Astonished when her seemingly devoted husband is found murdered in a prostitute's apartment, Susie, a mother of four-year-old triplets, bristles at her neighbors' mixed reactions and tackles everyone from her husband's partners to the DA to restore her family's honor.

Pippa Jones is a fortyish former literary sensation who fears she will be a one-hit wonder. After the follow-up book she was almost done writing, Podlusters, had to be tossed (it ended up sharing a plot and title with superstar author Ella Rankin's summer blockbuster!), she couldn't write a thing. Months of staring at a blank page made her confidence vanish like a one-night stand. When she finds out that she has only five days left to finish (or rather, start) or repay an advance she's already spent, Pippa has a brilliantly original idea. Okay, fine, her twelve-year-old son came up with it as a joke, but Pippa and her teenage daughter approved. -- Provided by publisher.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children.Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

A taut, emotionally gripping novel about one couple’s passionate desire for a child and their heartrending journey through adoption—from a critically acclaimed writer whose “voice is at turns wise and barbed with sharp humor” ( Vanity Fair ). Poignant, raw, and insightful, Jennifer Gilmore’s third novel is an unforgettable story of love, family, and motherhood. With a “voice [that is] at turns wise and barbed with sharp humor” ( Vanity Fair ) , Gilmore lays bare the story of one couple’s ardent desire for a child and their emotional journey through adoption. Jesse and Ramon are a loving couple, but after years spent unsuccessfully trying to get pregnant, they turn to adoption, relieved to think that once they navigate the bureaucratic path to parent-hood they will have a happy ending. But nothing has prepared them for the labyrinthine process—for the many training sessions and approvals; for the constant advice from friends, strangers, and “experts”; for the birthmothers who contact them but don’t ultimately choose them; or even, most shockingly, for the women who call claiming they’ve chosen Jesse and Ramon but who turn out never to have been pregnant in the first place. Jennifer Gilmore’s eloquence about the human heart—its frailties and complexities—and her razor-sharp observations about race, class, culture, and changing family dynamics are spectacularly combined in this powerful novel. Suffused with passion and fury, The Mothers is a taut, gripping, and satisfying book that will stay with readers long after they turn the last page.

The third book by New York Times bestselling author Meg Wolitzer (originally published as This Is Your Life ), is a smart, witty and perceptive novel about the daughters of a female stand-up comic who watch as their mother struggles to balance her career with the needs of her children. Dottie Engels, comedienne extraordinaire, performs her act in Vegas and on late-night TV. Her two daughters, Opal and Erica, live on the periphery of her glittering life, seeing her on the television screen more often than they do at home. But when Dottie's ratings begin to slide, it takes both her daughters to save Dottie from herself. Displaying Wolitzer's signature style that combines keen observations, compassion for her characters, sharp humor, and a strong social hook, This Is My Life expertly captures the uncertainties of adolescence and the trials of growing up in the shadow of a mother who is caught between the conflicting pulls of fame and family