economic expertise and deep historical knowledge, Shlaes upends the traditional narrative of the era, providing a damning indictment of the consequences of thoughtless idealism with striking relevance for today. Great Society captures a dramatic contest with lessons both dark and bright for our own time.

Selected by the Modern Library as one of the 100 best nonfiction books of all time On the occasion of the 150th anniversary of the Civil War, the Modern Library publishes Shelby Foote's three-volume masterpiece in a new boxed set including three hardcovers and a new trade paperback, American Homer: Reflections on Shelby Foote and His Classic Civil War: A Narrative, edited by and with an introduction from Pulitzer Prize winner Jon Meacham and including essays by Michael Beschloss, Ken Burns, Annette Gordon-Reed, and others. Random House publisher Bennett Cerf commissioned southern novelist Shelby Foote to write a short, one-volume history of the American Civil War. Thirty years and a million and a half words later--every word having been written out longhand with nib pens dipped into ink--Foote published the third and final volume of what has become the classic narrative of that epic war. As he approached the end of the final volume, Foote recounted this scene in a letter to his friend, the novelist Walker Percy: "I killed Lincoln last week--Saturday, at noon. While I was doing it (he had his chest arched up, holding his last breath to let it out) some halfassed doctor came to the door with vols I and II under his arm, wanting me to autograph them for his son for Xmas. I was in such a state of shock, I not only let him in; I even signed the goddam books, a thing I seldom do. Then I turned back and killed him and had Stanton say, 'Now he belongs to the ages.' A strange feeling, though. I have another 70-odd pages to go, and I have a fear they'll be like Hamlet with Hamlet left out. Christ, what a man. It's been a great thing getting to know him as he was, rather than as he has come to be--a sort of TV image of himself, with a ghost alongside." When Percy read the final book, he wrote to Foote: "It's a noble work. I'm still staggered by the size of the achievement. . . . It is The Iliad ." A selection of these letters, along with essays by Jon Meacham, Michael Beschloss, Ken Burns, Annette Gordon-Reed, Michael Eric Dyson, Julia Reed, Robert Loomis, Donald Graham, John M. McCardell, Jr., and Jay Tolson, are included in American Homer, the bonus paperback book available only in the Modern Library boxed set of The Civil War. Shelby Foote's tremendous, sweeping narrative of the most fascinating conflict in our history--a war that lasted four long, bitter years, an experience more profound and meaningful than any other the American people have ever lived through--begins with Jefferson Davis's resignation from the United States Senate and Abraham Lincoln's departure from Springfield for the national capital. It is these two leaders, whose lives continually touch on the great chain of events throughout the story, who are only the first of scores of exciting personalities that in effect make The Civil War a multiple biography set against the crisis of an age. Four years later, Lincoln's second inaugural sets the seal, invoking "charity for all" on the Eve of Five Forks and the Grant-Lee race for Appomattox. Here is the dust and stench of war, a sort of Twilight of the Gods. The epilogue is Lincoln in his grave, and Davis in his postwar existence--"Lucifer in Starlight." So ends a unique achievement--already recognized as one of the finest histories ever fashioned by an American--a narrative that re-creates on a vast and brilliant canvas the events and personalities of an American epic: the Civil War.