San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America-somnolent, conformist, and paranoid in the 1950s-was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual, and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah, and the Internet. Thirty years ago, poet David Meltzer interviewed his poet friends for The San Francisco Poets. Now in San Francisco Beat he has combined these classic interviews with recent follow-up. San Francisco Beat features major new interviews with Philip Lamantia, Joanne Kyger, Gary Snyder, Jack Hirschman, Diane di Prima, Jack Micheline, Philip Whalen, and David Meltzer himself. David Meltzer is the author of many books of poetry, including Tens, The Name, Arrows: Selected Poetry 1957-1992, and No Eyes: Lester Young. He is the editor of Birth, The Secret Garden, Reading Jazz, and Writing Jazz, among other collections. His agit-smut fictions include The Agency Trilogy. Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, Serpent Power. Meltzer teaches poetics at New College of California. Table of Contents/Interviewed Authors Preface Acknowledgments Diane di Prima (1999) William Everson (1971) Remembering Everson (1999) Lawrence Ferlinghetti I (1969) Lawrence Ferlinghetti II (1999) Jack Hirschman (1998) Joanne Kyger (1998) Philip Lamantia (1998) Michael McClure I (1971) Michael McClure II (1999) David Meltzer (1999) Jack Micheline (1994) Kenneth Rexroth (1971) Remembering Rexroth (1971) Gary Snyder (1999) Lew Welch (1971) Philip Whalen (1999) Bibliographies Preface Nothing is hidden; As of old All is clear as daylight -Anonymous haiku, 16th century San Francisco Beat: Talking with the Po

A complete, full-color recreation in book form of all 12 issues of the legendary psychedelic newspaper originally published in the Haight-Ashbury 1966-68. Edited by Allen Cohen $175.00 Library Edition (ISBN 0-916147-11-8) / $700.00 Collector's Edition (ISBN 0-916147-12-6) / 431 pp / 11" x 14"/ hardbound / archival paper / Library Edition limited to 1700 copies / Collectors Edition limited to 200 copies The San Francisco Oracle, published in the Haight-Ashbury from 1966 to 1968, was one of the most unique and beautiful publications of the 60's. It is remembered for it's extraordinary graphic design by major San Francisco artists, its rainbow colors and the cultural explorations and breakthroughs in its articles, interviews and poetry. At its height, over 120,000 copies of each issue of The Oracle were printed and distributed, and each copy was read by many people. The Oracle is quoted and praised in most of the histories of the 60's. Writers who appeared in The Oracle include: Gary Snyder, William Burroughs, Allen Ginsberg, Alan Watts, Stephen Levine, Lenore Kandel, Tim Leary, Michael McClure, Paul Krassner, Buckminster Fuller, Carl Rogers, Richard Alpert (Ram Dass), Robert Theobald, Lawrence Ferlinghetti and others. Artists include many of the great San Francisco Poster artists such as: Rick Griffin, Stanley Mouse, Alton Kelly, Bruce Conner, Michael Bowen and Gary Grimshaw. During the 60's there was an incredible surge of creative innovation in journalism. In response to the mainstream media's control of information regarding the Vietnam War, the anti-war movement and the cultural changes that were sweeping America, every large city, many college campuses and even some high schools created their own underground newspapers. Out of this creative ferment arose one publication that burst the boundaries of the newspaper format both in graphic and in written content;The San Francisco Oracle. The Oracle printed artwork in bold colors, merging written content and artistic vision. At times it was difficult to tell if the paper was reflecting the changes in the new culture or originating them. Its style and technical innovations were copied by many of the alternative papers and some of the more adventurous mainstream media. The Oracle is now a cherished legend. Those who remember it compare its beauty to the medieval illuminated manuscripts and the illustrated books of Blake and Dori.

Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso

"Black Bart was not the Old West's only stagecoach robber, but he was the most famous. To many people, he was a folk hero: a robber who didn't threaten or harm passengers. He was a bandit with a sense of humor who wrote poetry. In robbing at least 28 Wells Fargo stagecoaches across northern California between 1875 and 1883, he never fired a shot or injured anyone. His gun, it turned out, was never loaded. Newspaper stories about the poet robber's exploits and about Jim Hume, the unyielding chief detective of Wells Fargo, became popular reading throughout the West. Black Bart seemed to enjoy the chase. During one robbery the driver told him "They'll catch you one of these days." Bart answered, "Perhaps, but in the meantime give my regards to J. B. Hume, will you?" For eight years, each new robbery--and each new story--made Hume even more determined to track him down. Resources include a list of all Bart's robberies, notes, and bibliography, making this a rich resource for all Wild West readers."--Provided by publisher.

Poetry. Winner of the 2005 Pen Oakland-Josephine Miles Literary Award for Poetry. From Los Angeles to San Francisco, from 1953 to now--Neeli Cherkovski uses bar scenes, cafe insights, family confessions, heartbreak and redemption, meditations on morality and the acceptance of self to transform memory, time and myth into an intimate poetic-memoir. He creates a window to the past and explores how time has shaped who he has become. It is here--the power of Cherkovski's talent surfaces. It is here he finds himself, like an old friend in a warm embrace, LEANING AGAINST TIME.

Richard Grossinger is an American writer, anthropologist, and publisher of North Atlantic Books in Berkeley, California. This is the first book in a series "The Solar Journal Series" published by Black Sparrow, 1964-1967

THE GRAND PIANO is an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976-79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv. When completed, THE GRAND PIANO will comprise ten parts, in which each of the ten authors will appear in a different sequence. These poets are Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, and Ted Pearson.