Mix the brains of Neil Shulman and Carl Hiaasen and subtract 27 years, and you've got the book Doc Hollywood, originally titled What? Dead Again? , which was turned into the 1991 movie adaptation starring Michael J. Fox. Hiaasen and Shulman traipsed around rural Georgia in the late '70s collecting the funny accounts and unique experiences of real life practicing Doc Hollywoods.' They created a book about the misadventures of Dr. Otis Stone, a high - flying city doctor gets hoodwinked into practicing medicine below the gnat line,' U.S.A. The zany characters of Grady, Ala., and their interface with the spunky fish out of water' doc, tickled the fancy of Michael J. Fox, and thus was born the movie "Doc Hollywood." Some even say that the popular TV series "Northern Exposure" was inspired by this novel. More than 30 years later, the Shulman-Hiaasen "Doc Hollywood" partnership has sparked many current plots, including the 2006 Pixar film Cars. The tales seems to follow Doc Hollywood' s plot, as reported by medias across the nation. Doc Hollywood is a story as moving as it is hilarious. But if one has seen the movie, according to Shulman, don't be fooled. There's more to plot than the Hollywood adaptation. "This book is more a seed than a copy of the movie," states Shulman. Many who have enjoyed the movie have been even more captivated by the book. Critically-acclaimed and unforgettable, it deserves a special place on every bookshelf and within every heart that has longed for the simple life. "This book is a hundred times better than the movie they made out of it. A great book." .

Egri's treatise The Art of Dramatic Writing was first published in 1946 and remains today one of the best creative writing "how to" books ever written. It is a concise guide to all forms of creative writing, from premise to characters to plot, with special attention to the heart of any drama which are its characters and their inner natures and inter-relationships that move a story and give it life. Few books attempt to analyze play-construction as well as this book, and its principles and methods are so valid that they apply equally well to the short story, novel, and screenplay.

A New York Times bestseller! From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award-winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It's pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It's three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they're in Ash's SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves " The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity , or anyone who has ever loved--and hated--a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

From #1 New York Times bestselling author and rom-com queen Becky Albertalli comes a buoyant new novel about daring to step out of the shadows and into the spotlight in love, life, and, yes, theater. Contrary to popular belief, best friends Kate Garfield and Anderson Walker are not codependent. Carpooling to and from theater rehearsals? Environmentally sound and efficient. Consulting each other on every single life decision? Basic good judgment. Pining for the same guys from afar? Shared crushes are more fun anyway. But when Kate and Andy's latest long-distance crush shows up at their school, everything goes off-script. Matt Olsson is talented and sweet, and Kate likes him. She really likes him. The only problem? So does Anderson. Turns out, communal crushes aren't so fun when real feelings are involved. This one might even bring the curtains down on Kate and Anderson's friendship.

As Jodi Picoult's Picture Perfect begins, it is daybreak in downtown Los Angeles. A woman suffering from amnesia is taken in by an officer new to the L.A. police force, after he finds her wandering aimlessly near a graveyard. Days later, when her husband comes to claim her at the police station, no one is more stunned than Cassie Barrett to learn that not only is she a renowned anthropologist, but she is married to Hollywood's leading man, Alex Rivers.As Alex helps Cassie become reaccustomed to her fairy-tale existence, fragments of memory return: the whirlwind romance on location in Africa, her major anthropological discovery, the trajectory of Alex's career. Yet as Cassie settles into her glamor-filled life, uneasiness nags at her. She senses there is something troubling and wild that she cannot remember, something that would alter the picture of her perfect marriage. When she finds a positive pregnancy test in her bathroom, she is flooded with dark memories. Trying to piece together her past, she runs to the only person she trusts will keep her hidden--Will Flying Horse, the policeman who had initially harbored her.Moving from the sweltering African grasslands to the desolate plains of the reservation to the claustrophobic glitz of Hollywood, Jodi Picoult's story is one rich in detail, breadth, and emotion. Picture Perfect is a lush, beautifully written novel that will captivate its readers.

Winner of three Oscars® and the highest grossing film of its time, Jaws was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's #1 best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, an actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in The Jaws Log, which was first published in 1975, generating 17 printings and selling more than 2 million copies. This new edition includes a photo section, a new introduction by Benchley, and a lengthy afterword by Gottlieb that updates the people and events involved in the film, ultimately providing a singular portrait of a famous movie and inspired moviemaking in process.

The undisputed master of compelling, sexy novels does it again in this scalding story of an egomaniacal Hollywood superstar, a ravishing, disillusioned ingenue, and the ruthless love that binds them together, body and soul. Ties-in to ABC's two-hour movie A Stranger in the Mirror. Year-long PR campaign commemorates Sheldon's 50th year in the entertainment business. Copyright © Libri GmbH. All rights reserved.

The Lost Weekend swept the 1945 Academy Awards, with nominations for Best Film Editing, Score, and Black and White Cinematography, and Oscars for Best Picture, Director, Actor, and Screenplay. It also received numerous awards at the Cannes Film Festival and the Golden Globes. Based on the novel by Charles Jackson, a work that many in Hollywood had thought unfilmmable because of its relentless grimness, The Lost Weekend was one of the first films to explore the devastating effects of alcoholism. Ray Milland was cast against type as Don Birnam, a writer plagued by depression and self-doubt who, as his alcoholism progresses, slips into a horrifying downward spiral of lying, begging, stealing, and madness. Milland's riveting performance won him an Oscar. Jane Wyman also delivers a powerful performance as his faithful girlfriend, Helen St. James, whose selfless love offers Birnam a hope of redemption. This facsimile edition of The Lost Weekend not only reveals the genius of the film but also illuminates how the script stands alone as a rare, wonderful piece of writing. Jeffrey Meyers's introduction looks at the transformation from novel to film and examines Wilder and coauthor Charles Brackett's methods as collaborators. Readers will gain important insights into the craft of screenwriting, and the personality and methods of one of Hollywood's greatest directors.

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Once upon a time, there was a boy named Christopher Robin, who had many friend in the Hundred-Acre Wood. As time pased, the boy groew up and he lost track of his friends. Then one day, a silly old bear with a love for honey decided to leave the Hundred-Acre Wood and go looking fro his friend, Christopher Robin.

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

A "lively" memoir by the Hollywood legend about the making of Spartacus , with a foreword by George Clooney ( Los Angeles Times ). One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus , Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood's moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus . Trumbo was one of the "Unfriendly Ten," men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas's source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era--but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.

In the 1980s, long before Lee Goldberg became a #1 New York Times bestselling author and successful TV writer/producer, he paid his UCLA tuition and rent by working as a freelance journalist covering the entertainment industry. His first, big interviews was with one of his idols, screenwriter Richard Maibaum, who wrote most of the James Bond movies. That lengthy, controversial, and award-winning interview, first published in the UCLA Daily Bruin and later reprinted in Starlog Magazine, was the beginning of Lee's extensive 007 coverage. Over the next few years, his Bond-related interviews for Starlog and other publications included actors Barry Nelson (the first man to play James Bond in TV's Casino Royale ), George Lazenby (the one-time Bond in On Her Majesty's Secret Service ), Roger Moore and Timothy Dalton, screenwriters Tom Mankiewicz, Michael Wilson and Lorenzo Semple Jr., and directors John Glen and Peter Hunt. Those interviews and more, quoted for decades in reference books about the Bond films, are now collected for the first time, in their original form, in this entertaining, and unique volume. This book, the first in a series of Goldberg's collected Hollywood journalism, isn't an exhaustive, detailed examination of the Bond films. Instead it's an intriguing snapshot of filmmaking in the 1980s, a revealing look at the creation of the Bond films...and perhaps also offers a glimpse into Goldberg's formative years as a writer, and how the lessons learned from his interviews may have shaped his own career as an acclaimed novelist and screenwriter.

The actors in James Franco's brilliant debut novel include a McDonald's drive-thru operator who spends his shift trying on accents; an ex-child star recalling a massive beachside bacchanal; hospital volunteers and Midwestern transplants; a vampire flick starlet who discovers a cryptic book written by a famous actor gone AWOL; and the ghost of River Phoenix. Then there's Franco himself, who prowls backstage, peering out between the lines--before taking the stage with fascinating meditations on his art, along with nightmarish tales of excess. "Hollywood has always been a private club," he writes. "I open the gates. I say welcome. I say, Look inside." Told in a dizzying array of styles--from lyric essays and disarming testimonials to hilariously rambling text messages and ghostly footnotes--and loosely modeled on Alcoholics Anonymous's Twelve Steps and Twelve Traditions , Actors Anonymous is an intense, wild ride into the dark heart of celebrity.

From the author of Devil in a Blue Dress comes "the most powerful and poetic novel about black life in America since Ralph Ellison's Invisible Man (Digby Diehl, Playboy). RL's Dream, the first work of his to break from his mystery series, focuses on an aging bluesman named Soupspoon Wise.

When Whiting Writers' Award winner Teddy Wayne published his critically acclaimed debut, "Kapitoil," it was hailed as "one of the best novels of [this] generation" by the "Boston Globe" and was shortlisted for a spate of national prizes. Jonathan Franzen wrote in "The Daily Beast" that "no other writer, as far as I know, has invented such a funny and compelling voice and story for [this type of character.]" Now, in "The Love Song of Jonny Valentine," Wayne turns his sharp wit, flawless narrative ventriloquism, and humane sensibility to our monstrous obsession with fame. Megastar Jonny Valentine, eleven-year-old icon of bubblegum pop, knows that the fans don't love him for who he is. The talented singer's image, voice, and even hairdo have been relentlessly packaged--by his L.A. label and his hard-partying manager-mother, Jane--into bite-size pabulum. But within the marketing machine, somewhere, Jonny is still a vulnerable little boy, perplexed by his budding sexuality and his heartthrob status, dependent on Jane, and endlessly searching for his absent father in Internet fan sites, lonely emails, and the crowds of faceless fans. Poignant, brilliant, and viciously funny, told through the eyes of one of the most unforgettable child narrators, this literary masterpiece explores with devastating insight and empathy the underbelly of success in 21st-century America. "The Love Song of Jonny Valentine "is a tour de force by a standout voice of his generation.

Spanning centuries and continents, Mamet uses war and its players to explore, among other themes, redemption and forgiveness as they unfold in the context of conflict in the form of three novellas. In The Redwing , the first of the three novellas, a 19th Century Secret Service naval officer turned prisoner, then novelist and finally memoirist recounts his own transformations during the course of his service and imprisonment. The protagonist in Notes on Plain Warfare examines religion through the prism of the American Indian wars. Finally, The Handle and the Hold is a vivid, dialogue-driven tale of two ex-military men who steal a plane in the month before the Israeli War of Independence. Finely wrought, Mamet eloquently depicts the psychological brutality conflict raises in the landscape of the mind.

Through the examination of a range of literary and cinematic texts, from William Wyler's classic The Best Years of Our Lives to the novels of Henry James, Silverman offers a bold new look at masculinities which deviate from the social norm.

Can a group of outsiders beat the fierce competition at the battle of the bands? This novelization retells the story of the Summit Entertainment film, starring Vanessa Hudgens and Lisa Kudrow, opening in theaters on July 31. Includes an 8-page full-color insert.

The debut novel by the Emmy Award(-winning creator of "NYPD Blue" is a suspenseful, darkly comic crime novel about a Hollywood writer who witnesses a murder, and insinuates himself into the investigation in order to write a screenplay about it.