The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood. In Roman Year , André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome’s Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman’s time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of “the poetry of the place” (John Domini, The Boston Globe ), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.

Sardonically funny and moving, Skating to Antarctica is a book about a journey into darkness and light, the colour white, fantasy and memory, families and sanity

As European capitals fell during 1940 and 1941, there swarmed to the Athene Palace, Bucharest’s Grand Hotel, diplomats, generals, Gestapo spies, and demi-mondaines from all over Europe. Arriving at the crowded Athene Palace on the day Paris fell in June 1940, American female journalist Rosa Goldschmidt Waldeck observed for the next seven months all the events that unfolded and the international figures that made Romania Europe’s last sensational hotbed of intrigue and color. Hitler’s beautiful feminine agents held court in the Athene Palace lobby within eyeshot of British diplomats, while around them moved fifth columnists, German economists, and generals, American and English diplomats and newspapermen, all who made the Athene Palace the most glamorous spot on the continent. The dramatic events of this turbulent period are described here chiefly in terms of personalities: Carol and Lupescu, Antonescu and Dr. Clodius, Nazi Gauleiters, British Quislings, Romanian appeasers, and all the types who dominated the scene of World War II Europe... On the surface, this is a fast-moving, dramatic book, as readable as a novel, but it is also a most effective dissection of the Nazi New Order. This penetrating insight into the German administration of Europe reveals the reasons underlying the failure of the Nazi regime. Originally published during the Second World War, this new edition of Athene Palace is enhanced by a thorough introductory study on the author’s life and work by Ernest H. Latham, Jr., former cultural attaché at the American Embassy in Bucharest. Dr. Latham is a well-known specialist in Romanian history and has done extensive research on American and British journalists in Romania during World War II.

Romanian exile Norman Manea’s internationally acclaimed memoir/novel, now available to English-language readers At the center of The Hooligan’s Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea’s book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the twentieth century and of the emergence afterward of a global, competitive, and sometimes cynical modern society. Both a harrowing memoir and an ambitious epic project, The Hooligan’s Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.

"In spite of the fact that her idea of travel is to stay home with the phone off the hook, Jenny Diski takes a trip around the perimeter of the USA by train. Somewhat reluctantly she meets all kinds of characters, all bursting with stories to tell and finds herself brooding about the marvellously familiar landscape of America, half-known already through film and television. Like the pulse of the train over the rails, the theme of the dying pleasures of smoking thrums through the book, along with reflections on the condition of solitude and the nature of friendship and memories triggered by her past times in psychiatric hospitals. Cutting between her troubled teenaged years and contemporary America, the journey becomes a study of strangers, strangeness and estrangement - from oneself, as well as from the world."--Publisher description.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

A collection of lyrical travel writings from celebrated writer and NPR commentator Alan Cheuse. Along with luggage and tickets, we always travel with that which it is impossible to leave behind: ourselves, our spirits, our souls. By definition the best travel writing carries us on a soul-journey, the sort of trip that dramatizes how the heart learns about its place in the world. In A Trance After Breakfast, poetic wanderer and novelist (To Catch the Lightning) Alan Cheuse has crafted a collection that masterfully exceeds such standards. He lures the reader around the world, from Bali and New Zealand to Mexico and back home again to his native New Jersey, making the foreign familiar and the familiar slightly foreign. Collected from such celebrated publications as Gourmet, the Antioch Review, and the San Diego Reader, the dispatches in A Trance After Breakfast will enchant, captivate, and transport readers.

"Part memoir, part history, part political commentary - and all Richler - This Year in Jerusalem is a personal, passionate, and quirkily comic examination of the idea of Israel-as-homeland: for Jews, for Palestinians, and, not least, for the author himself. Richler re-creates the Montreal of his adolescence - the local Zionist youth organization functioning as an escape from the zealous Hasidism of his grandfathers; the idea of emigration to Israel growing into a shimmering dream for himself and his friends. And, going to Israel to look up his old pals from St. Urbain Street, he shows us what happened to those who actually did "make aliyah"--Who settled in the cities and on the kibbutzim, survived the turmoils of war, and are faced today with the opportunities and dangers of peace with the Palestinians. He shows us, as well, the course of his own migration - away from Zionism and through the maze of his own sense of Judaism until he rediscovers his true homeland: "I owe as much to the thin gruel of my Canadian experience as I do to my Jewish provenance." Woven through his story are his fond (and not so fond) recollections of his family, his encounters in today's Israel with the kids he grew up with in Montreal a million years ago, and his most mordant observations on the state of the state of Israel and the Israeli-Palestinian conflict. Witty, intelligent, well reasoned, and across-the-board provocative, here is Mordecai Richler at his inimitable - and controversial - best." -- dust jacket

"The Mexican Night" is the first of several travel journals, to be published over the next few years, which Ferlinghetti originally envisioned under the title of "Writing Across the Landscape." It is considerably more than a travel book, including as it does much pure prose-poetry, new poems, and drawings taken from the author's notebooks. This book is not only personal but political, white at times it would seem to be a kind of "travel novel" - with but one character - the wandering figure (somehow surrounded with solitude) of the poet himself. [From back cover]

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

A memoir of spiritualism and self-discovery from the acclaimed, award-winning author At fifty, Alix Kates Shulman, author of the celebrated feminist novel, Memoirs of an Ex-Prom Queen , left a city life dense with political activism, family and literary community, and went to live alone on an island off the coast of Maine. On a windswept beach, in a cabin with no plumbing, power, or telephone, she found that she was learning to live all over again. In this luminous, spirited book, she charts her subsequent path as she learned not simply the joys of meditative solitude, but to integrate her new awareness into a busy, committed, even hectic mainland life. “A ten-year voyage of discovery . . . Shulman's honesty and sense of inquiry carry us with her all the way--could even, if we were willing, change our lives.” — San Francisco Sunday Examiner & Chronicle

""Returning from Europe to New York in l959, he soon found himself sought after, not for his fiction, to his dismay, but for his essays and reviews, by such high intellectual journals as Commentary, Partisan Review, NY Review of Books, which have been collected in Looking For Genet (Black Sparrow Press, l992). His reviews were never hackwork, though, and if occasionally unfair, even bitchy, were the product of his shrewd literary intelligence. I think he, himself, saw them primarily as performances, or entertainments. He would never have admitted it, but writing for money brought his splintered character into focus and coherence. Not only Esquire magazine, which published one of his stories, but Mademoiselle, placed him among the "hottest" writers of l963, including Anthony Powell, Dawn Powell, Robert Lowell, W.D. Snodgrass, James Baldwin, and William Gaddis, which could not but be flattering. But he remained uncomfortable with that part of his career. It was to escape this success as a literary critic that was sidetracking his unfinished novel that, after throwing a wild party and burning his furniture, he left New York with not much more money in his pocket than the landlord was paying him for vacating his apartment.""--

""By dint of names, dates, and figures, of classified ads, of sundry facts, of statistics, of the confessions of great writers and of anonymous passersby, of quotations from small-town newspapers and from official discourses, Vladimir Pozner reconstructs, vibrantly, so terribly vibrantly and magnificently, the American civilization." --Les Lettres Françaises Vladimir Pozner--influential French novelist, screenwriter, pioneer in literary genre and Oscar nominee, came to the United States in the 1930's. He found the nation and its people in a state of profound material and spiritual crisis, and took it upon himself to chronicle the life of the worker, the striker, the politician, the starlet, the gangster, the everyman; to document the bitter, violent racism tearing its society asunder, the overwhelming despair permeating everyday life, and the unyielding human struggle against it all. In the spirit of Tocqueville's Democracy in America, Pozner writes about America and Americans with the searing criticism and deep compassion of an outsider who loved the country and its people far too much to render anything less than a brutally honest portrayal. Recalling Agee's Let Us Now Praise Famous Men, he shatters the rules of reportage to create a complete portrait of America, enduring and profound"--

El Norte Grande of Chile is the world's driest desert, a vast, barren expanse where a person can live an entire lifetime without ever feeling a single drop of rain, where rivers vanish into the sands and trees are all but unknown. But this forbidding landscape has many stories to tell an observant, inquisitive traveler. Someone like Ariel Dorfman. Renowned as a poet, essayist, novelist, and playwright, he combines eloquence, passion, and personal experience with a sure sense of place and a keen eye for the telling detail that brings history to life -- for this account of his journey through the desert is also a chronicle of modern Chile. Like an archaeologist, he sifts through shards of memory to recreate a world that no longer exists but still casts a long shadow over his native land. Ghosts are at the heart of his tale, from the ruined boomtowns where great nitrate fortunes were built to the seaside prison where Dorfman's old friend Freddy Taberna spent his last night before being executed in 1973 after the overthrow of Salvador Allende's government. In these pages, long-abandoned mining communities are summoned up in their glory days, when the mansions of mineral millionaires were built on the punishing labor of workers forever in hock to the company store. Nor are these the only ghosts. In this sweeping book, Dorfman also examines the oldest mummies in the world, visits an observatory at the top of the world that scans the light from long-dead stars, and sifts through the remains of indigenous villages buried under tons of sand. Skillfully interweaving present and past, memoir and meditation, fascinating history and colorful family lore, Desert Memories gazes across the seeming emptiness of el Norte Grande, finds a complete and compelling world, and conjures it up with the kind of elegant simplicity that only the most sophisticated of travelers can achieve.