"Fast-paced prose, fit-for-Hollywood characterizations, science with a wow factor, and accessible descriptions of complex quantum concepts and experiments... hard science meets pop-science time-travel in this entertaining thriller." - Kirkus Reviews When the future ruins your life... From a USA Today bestselling author: After particle physics professor Michael discovers how to pierce time and space, he meets a student who has memories of her future - and the research they have yet to complete together... "You won't be disappointed" (New York Times bestselling author Kevin J. Anderson). ------ When Michael Salomon woke up Tuesday morning, he did so with a smile, knowing that today would be a positive turning point in his career. With his first child on the way, he couldn't shake the feeling that something bad was about to happen. As he drives into work, he feels a sudden wave of anguish wash over him, and he sees himself alone, at the gravesite of an unborn daughter. It feels like a crystal-clear memory, a waking nightmare that nearly sends him crashing into the car in front of him. The idea of faster-than-light particles has been a part of science fiction lore for fifty years, yet Michael had made a breakthrough discovery late last night. Tachyons do exist. Going back into the office, he hasn't even had a chance to tell anyone about what he's discovered when the men from DARPA came calling. The entirety of his research has suddenly become an object of national security. But it was only when a young college student intercepts him as he gets into his car that he knows the life he's looking forward to is over. The student has memories of her future self... a future where she's worked with Michael on extending his research. She knows things that he's only thought of as possibilities, and she speaks of them as if they'd already happened. And most chilling of all, she speaks of a future where they are both in hiding from the government that sees them as the enemy. MULTIVERSE is a story about a scientist who uncovers a way to pierce the veil of time and space, and has unwittingly opened Pandora's box. Is it even possible to undo what a future version of yourself has done, or is everyone doomed to the chaos that's been loosed on the world?

Though a well-regarded physicist Carl Sagan (1934-1996) is best-known as a writer of popular nonfiction and science fiction and as the host of the PBS series Cosmos . Through his writings and spoken commentary, he worked to popularize interests in astronomy, the universe, and the possibility of extraterrestrial life. From the beginning of his public career, when he co-wrote Intelligent Life in the Universe to the very end as he worked on the 1997 film adaptation of his novel Contact , these subjects absorbed him. This interest in space was rooted in his understanding of the smallness and vulnerability of humanity measured against the immense size and power of the universe. This profound philosophical humility, mixed with personal exuberance, comes through in Conversations with Carl Sagan . In interviews and profiles, Sagan discusses with verve a wide variety of topics--the environment, nuclear disarmament, religion, politics, extraterrestrial life, astronomy, physics, robotics. Whether he is discussing his science fiction or his well-researched nonfiction works, his voice embraces reason and skepticism. This volume shows how Sagan, a lifelong skeptic, refined his views and expressed amazement that Earth, for all his belief in extraterrestrial life, encompasses everything about which he cared. Tom Head of Jackson, Mississippi, is a writer and poet whose work includes Women and Families (Voices from the Civil War) , Possessions and Exorcisms (Fact or Fiction?) , and 1966 (The Turbulent 60s) .

The first in a series of superb science fiction. Alpha is, aside from the first letter of the Greek alphabet, a term that denotes excellence and primacy in a variety of disciplines: in nuclear physics, for example, it is the name of a particle of unusually large mass and charge. It seemed a useful label to attach to this volume, the first of an intended series of collections of science fiction stories. The Alpha series of anthologies will center on no particular theme except that of literary quality. The presence in any one volume of a cluster of stories bearing other thematic resemblance-as in this volume, where there are four or five time-travel stories-will be purely coincidental. I propose to cull the files of the science fiction magazines for stories that an educated and sophisticated reader will find stimulating, and to assemble them in books of roughly equal size that will appear once a year over the next few years. Some of the stories will be fifteen or twenty years old and richly in need of restoration to print. Others will be quite recent: the literary level of the science fiction short story has undergone an extraordinary transformation in the past few years, a fact that demands recognition here. Appropriately enough, this first volume of the ALPHA series covers a roster of writers from A to Z. Specifically, Aldiss to Zelazny-although this coincidence in alphabet is merely incidental to the fact that both these gentlemen, and the several others represented in this anthology, all write superb science fiction. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. So much for policy. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

Matthew Olivetti has the attitude of an ordinary teenager, but he is far from ordinary. An incredibly powerful psionic, he possesses the ability to summon the elements and bend them to his will. On December 25, his 18th birthday, Matthew intends to pay back all who have offended him--and that includes Chuck Simon.

The 27th century: beleaguered elites decide to melt the Greenland icecap. Why? - to open up a new continent, for colonisation by the unruly masses. How? - by harvesting the primordial heat of the Earth from Iceland's volcanoes. Nature fights back, and it all goes horribly wrong... In the early 1920s confirmed city-dweller Alfred Doblin - he was 15 before he saw his first cherry tree - became puzzled by a nagging sense of Nature: "I experienced Nature as a secret. Physics as the surface, begging for explanations. Textbooks... knew nothing of the secret. Every day I experienced Nature as the World Being, meaning: weight, colour, light, dark, its countless materials, as a cornucopia of processes that quietly mingle and criss-cross." Readers accustomed to following a story via Plot and Character may at first be disoriented by this epic of the future. Its structure is more symphonic than novelistic, driven by themes and motifs that emerge, fade back, emerge again in new orchestral voicings and new tempi. The prose - supple, rhythmic, harsh, elegiac, tender, unsparing - propels the reader on through scene after vivid scene. Mountains Oceans Giants is a literary counterpart to the painted dreams and nightmares of Hieronymus Bosch, in The Garden of Earthly Delights and The Last Judgement. Alfred Doblin, born in Szczecin in 1878, initially worked as a medical assistant and opened his own practice in Berlin in 1911. Doblin's first novel appeared in 1915/16. His greatest success was the novel Berlin Alexanderplatz published in 1929. In 1933 Doblin emigrated to France and finally to the USA. After the end of the 2nd World War he moved back to Germany, but then moved in 1953 with his family to Paris. He died on June 26, 1957. Berlin Alexanderplatz (translated by Michael Hofman) is published by Penguin in the UK and New York Review Books in the USA.