"An innocent father serving life for the murder of his own son receives evidence that his child may still be alive, and must break out of prison to find out the truth"--

The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost twenty-five dollars. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he's kicked off a chain of events that will overtake the next decade of his life. Martin has made his most dangerous mistake yet: trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they've found their newest mark--California's Department of Corrections. Secure in the knowledge that they're living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy. A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a sizzling follow-up to Red Team Blues.

Joseph Roth is one of the least-known, yet easily the most accessible of the great twentieth-century writers. His deceptively light, massively concentrated fables of modern history evoke a world of catastrophic change, of disastrous belief and extreme loss. As the century ends, his stature is increasingly appreciated. And British readers, in particular, will find in his stories of a great empire's fall deep echoes of their own experience. ..Granta Books' major programme of republication of Roth's work continues with his last untranslated novel, Rebellion - the story of a Great War veteran, Andreas Pum, who loses a leg and gains a medal. He marries, plays a barrel-organ, and is happy. But when he is imprisoned after a fight life seems unbearably altered. Then a chance encounter with an old comrade who has made his fortune brings Pum to a world where he has a transfiguring experience of justice . . .

Michael Tolkin has garnered acclaim for his classic dark comedies The Player and Among the Dead. His most ambitious novel yet, Under Radar is a tale of guilt and redemption that is "provocative...so unexpected, so full of startling insights, that it sems to be blazing a fresh trail" (John Hartl, The Oregonian). While vacationing in Jamaica, Tom Levy witnesses a man goading his four-year-old daughter into an act so vulgar that Tom vows he must pay for it with his life. The next day, when they come to grips atop the Dunn's River Falls, Tom kills the man in cold blood. Condemned to prison, Tom faces a world unlike any be has ever known, among the most brutal and hardened men of Jamaica. Does an elusive story hold the key their salvation, and Tom's own? And once Tom has told it, can he find a way to reenter the hearts of those he has left behind? As gripping as it is wrought with layers of meaning, Under Radar "places parables within parables, exploring the essence of evil and the possibility of redemption....Tolkin has shown himself no stranger to the psyche's stranger recesses, though the results here are more unsettling than ever" (Don McLeese, Msnbc.com).

"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--