"Valuable, wise, and quietly moving" ( Chicago Tribune ), This Is My God is Pulitzer Prize-winning writer Herman Wouk's famous introduction to Judaism. A miracle of brevity, This Is My God guides readers through the world's oldest practicing religion with all the power, clarity, and wit of Wouk's celebrated novels. "Anyone who wants to know what orthodox Judaism means to an informed and intelligent orthodox Jew, who is at the same time thoroughly American in outlook and culture, will do well to study this work." -- New York Times Book Review

This book is intended for those who wish to assume the responsibility of becoming the new intellectuals. It contains the main philosophical passages from my novels and presents the outline of a new philosophical system.The full system is implicit in these excerpts (particularly in Galt’s speech), but its fundamentals are indicated only in the widest terms and require a detailed, systematic presentation in a philosophical treatise. I am working on such a treatise at present; it will deal predominantly with the issue which is barely touched upon in Galt’s speech: epistemology, and will present a new theory of the nature, source and validation of concepts. This work will require several years; until then, I offer the present book as a lead or a summary for those who wish to acquire an integrated view of existence. They may regard it as a basic outline; it will give them the guidance they need, but only if they think through and understand the exact meaning and the full implications of these excerpts.-- from Preface

The Hidden Pattern presents a novel philosophy of mind, intended to form a coherent conceptual framework within which it is possible to understand the diverse aspects of mind and intelligence in a unified way. The central concept of the philosophy presented is the concept of "pattern" minds and the world they live in and co-create are viewed as patterned systems of patterns, evolving over time, and various aspects of subjective experience and individual and social intelligence are analyzed in detail in this light. Many of the ideas presented are motivated by recent research in artificial intelligence and cognitive science, and the author's own AI research is discussed in moderate detail in one chapter. However, the scope of the book is broader than this, incorporating insights from sources as diverse as Vedantic philosophy, psychedelic psychotherapy, Nietzschean and Peircean metaphysics and quantum theory. One of the unique aspects of the patternist approach is the way it seamlessly fuses the mechanistic, engineering-oriented approach to intelligence and the introspective, experiential approach to intelligence.

The struggle to write with deep emotion is the subject of this extraordinary book, the previously unpublished credo of one of America's greatest 20th-century writers. "You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich," writes Nelson Algren in his only longer work of nonfiction, adding: "A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery." Nonconformity is about 20th-century America: "Never on the earth of man has he lived so tidily as here amidst such psychological disorder." And it is about the trouble writers ask for when they try to describe America: "Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards . . . [where there] are still . . . defeats in which everything is lost [and] victories that fall close enough to the heart to afford living hope." In Nonconformity, Algren identifies the essential nature of the writer's relation to society, drawing examples from Dostoyevsky, Chekhov, Twain, and Fitzgerald, as well as utility infielder Leo Durocher and legendary barkeep Martin Dooley. He shares his deepest beliefs about the state of literature and its role in society, along the way painting a chilling portrait of the early 1950s, Joe McCarthy's heyday, when many American writers were blacklisted and ruined for saying similar things to what Algren is saying here.

In this detailed study giving more depth and breadth to Moravia’s work than has hitherto been done in English, the authors explore his background and assess his accomplishment as a twentieth-century artist. Students of the modern novel will be interested in the explication given here of the influences of Kierkegaard, Sartre, Camus, and Martin Buber on Moravia’s work.

"In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides," wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tombe is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the "all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah." Masterfully translated by Laurent Milesi, Tombe preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work .

Chernin takes us inside the mind of the psychoanalyst and her patients as few other books have done. In an almost novelistic fashion, she recalls her own analysis with three very different analysts (1967-71, 1972-83, and 1984-92) and how she grew as an individual through her work with them. It is a rare act of self-disclosure that is both moving and revelatory. A moving, provocative, and eminently readable book that raises crucial questions for those concerned with psychoanalysis and self-knowledge. A compelling recounting of the rewards and shortcomings of psychoanalysis . . . rich with discovery.

This book presents an intriguing and novel Freudian overview of all Daniel Defoe's major works by confronting various psychoanalytic hypotheses regarding Defoe. It is an original, well-documented, and compelling cross-disciplinary approach to identity issues and creative genius of Defoe.