"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered. Ex-Detective Inspector Daniel Hawthorne is dead. Or, rather, the actor playing him in the film adaptation of The Word is Murder is. Rising star David Caine has been stabbed, and it seems that everyone on the set had a motive. Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie. But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price. From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow they combine to unlock the secret of what has happened in Hastings. For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth. A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.

The brilliant Belgian detective rings in the New Year with a chilling murder investigation on a Greek island in this all-new holiday mystery from Sophie Hannah, author of Hercule Poirot's Silent Night. New Year's Eve, 1932. Hercule Poirot and Inspector Edward Catchpool arrive on the tiny Greek island of Lamperos to celebrate the holiday with what turns out to be a rather odd community of locals living in a dilapidated house. A dark sense of foreboding overshadows the beautiful island getaway when the guests play a New Year's Resolutions game after dinner and one written resolution gleefully threatens to perform "the last and first death of the year." Hours later, one of the home's residents is found dead on the terrace. In light of the shocking murder, Poirot reveals to Catchpool the real reason he's brought him to the island--the life of another community member has been threatened. Now both men resolve to ensure that the first murder will be the last.

A high-caliber police procedural mystery from the acclaimed author Warren Adler, well-known for the iconic novel turned international box-office hit The War of the Roses. The poison pen of Polly Dearborn, an infamous Washington Post investigative reporter, has gone silent. When Polly is found hanging from her balcony in the Watergate apartments, Washington's elite and powerful rejoice-the Witch of Watergate is dead! But Polly's voice reaches beyond the grave, and her final articles may contain clues to some big secrets. Homicide detective Fiona Fitzgerald, well-versed in the behind-the-scenes dealings of Washington, doesn't buy the suicide angle. But secret alliances between the police, the Post, and the mayor make Fiona's job difficult. What's worse is that her new and unlikable partner, Charleen Evans, seems to be working against Fiona when she takes control of the evidence herself. All challenges aside, Fiona knows the political world and is determined to find the truth. The Witch of Watergate is the fourth book in the Fiona Fitzgerald Mystery series.

A high-caliber police procedural mystery from the acclaimed author Warren Adler, well-known for his iconic novel turned international box-office hit "The War of the Roses." Old money, old secrets. The elderly mother of the Governor of Virginia, an icon of Washington society, is found dead and sexually assaulted in her posh Washington, DC, residence. Metropolitan Police detective Fiona Fitzgerald investigates the horrifying crime. As a senator's daughter, she has the advantage of knowing the world of Washington's privileged. Young Martine, the accused, has no advantages. He was not raised in a family with political leverage and did not understand Washington's politicians' inner workings and secrets. Then there is the devoted servant, the status-hungry daughter-in-law, the drugs, power, and money-but where does the truth lie within this complicated family drama? Through it all, Fiona wrestles with her feelings about marriage as she considers marriage to a former general, who is now mounting a massive offensive for her hand. Will an inside look at one Washington marriage-and all of its dirty little secrets-help her choose? Fiona must battle both privilege and prejudice as she uncovers the inevitable truth behind the political facade. Death of a Washington Madame is the third book in the Fiona Fitzgerald Mystery series.

In this golden age sci-fi novel, war has rendered significant portions of Europe either uninhabitable or barbaric. The U.S. Government has failed, to be replaced by organized crime--Syndic is short for Syndicate.

If you like period pieces and murder-mysteries with a twist of romance, you will enjoy this book. The protagonist becomes the chief suspect in the murder of Sir Geoffrey Kynaston and must clear his name. Set in Victorian England, there are flashbacks to Italy. Filled with aristocrats, there are colorful characters, too, lending an air of the Dickensian comic relief, ― like the money-obsessed private sleuth. E. Phillips Oppenheim (1866-1946) was an enormously popular and prolific writer of suspense fiction and romance. Notably easy to read, Mr. Oppenheim has few equals among modern English novelists. He is untiring in the invention of mysterious plots, he is a clever weaver of the plausible with the sensational, and he has the necessary gift of facile narrative. (Boston Transcript.) He is a master of the art of telling a story. He has humor, a keen sense of the dramatic, and a knack of turning out a happy ending just when the complications of the plot threaten worse disasters. (New York Times.)

A BLACK DAGGER CRIME edition of a novel about a famous dancer who is shot on stage on an opening night, but all the critics who gather - unaware that he is dead - agree that the death scene was particularly unconvincing. However, there are plenty of suspects since the dancer appears to have been the most hated person in the company.