"A collection of bestselling, NBCC prize-winning author Jonathan Lethem's finest writing on the subject of writers and writing. A readerly wake-up call from one of America's finest and most acclaimed working writers. Picking up where his NBCC Award finalist collection The Ecstasy of Influence left off, More Alive and Less Lonely collects more than a decade of Lethem's finest writing on writing, with new and previously unpublished material, including: impassioned appeals for forgotten writers and overlooked books, razor-sharp essays, and personal accounts of his most extraordinary literary encounters and discoveries. Only Lethem, with his love of cult favorites and the canon alike, can write with equal insight about the stories of modern masters like Lorrie Moore and Salman Rushdie, graphic novelist Chester Brown, science fiction outlier Philip K. Dick, and classic icons like Moby-Dick. Edited by novelist Christopher Boucher (Golden Delicious), More Alive and Less Lonely deserves a place on every serious reader's bookshelf. Lethem's joyful approach to literature will inspire you to dive back into your favorite books and then point you towards what to read next"--

'Dream I Tell You' is an account of, and commentary on, a collection of dreams by the novelist, playwright and theorist. This title explores the literary oeuvre of Hélène Cixious, as well as examining French feminist theory.

Gornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature. Vivian Gornick, one of our finest critics, tackled the theme of love and marriage in her last collection of essays, The End of the Novel of Love , a National Book Critics Circle Award finalist. In this new collection, she turns her attention to another large theme in literature: the struggle for the semblance of inner freedom. Great literature, she believes, is not the record of the achievement, but of the effort. Gornick, who emerged as a major writer during the second-wave feminist movement, came to realize that “ideology alone could not purge one of the pathological self-doubt that seemed every woman's bitter birthright.” Or, as Anton Chekhov put it so memorably: “Others made me a slave, but I must squeeze the slave out of myself, drop by drop.” Perhaps surprisingly, Gornick found particular inspiration for this challenge in the work of male writers—talented, but locked in perpetual rage, self-doubt, or social exile. From these men—who had infinitely more permission to do and be than women had ever known—she learned what it really meant to wrestle with demons. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth. Throughout the book, Gornick is at her best: interpreting the intimate interrelationship of emotional damage, social history, and great literature.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.