In No Matter the Wreckage , Sarah Kay takes you on a profound journey through her self-discovery in New York. Following her breakout poem "B," this debut poetry collection showcases her accessible brilliance. With each verse, Kay transports readers to a world of love, nostalgia, and life's wonders. Her elegant words celebrate family bonds, young love, travel, and the echoes of history shaping our present. What sets No Matter the Wreckage apart is Kay's ability to find magic in the ordinary, painting intimate portraits of unlikely love affairs between objects and exploring whimsical topics. This collection's transformative helps readers to find a sanctuary of words that uplift your spirit and ignite imagination. No Matter the Wreckage is a must-have for poetry lovers, an unforgettable journey.

"A wonderful introduction the Japanese tradition of jisei , this volume is crammed with exquisite, spontaneous verse and pity, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." — Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei , or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

The Book of Dede Korkut is a collection of twelve stories set in the heroic age of the Oghuz Turks, a nomadic tribe who had journeyed westwards through Central Asia from the ninth century onwards. The stories are peopled by characters as bizarre as they are unforgettable: Crazy Karchar, whose unpredictability requires an army of fleas to manage it; Kazan, who cheerfully pretends to necrophilia in order to escape from prison; the monster Goggle-eye; and the heroine Chichek, who shoots, races on horseback and wrestles her lover. Geoffrey Lewis's classic translation retains the odd and oddly appealing style of the stories, with their mixture of the colloquial, the poetic and the dignified, and magnificently conveys the way in which they bring to life a wild society and its inhabitants. This edition also includes an introduction, a map and explanatory notes.

Seymour Mayne's word sonnet is a relatively new variation of the traditional form. It is an inheritance and innovation of Shakespeare's sonnets. In essence, it is a fourteen-line poem, with one word set for each line. Concise and usually visual in effect, this "miniature" version can contain one or more sentences, as the articulation requires. Seymour's word sonnets are short and concise, but full of rhythm and philosophy, each of them is the fruit of the poet's observation and thinking of life and nature as well as the representation of the poet's inspiration. In view of the refreshing artistry and thought-provoking philosophy of the word sonnets, the translator translated them into Chinese, hoping that readers in the Chinese world who love poetry can have the opportunity of to appreciate Seymour's poetry. Each of the word sonnets in the following sequences attempts to be a pithy and suggestive poem in its own right. Many draw on the seasons and also aim for a compact resonance that may attract the reader to return to them again and again .

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Pour Lire Au Bai (1884) est un recueil de po�����mes �����crit par l'auteur fran�����ais Catulle Mendes. Les po�����mes sont caract�����ris�����s par leur style lyrique et leur th�����me romantique. Le titre du livre est un jeu de mots sur ""pour lire au lit"", sugg�����rant que les po�����mes sont destin�����s ������ ������tre lus dans un endroit confortable et intime. Les po�����mes se concentrent sur des th�����mes tels que l'amour, la beaut�����, la nature et la mort. Les po�����mes sont �����crits en vers libres et en prose po�����tique. Le livre a �����t����� bien accueilli par la critique de l'�����poque et est consid�����r����� comme l'un des meilleurs travaux de Mendes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.