Product Description Originally published in Poland in 1948, and acclaimed as one of the finest postwar Polish novels, Ashes and Diamonds takes place in the spring of 1945, as the nation is in the throes of its transformation to People' Poland. Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world. About the Author Jerzy Andrzejewski (1909-1983) published his first book, Unavoidable Roads, a collection of short stories, in 1936. Two years later he won several prizes, incuding one from the Polish Academy of Literature, for his first novel, Mode of the Heart. Ashes and Diamonds, originally published in 1948, was made into a highly esteemed film and was awarded the International Critics' Prize at the 1959 Venice Film Festival.

Moravia's political fable about an Italian anti-Fascist and the frightened, suicide-seeking German girl he encounters on a boat to Capri--the setting of Moravia's Il disprezzo from 1954--was welcomed as one of his finest novels. Stephen Spender for The New York Review of Books "One of the most brilliant strokes in this novel about relations in the Thirties between Italians and Germans is that Moravia never reveals whether his Italian narrator and hero is serious or not, and doubt about the seriousness lies in his being Italian. ... This is the truth of the that within the external situation of the Italian Fascist--German Nazi relationship it is impossible to accept as authentic virtually anything people do."Moravia is not simply painting the portrait of an age but also coming to grips through his art with the great questions of all ages - the erotic, love, death, and the purposes of life. 1934 recapitulates the major themes of his art and at the same time takes us beyond them.

"As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence"--Back cover.

Vicki Baum, author of the acclaimed Grand Hotel, visited Shanghai in 1937. Her many friends there provided her with a wealth of information about China's convoluted politics, and the secret life and unique personalities of Shanghai--material she used as the basis of Shanghai '37. The hotel depicted in the novel was the Cathay, which, on August 14, 1937, following the outbreak of the Sino-Japanese War, was attacked by a bomb. This incident, known as "Bloody Saturday," caused considerable damage and the deaths of many people. It forms the climax of Shanghai '37, a story that follows the lives of nine people to Shanghai and the hour of their death. This book, the second of Baum's "hotel" novels, was first published in America in 1939.

"In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play."--Page 4 of cover.

A series of sketches on French salon life. One chronicles a room's reaction to a man with the nobiliary particle de in his name--from fawning to hate.